100:00:24,539 --> 00:00:29,210so he

1
00:00:24,539 --> 00:00:29,210
so here we are in capture one and
there's absolutely no surprises here but

2
00:00:29,210 --> 00:00:33,030
I will run you through it and one thing
that's kind of curious in this as well

3
00:00:33,030 --> 00:00:37,350
as seeing how the light tonality changes
when you gone from earlier which is in

4
00:00:37,350 --> 00:00:42,350
the front line then into the real hero
Lolo wreaking like qualities which we

5
00:00:42,350 --> 00:00:49,120
have in here and then into the evening
we get to all the way towards the end

6
00:00:49,120 --> 00:00:54,120
when things get into the blue color
palette and lower tones so you can see

7
00:00:54,120 --> 00:00:57,460
some of that right in here so we're
going to school through that before the

8
00:00:57,460 --> 00:01:01,640
start though I want to just show you in
our settings

9
00:01:01,640 --> 00:01:06,259
there's absolutely nothing done to this
but for the sharpening right here

10
00:01:06,259 --> 00:01:10,850
there's no color settings no treatments
here

11
00:01:10,850 --> 00:01:16,780
5500 Calvin and a tiny militant that
will not even the noticeable to be

12
00:01:16,780 --> 00:01:25,149
honest so even have a true capture 5500
killed in neutral color capture so what

13
00:01:25,149 --> 00:01:29,479
you see in changes what you see in color
on the screen is nothing but the tone

14
00:01:29,479 --> 00:01:35,440
studs inherent in the landscape and also
inherent in the light that casts on it

15
00:01:35,440 --> 00:01:40,190
so a lot of these are shown in panels
when you see this frame it's really

16
00:01:40,190 --> 00:01:45,640
meant to be one long horizontal like
this I did this to get closer and get

17
00:01:45,640 --> 00:01:49,650
more detail and I really was intrigued
by these mountains so that's why I shot

18
00:01:49,650 --> 00:01:56,340
these for the slightly longer lands and
chose to stitch them together so again

19
00:01:56,340 --> 00:02:02,170
no surprises to this just show you a few
of these pictures as we go down and you

20
00:02:02,170 --> 00:02:06,750
could see the delight quality changes
like these mountains in here and it was

21
00:02:06,750 --> 00:02:10,610
something like this that ended up using
but the light coming in through this in

22
00:02:10,610 --> 00:02:15,569
shaping this in trading volume between
especially here and the ones behind so

23
00:02:15,569 --> 00:02:21,439
it's gonna scroll down and I'll show you
where I ended up for the light that I

24
00:02:21,439 --> 00:02:26,610
liked how you see my capture here is
skipping a little bit between frames

25
00:02:26,610 --> 00:02:30,930
this is the second camera that I had
that I ended up shooting some back on

26
00:02:30,930 --> 00:02:34,650
plates but that had a longer lens so I
could get closer to the mountains so I

27
00:02:34,650 --> 00:02:35,660
apologize for this

28
00:02:35,660 --> 00:02:41,320
skipping between hair a tiny tiny bit so
the likely looking for is quite subtle

29
00:02:41,320 --> 00:02:47,620
and it pulled up maybe this panel right
here this is really quite close to where

30
00:02:47,620 --> 00:02:52,630
I wanted to be when the Sun hits the
horizon or comes behind the mountain

31
00:02:52,630 --> 00:02:58,700
there's a moment there are you only see
half of the Sun right the Sun is half

32
00:02:58,700 --> 00:03:03,890
way behind the mountain that sits on the
horizon line and in that moment you get

33
00:03:03,890 --> 00:03:08,510
a few seconds the lights are a few
minutes where the like it's just a

34
00:03:08,510 --> 00:03:14,850
really soft and easily diffused so you
can see the difference right here this

35
00:03:14,850 --> 00:03:20,820
is when the Sun is full on right above
them up and then just as it tips have

36
00:03:20,820 --> 00:03:25,460
been between you get this like quality
and you could see how much softer this

