100:00:01,839 --> 00:00:03,810when

1
00:00:01,839 --> 00:00:03,810
when it comes to blending exposures

2
00:00:03,810 --> 00:00:07,930
masking techniques in Photoshop provide
the most control and can achieve the

3
00:00:07,930 --> 00:00:09,550
best final image quality

4
00:00:09,550 --> 00:00:13,530
but this approach is also time consuming
and takes a lot of practice

5
00:00:13,530 --> 00:00:17,720
there are many HDR applications on the
market that help automate and simplify

6
00:00:17,720 --> 00:00:18,859
the blending

7
00:00:18,859 --> 00:00:23,179
exposures at this time they don't
provide the control and quality that I

8
00:00:23,179 --> 00:00:24,890
want so I rarely use them

9
00:00:24,890 --> 00:00:28,980
however there is one automated blending
method that I will show you

10
00:00:28,980 --> 00:00:32,349
as long as the dynamic range at the
scene isn't too extreme

11
00:00:32,349 --> 00:00:35,550
this technique is easier than handling
exposures

12
00:00:35,550 --> 00:00:38,910
and it really does extend the dynamic
range beyond the reach

13
00:00:38,910 --> 00:00:42,519
single exposure techniques in the right
situation

14
00:00:42,519 --> 00:00:46,350
the results from this technique can be
almost on par with what can be achieved

15
00:00:46,350 --> 00:00:48,449
through Hamlin in Photoshop

16
00:00:48,449 --> 00:00:52,230
the best part is that it uses the
adjustments that were used to in

17
00:00:52,230 --> 00:00:52,780
Lightroom

18
00:00:52,780 --> 00:00:56,179
or cammarata to perform this technique

19
00:00:56,179 --> 00:00:59,410
you need to own at least Lightroom
version 4.1

20
00:00:59,410 --> 00:01:05,329
and at least Photoshop version cs5 can
also be done with cammarata if you don't

21
00:01:05,329 --> 00:01:06,110
use later

22
00:01:06,110 --> 00:01:11,350
the sunset Smith Rock State Park was a
classic high dynamic range situation

23
00:01:11,350 --> 00:01:14,329
which exceed my cameras single exposure
capabilities

24
00:01:14,329 --> 00:01:23,360
so I bracketed 5 exposures at one stop
increments

25
00:01:23,360 --> 00:01:26,430
we're going to use Photoshop's HDR Pro
engine

26
00:01:26,430 --> 00:01:30,229
to you bland these five exposures into
one single

27
00:01:30,229 --> 00:01:33,399
high dynamic range 32-bit image file

28
00:01:33,399 --> 00:01:36,430
start by applying any lens correction

29
00:01:36,430 --> 00:01:41,240
chromatic aberration removal and
perspective adjustments that you wanna

30
00:01:41,240 --> 00:01:42,280
make to the image

31
00:01:42,280 --> 00:01:45,939
make sure to synchronize those
adjustments

32
00:01:45,939 --> 00:01:50,860
across the entire series of images now
at the series selected

33
00:01:50,860 --> 00:01:55,369
right click or control-click on a Mac
and go to Edit in

34
00:01:55,369 --> 00:01:59,069
merge to HDR Pro in Photoshop

35
00:01:59,069 --> 00:02:03,009
the HDR engine in Photoshop will

36
00:02:03,009 --> 00:02:06,209
open the images align them and create a

37
00:02:06,209 --> 00:02:10,619
high dynamic range 32-bit image file
planning all the time all information

38
00:02:10,619 --> 00:02:23,020
from the series have exposures

39
00:02:23,020 --> 00:02:27,700
this 32-bit file has far more dynamic
range that we can view it one time on a

40
00:02:27,700 --> 00:02:28,300
monitor

41
00:02:28,300 --> 00:02:32,040
the slider allows us to view the entire
dynamic range

42
00:02:32,040 --> 00:02:35,310
from shadow information

43
00:02:35,310 --> 00:02:38,510
all the way up through the brightest
highlights

44
00:02:38,510 --> 00:02:42,090
if there's something moving in the scene
like these clouds

45
00:02:42,090 --> 00:02:47,000
you can check the remove go Spock's

46
00:02:47,000 --> 00:02:51,240
and then pick the exposure you want it
to use for that part in the image

47
00:02:51,240 --> 00:02:56,200
this case for the sky I think it's that
one you could choose to

