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spectacular location that you don't
anticipate ever visiting during your
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lifetime you have to make do with
whatever shooting conditions are you
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trying for a spectacular result
regardless of whether it's a sunny day
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or not
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now this is one of the most spectacular
places in the world this is a lost city
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of the Incas Machu Picchu spectacular
not so much for the architecture but the
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fact that it's nestled in massive peaks
it's a city in the clouds difficult to
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get to almost impossible to find
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built in the middle of the 15th century
it survived the white part of the Incas
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by the Spaniards in the early fifteen
hundreds spaniards never found it
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surprisingly the Incas in their last
stages in their last throws while they
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are being wiped out by the Spaniards are
believed to have fled here but they all
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died out shortly thereafter and the the
city was never discovered for another
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four hundred years it wasn't discovered
until 1911 and now it's just a
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spectacular sight but anyhow are signed
with is to correct the caller we have
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plenty time to make it spectacular later
on let's just see if there's any color
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imperfections that we can deal with
mostly seeing your greens and browns the
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Greens the A's negative in the B is
further away from your own positive so
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that's fine
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the Browns well thats 00 that's neutral
it's great they're 020 in 2003 seen some
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coldness here that's probably not right
like there for example minus three and
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plus two that can't really be green
rather than
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agenda so I think we have to move away
from Bremen we're not too far off here
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looks like we could probably get by just
by darkening the green channel so that
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we get away from that caller maybe baby
blue chip needs to be dark and also ok
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so here and raised its so as to make the
the green channel darker and I suspect
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that makes things to propose well when
we can check over here in this greenery
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and the original value there before the
/ says minus 7-5 so that is actually
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been on the blue side we want to them
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increase the yellow component in the
picture and maybe this is the easy way
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to do it let's see what whether we've
got Browns here now
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ok 13 that's a brown 14 that's a
yellowish brown 16 that's good you're
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still got a little bit of green as in
that area how about here this is what
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we're what we're kind of shooting for
and maybe way to get it out is take some
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of the red down also now still seeing a
little will be minus there
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we're finally getting to be reasonable
colors now check here again it's not
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really green enough so that area perhaps
we will decrease the girls make brighter
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the green channel ok so now these
callers should be kind of okay let's see
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four after I would say we we've taken
some of the blue haze out of the picture
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color mode maybe I guess and we don't
want to share the highlights here not
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it's not a question of whether we have
the range would probably do have the
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range to do it but shadow highly these
two gives better detail in the extreme
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lights in the extreme darks I don't see
the we need that here we're we're more
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interested in what's happening in the
mid tone of the images I would say this
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is the end of this exercise and now
we're gonna move to the hometown the guy
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who is most responsible for wiping out
the Incas Francisco Pizarro the Spanish
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conquistador he grew up in this little
town in Spain rap about two blocks from
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here and we'll see what we can do with
this picture again look like the picture
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we've got some Browns here this this
church that's a proper brown + to + 10
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the sky is a proper bloom makes sense
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hair color here minus one plus one so
that's probably a bit on the cold side
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and here we ended the war in southern
Spain I refuse to accept that green blue
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is a possible color here the pipe that
they could be green blue eyes it's
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possible this should be black I'm sure
and it's minus 2-4 so the pictures too
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cold even though the round seems to be
about
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proper color let's get some warmth into
it what's happening here looks like the
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red channels really too dark that's
what's what's causing the issue so tone
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it down a little bit see how that makes
more red went too far just like to keep
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those three approximately equal air 66
6468 then dark and the blue channel so
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that we get those two points back
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64 62 67 6666 6666 64 now so that is
probably black now let's check what the
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other things are ok this is now sort of
white just a little bit on the cold side
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not very much this is neutral and sky is
still blue so I make one last move here
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in the red and then calling west and the
purpose of that move was added warmth
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here when the red channel goes goes down
original gets wider that makes this area
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rather warmer and now we see that it
started out where the cursor is minus
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2-2 green blue but now its euro M plus
one so it's all white with a very tiny
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tension and I guess this is going to be
the end of this obviously the the
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highlight in this image is is too dark
for us to consider shadow highlight we
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wouldn't want to go over there and talk
about that is the highlight because it's
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not significant to the picture so color
mode
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doesn't seem to do much but I guess it
makes sense to just stick in color mode
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I don't see that it would do any harm so
latin and save and believe it or not
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we're on our final image now and this is
going to be a harder one this is an
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interesting exercise in catering to the
phenomena of the human visual system
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known as dramatic adaptation which says
that we calibrate whatever the
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conditions are the USU women's the work
done one was done in Peru which is near
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the equator and the other in southern
Spain expect a pretty strong sunlight