37
00:03:25,460 --> 00:03:32,270
is compared to these two let me put this
down as you can see this matter I think

38
00:03:32,270 --> 00:03:40,880
you get the idea but you don't give you
the reason for me on this would grab

39
00:03:40,880 --> 00:03:43,390
properly there we go

40
00:03:43,390 --> 00:03:50,310
so this is full on Sun coming across the
landscape this is just seconds later or

41
00:03:50,310 --> 00:03:54,750
maybe a minute or two there you have
almost the same length of the shadows

42
00:03:54,750 --> 00:04:00,150
but very different softness to the light
everything just get diffused you get

43
00:04:00,150 --> 00:04:04,720
half of the intensities almost neutral
density filter right over the sign is

44
00:04:04,720 --> 00:04:11,370
the only get half of the race that's
hitting the landscape so writing here is

45
00:04:11,370 --> 00:04:15,580
to build my landscape you can ask what
the differences and it's really just in

46
00:04:15,580 --> 00:04:21,760
the contrast levels but it adds again
that's really seductive for me seductive

47
00:04:21,760 --> 00:04:27,020
painterly palette so if you want to do
something similar to this just again

48
00:04:27,020 --> 00:04:32,080
observe the light see how it changes it
goes from this right here is really soft

49
00:04:32,080 --> 00:04:38,760
and then a few minutes earlier which is
way more contrasty right there you see

50
00:04:38,760 --> 00:04:41,009
the difference quite low

51
00:04:41,009 --> 00:04:47,159
from here the light just traveled
completely into shadow pretty much these

52
00:04:47,159 --> 00:04:53,520
pains here and then went into night and
we talked about this in the previous

53
00:04:53,520 --> 00:04:57,860
chapter of the open mister where'd you
get into this blue tongue and you could

54
00:04:57,860 --> 00:05:02,020
see how this kinda get similar to have
been captured but for the green grass

55
00:05:02,020 --> 00:05:07,289
here are the lowest owns the grass and
the Red Rocks the mountains are very

56
00:05:07,289 --> 00:05:10,939
similar and that will be because the
locations are just minutes away from

57
00:05:10,939 --> 00:05:15,300
each other so that's why run down and
capture one for the background played

58
00:05:15,300 --> 00:05:23,599
I'm just going to quickly bring out the
talent as well and there's no secrets

59
00:05:23,599 --> 00:05:28,889
here he is really the only thing is that
I shot a lot of pictures I was really

60
00:05:28,889 --> 00:05:34,080
intrigued by this guy he was just so
much fun yet such process and such

61
00:05:34,080 --> 00:05:39,089
character so I spent a good hour prior
to the Sun being low enough for us to

62
00:05:39,089 --> 00:05:45,289
shoot to just how fun and explore just
beautiful fun pictures of this guy being

63
00:05:45,289 --> 00:05:51,009
on the card so there's a few this
captures in here and I'm gonna come into

64
00:05:51,009 --> 00:05:55,199
the frame so we started working on what
we needed for the composite keys so

65
00:05:55,199 --> 00:05:59,969
again on location as you saw in the
previous chapters my thoughts are well

66
00:05:59,969 --> 00:06:04,809
documented so not sure if I should add
too much to this year you see it billion

67
00:06:04,809 --> 00:06:09,430
the fact they have our white backdrop it
is only added so that it would be easier

68
00:06:09,430 --> 00:06:15,800
for me to cut out here and here and here
thanks for simply composite and I'm

69
00:06:15,800 --> 00:06:20,009
sitting in a little bit on them to try
to match the length of the lens 63

70
00:06:20,009 --> 00:06:25,269
millimeter here which is similar to what
I had myself the landscape so that's

71
00:06:25,269 --> 00:06:30,939
really the essence of this there was no
just about shooting a lot of different

72
00:06:30,939 --> 00:06:35,370
exposures so that we had a lot of stuff
to work with the flying here this flying

73
00:06:35,370 --> 00:06:44,139
festers explored this shooting 1041
Images Justin this session so you some

74
00:06:44,139 --> 00:06:48,580
wider ones so I just kind of explored
making sure that I had the pieces that I

75
00:06:48,580 --> 00:06:51,430
needed so I selected those for us

76
00:06:51,430 --> 00:06:54,430
taken into Photoshop and put it all
together as I mentioned in the

77
00:06:54,430 --> 00:06:57,450
introduction this is a fairly easy
composite

結果 (中文) 1:

100:00:24，539--> 00:00:29，210所以在这里我们是在捕获一和那里是绝对没有惊喜在这里但200:00:29，210--> 00:00:33，030要通过它和一件事那也是在这种好奇300:00:33，030--> 00:00:37，350作为看到光调性的变化当你从早走了，是在400:00:37，350--> 00:00:42，350然后进入真正的英雄前线Lolo 肆虐如品质的我们500:00:42，350--> 00:00:49，120有在这里，然后到晚上咱们一路走向结束600:00:49，120--> 00:00:54，120当事情陷入蓝色颜色调色板和较低的音调，所以你可以看到700:00:54，120--> 00:00:57，460一些这种权利在这里所以我们通过前上学800:00:57，460--> 00:01:01，640虽然我想要只是让你在开始我们的设置900:01:01，640--> 00:01:06，259绝对没有对此做了但这里锐化1000:01:06，259--> 00:01:10，850有是没有颜色设置没有治疗方法在这里1100:01:10，850--> 00:01:16，7805500 卡尔文和一个小小的激进分子，将不甚至明显要1200:01:16，780--> 00:01:25，149诚实所以即使有一个真正的捕获 5500死于中性色捕获什么1300:01:25，149--> 00:01:29，479你在变化中你所看到的颜色在屏幕上的口气只不过是1400:01:29，479--> 00:01:35，440螺柱所固有的景观，也inherent in the light that casts on it1500:01:35,440 --> 00:01:40,190so a lot of these are shown in panelswhen you see this frame it's really1600:01:40,190 --> 00:01:45,640meant to be one long horizontal likethis I did this to get closer and get1700:01:45,640 --> 00:01:49,650more detail and I really was intriguedby these mountains so that's why I shot1800:01:49,650 --> 00:01:56,340these for the slightly longer lands andchose to stitch them together so again1900:01:56,340 --> 00:02:02,170no surprises to this just show you a fewof these pictures as we go down and you2000:02:02,170 --> 00:02:06,750could see the delight quality changeslike these mountains in here and it was2100:02:06,750 --> 00:02:10,610something like this that ended up usingbut the light coming in through this in2200:02:10,610 --> 00:02:15,569shaping this in trading volume betweenespecially here and the ones behind so2300:02:15,569 --> 00:02:21,439it's gonna scroll down and I'll show youwhere I ended up for the light that I2400:02:21,439 --> 00:02:26,610liked how you see my capture here isskipping a little bit between frames2500:02:26,610 --> 00:02:30,930this is the second camera that I hadthat I ended up shooting some back on2600:02:30,930 --> 00:02:34,650plates but that had a longer lens so Icould get closer to the mountains so I2700:02:34,650 --> 00:02:35,660apologize for this2800:02:35，660--> 00:02:41，320跳过头发之间微小的一点点所以可能寻找的是相当微妙2900:02:41，320--> 00:02:47，620和它拉起也许此面板的右在这里，这是真的很靠近哪里3000:02:47，620--> 00:02:52，630我想要当太阳直射地平线或来自后面的山3100:02:52，630--> 00:02:58，700有是有你只能看到一个时刻太阳是一半一半的太阳右3200:02:58，700--> 00:03:03，890坐在山背后的方式天际线和你的那一刻3300:03:03，890--> 00:03:08，510几秒钟的灯都几个分钟像它在哪里只是3400:03:08，510--> 00:03:14，850真的很软而易扩散这样你可以看到的差别就在这里这3500:03:14，850--> 00:03:20，820是当太阳在正上方充满他们，然后就像它提示有3600:03:20，820--> 00:03:25，460被之间你得到这个质量怎么样你能看到多少软这3700:03:25，460--> 00:03:32，270比较这些两个让我把这下来你可以看到这件事我想3800:03:32，270--> 00:03:40，880你的想法，但你不给你我在这的原因会抢3900:03:40，880--> 00:03:43，390我们正确那里去。4000:03:43，390--> 00:03:50，310所以太阳要越过这充满这只是的景观秒后或4100:03:50，310--> 00:03:54，750也许一分钟或两个那里你有影子的长度几乎相同4200:03:54，750--> 00:04:00，150但非常不同柔软到光一切都只是分散你得到4300:04:00，150--> 00:04:04，720一半的强度几乎中性密度筛选正确的标志是4400:04:04，720--> 00:04:11，370唯一得到一半的比赛的打所以写在这里的景观是4500:04:11，370--> 00:04:15，580要建立我的风景你可以问什么差异和它的真的只是在4600:04:15，580--> 00:04:21，760对比度级别，但它再加这就是我诱人真的很诱人4700:04:21，760--> 00:04:27，020画家的调色板所以如果你想要做与此类似的只是再一次4800:04:27，020--> 00:04:32，080观察看看它是如何的变化它的光从这去这里是真的很软4900:04:32，080--> 00:04:38，760然后是早几分钟更对比度右那里你看到5000:04:38，760--> 00:04:41，009相当低的差异5100:04:41，009--> 00:04:47，159从这里只被走过的光完全的阴影很多这些5200:04:47，159--> 00:04:53，520这儿痛，然后走进夜和我们在前面讨论过这个5300:04:53，520--> 00:04:57，860章开先生你在那里进入这个蓝色的舌头，你可以5400:04:57，860--> 00:05:02，020看看如何，这有点会得到类似的有被捕获，但绿草5500:05:02，020--> 00:05:07，289这里有最低的拥有草和红岩石山是非常5600:05:07，289--> 00:05:10，939类似，这将是因为地点是远离只需几分钟5700:05:10，939--> 00:05:15，300彼此，所以这就是为什么运行，一为背景播放的捕获5800:05:15，300--> 00:05:23，599我只要迅速带出人才以及和那里是没有秘密5900:05:23，599--> 00:05:28，889他在这里真正唯一的事是，我拍了很多的图片，我真的6000:05:28，889--> 00:05:34，080这家伙，他只是好奇所以好玩但这种过程和这种6100:05:34，080--> 00:05:39，089所以我花了一小时前的字符太阳正在我们到足够低6200:05:39，089--> 00:05:45，289拍摄，只是多么有趣，只是探讨美丽的有趣照片，这家伙被6300:05:45，289--> 00:05:51，009卡上有几个这捕获在这里和我要去进入6400:05:51，009--> 00:05:55，199所以我们开始研究什么框架所以我们需要为复合键6500:05:55，199--> 00:05:59，969再次在你的位置上看到的前几章我的想法很好6600:05:59，969--> 00:06:04，809记录了所以不知道是否我应该添加太多对今年你看见它亿6700:06:04，809--> 00:06:09，430他们有我们的白色背景的事实它只添加，以便它会更容易6800:06:09，430--> 00:06:15，800我要剪出这里和这里和这里谢谢你简单复合和我6900:06:15，800--> 00:06:20，009坐在有点咬了他们尝试要匹配的镜头 63 长度7000:06:20，009--> 00:06:25，269毫米波类似于什么我有自己的景观所以这就是7100:06:25，269--> 00:06:30，939真正的精髓有没有只拍摄了很多的不同7200:06:30，939--> 00:06:35，370暴露使我们有了很多东西工作与飞行在这里这个飞行7300:06:35，370--> 00:06:44，139溃烂探索这个射击 1041图像贾斯汀本届所以你一些7400:06:44，139--> 00:06:48，580更广泛的所以我只是什么样的探索来确保我有件，我7500:06:48，580--> 00:06:51，430所以选择了那些为我们所需7600:06:51，430--> 00:06:54，430考虑到 Photoshop 和把这一切如我所述的在一起7700:06:54，430--> 00:06:57，450简介这是相当容易的复合材料

結果 (中文) 3:

1
00:00:24539——> 00:00:29210
所以我们在捕捉一个
绝对没有惊喜，但

2
00:00:29210——> 00:00:33030
我将你通过这一件事
就是在这种好奇以及

3
00:00:33030——> 00:00:37350
如何在光的色调变化
当你离开之前是

4
00:00:37350——> 00:00:42350
前线，然后进入真正的英雄
洛洛会一样的品质我们

5
00:00:42350——> 00:00:49120
在这里然后到晚上
我们去所有的方式向端

6
00:00:49120——> 00:00:54120
当事情进入蓝色
调色板和较低的音调你可以看到

7
00:00:54120——> 00:00:57460
一些正确的在这里，所以我们
上学之前，
通过
8
00:00:57460——> 00:01:01640
开始虽然我只想让你在
我们设置

9
00:01:01640——> 00:01:06259
绝对没有什么做这
但锐化在这里

10
00:01:06259——> 00:01:10850
没有颜色设置没有处理
这里

11
00:01:10850——> 00:01:16780
5500加尔文和一个小的战斗，
甚至不会注意到

12
00:01:16780——> 00:01:25149
诚实所以即使有一个真正的捕获5500
中性色杀捕捉到什么

13
00:01:25149——> 00:01:29479
改变你所看到的颜色
你在屏幕上看到的不过是音

14
00:01:29479——> 00:01:35440
柱固有的景观，也
在光投在它固有的

15
00:01:35，440——> 00:01:40190
所以很多这些面板
显示当你看到这架真的

16
00:01:40190——> 00:01:45640
命中注定的一长横像
这我这样做，越来越得到

17
00:01:45640——> 00:01:49650
更多细节，我真的是感兴趣的
山所以我拍

18
00:01:49650——> 00:01:56340
这些稍长的土地和
选择将它们拼接在一起，再

19
00:01:56340——> 00:02:02170
没有惊喜，这只是告诉你一些
这些图片，我们去你

20
00:02:02170——> 00:02:06750
可以看到喜悦的质量变化
喜欢这些山在这里，它是

21
00:02:06750——> 00:02:10610
这样的东西，最后使用
但光线在通过这

22
00:02:10，610——> 00:02:15569
塑造这个交易量之间的
尤其是和那些在身后的23


00:02:15569——> 00:02:21439
要向下滚动，我会告诉你
我结束的地方的光，我

24
00:02:21439——> 00:02:26610
喜欢你看我的捕捉是
跳过帧之间的

25
00:02:26610——> 00:02:30930
这是我的第二相机一点点
我结束了拍摄

26
00:02:30930——> 00:02:34650
板，但有一个较长的镜头，所以我
可能接近山，所以我

27
00:02:34650——> 00:02:35660
为此道歉

28
00:02:35660——> 00:02:41320
跳绳的头发一点点之间的
可能找的是相当微妙的

29
00:02:41320——> 00:02:47620
它拉也许这面板右
回来这真的是很近的地方

30
00:02:47620——> 00:02:52630
我想当太阳打
地平线或是背后的山

31
00:02:52630——> 00:02:58700
有时刻有你只看到
一半太阳对太阳的一半

32
00:02:58700——> 00:03:03890
方式，坐在
天际线在那一刻，你

33
00:03:03身后的山峰，890——> 00:03:08510
几秒灯是几
分钟，喜欢它只是一个

34
00:03:08510——> 00:03:14850
真软，容易扩散，所以你
可以看到不同就在这里，这

35
00:03:14850——> 00:03:20820
是当太阳完全的正上方
起来然后就提示有

36
00:03:20820——> 00:03:25460
之间你得到这个像质量