48
00:02:56,200 --> 00:03:00,210
tone mapped the image in each year pro

49
00:03:00,210 --> 00:03:05,680
as a 16-bit image file but tone mapping
with each year pro creates that familiar

50
00:03:05,680 --> 00:03:09,420
HDR look that I'm trying to avoid
instead

51
00:03:09,420 --> 00:03:12,960
only the and 32-bit mode and

52
00:03:12,960 --> 00:03:21,660
just say okay

53
00:03:21,660 --> 00:03:23,500
this brings us back to you

54
00:03:23,500 --> 00:03:27,380
Photoshop with the high dynamic range
32-bit file

55
00:03:27,380 --> 00:03:30,920
just go to File and save it

56
00:03:30,920 --> 00:03:36,270
then we can close it and go back to late
room

57
00:03:36,270 --> 00:03:40,280
the 32 bit high dynamic range to file

58
00:03:40,280 --> 00:03:43,920
has automatically been imported into the
Lightroom catalog

59
00:03:43,920 --> 00:03:48,060
Naked News late rooms from il your
controls to make adjustments to it

60
00:03:48,060 --> 00:03:52,350
but you're making adjustments on a high
dynamic range 32-bit file

61
00:03:52,350 --> 00:03:56,010
notice that a

62
00:03:56,010 --> 00:04:00,570
regular raw files exposure range is
between

63
00:04:00,570 --> 00:04:04,500
-5 stops and plus five stops

64
00:04:04,500 --> 00:04:08,010
for a total of 10 stops but the

65
00:04:08,010 --> 00:04:12,100
32-bit to file has an exposure range
from

66
00:04:12,100 --> 00:04:15,420
-10 to plus-10

67
00:04:15,420 --> 00:04:18,820
for a total love 20 stops a dynamic
range

68
00:04:18,820 --> 00:04:23,050
working with that additional dynamic
range makes it possible to adjust the

69
00:04:23,050 --> 00:04:23,900
exposure

70
00:04:23,900 --> 00:04:28,120
highlights shadows White Point and black
point to create an image with much

71
00:04:28,120 --> 00:04:29,260
better tone range

72
00:04:29,260 --> 00:04:32,450
and tonal balance that was possible with
the single exposure

73
00:04:32,450 --> 00:04:35,880
but with a much more natural appearance
and better image quality then if

74
00:04:35,880 --> 00:04:40,160
Photoshop each year pro or some other
reached your application had been used

75
00:04:40,160 --> 00:04:42,419
it on map the 32-bit image file

76
00:04:42,419 --> 00:04:45,750
so let's work with this let's try

77
00:04:45,750 --> 00:04:50,570
bring up the exposure little bit an hour
really bring up those shadows

78
00:04:50,570 --> 00:04:54,340
this 32-bit file has a lot of shadow
information

79
00:04:54,340 --> 00:04:58,020
and I can bring up the blacks a little
bit bring down

結果 (中文) 1:

100:00:01，839--> 00:00:03，810当它来到混合曝光200:00:03，810--> 00:00:07，930在 Photoshop 中的掩蔽技术提供最控制，可以实现300:00:07，930--> 00:00:09，550最终的图像质量最好400:00:09，550--> 00:00:13，530但这种方法也是耗费时间和需要很大的实践500:00:13，530--> 00:00:17，720上有许多 HDR 应用程序帮助自动化和简化的市场600:00:17，720--> 00:00:18，859融合700:00:18，859--> 00:00:23，179在这一次他们不暴露提供质量与控制我800:00:23，179--> 00:00:24，890想要所以我很少使用它们900:00:24，890--> 00:00:28，980然而还有一个自动混合我会告诉你的方法1000:00:28，980--> 00:00:32，349只要动态范围在场景不是太极端1100:00:32，349--> 00:00:35，550这种技术是比处理更容易曝光1200:00:35，550--> 00:00:38，910和它真的并扩展动态活动范围超出了范围1300:00:38，910--> 00:00:42，519单次曝光技术的权利情况1400:00:42，519--> 00:00:46，350结果从这种技术可以几乎与什么能达到1500:00:46，350--> 00:00:48，449哈姆林在 Photoshop 中通过1600:00:48，449--> 00:00:52，230最好的部分是，它使用习惯于在的调整1700:00:52，230--> 00:00:52，780Lightroom1800:00:52,780 --> 00:00:56,179or cammarata to perform this technique1900:00:56,179 --> 00:00:59,410you need to own at least Lightroomversion 4.12000:00:59,410 --> 00:01:05,329and at least Photoshop version cs5 canalso be done with cammarata if you don't2100:01:05,329 --> 00:01:06,110use later2200:01:06,110 --> 00:01:11,350the sunset Smith Rock State Park was aclassic high dynamic range situation2300:01:11,350 --> 00:01:14,329which exceed my cameras single exposurecapabilities2400:01:14,329 --> 00:01:23,360so I bracketed 5 exposures at one stopincrements2500:01:23,360 --> 00:01:26,430we're going to use Photoshop's HDR Proengine2600:01:26,430 --> 00:01:30,229to you bland these five exposures intoone single2700:01:30,229 --> 00:01:33,399high dynamic range 32-bit image file2800:01:33,399 --> 00:01:36,430start by applying any lens correction2900:01:36,430 --> 00:01:41,240chromatic aberration removal andperspective adjustments that you wanna3000:01:41,240 --> 00:01:42,280make to the image3100:01:42,280 --> 00:01:45,939make sure to synchronize thoseadjustments3200:01:45,939 --> 00:01:50,860across the entire series of images nowat the series selected3300:01:50,860 --> 00:01:55,369right click or control-click on a Macand go to Edit in3400:01:55,369 --> 00:01:59,069merge to HDR Pro in Photoshop3500:01:59,069 --> 00:02:03,009HDR 引擎在 Photoshop 中将3600:02:03，009--> 00:02:06，209打开图像对齐它们和创建3700:02:06，209--> 00:02:10，619高动态范围 32 位图像文件规划的时间所有信息3800:02:10，619--> 00:02:23，020从系列有曝光3900:02:23，020--> 00:02:27，700这个 32 位的文件具有更多动态我们可以在一次查看的范围4000:02:27，700--> 00:02:28，300监视器4100:02:28，300--> 00:02:32，040滑块允许我们以查看整个动态范围4200:02:32，040--> 00:02:35，310从阴影信息4300:02:35，310--> 00:02:38，510一路向上通过最聪明的亮点4400:02:38，510--> 00:02:42，090如果在场景中移动的东西像这些云4500:02:42，090--> 00:02:47，000您可以检查移去斯波克的4600:02:47，000--> 00:02:51，240然后拿你想要它的曝光用于这部分的图像4700:02:51，240--> 00:02:56，200这种情况下的天空，我认为它是你可以选择到4800:02:56，200--> 00:03:00，210色调映射的图像在每年临4900:03:00，210--> 00:03:05，680作为一个 16 位的图像文件但色调映射与每年临创建熟悉5000:03:05，680--> 00:03:09，420我试图避免的 HDR 看相反5100:03:09，420--> 00:03:12，960只有和 32 位模式和5200:03:12，960--> 00:03:21，660只是说好了5300:03:21,660 --> 00:03:23,500this brings us back to you5400:03:23,500 --> 00:03:27,380Photoshop with the high dynamic range32-bit file5500:03:27,380 --> 00:03:30,920just go to File and save it5600:03:30,920 --> 00:03:36,270then we can close it and go back to lateroom5700:03:36,270 --> 00:03:40,280the 32 bit high dynamic range to file5800:03:40,280 --> 00:03:43,920has automatically been imported into theLightroom catalog5900:03:43,920 --> 00:03:48,060Naked News late rooms from il yourcontrols to make adjustments to it6000:03:48,060 --> 00:03:52,350but you're making adjustments on a highdynamic range 32-bit file6100:03:52,350 --> 00:03:56,010notice that a6200:03:56,010 --> 00:04:00,570regular raw files exposure range isbetween6300:04:00,570 --> 00:04:04,500-5 stops and plus five stops6400:04:04,500 --> 00:04:08,010for a total of 10 stops but the6500:04:08,010 --> 00:04:12,10032-bit to file has an exposure rangefrom6600:04:12,100 --> 00:04:15,420-10 to plus-106700:04:15,420 --> 00:04:18,820for a total love 20 stops a dynamicrange6800:04:18,820 --> 00:04:23,050working with that additional dynamicrange makes it possible to adjust the6900:04:23,050 --> 00:04:23,900exposure7000:04:23,900 --> 00:04:28,120highlights shadows White Point and blackpoint to create an image with much7100:04:28,120 --> 00:04:29,260better tone range7200:04:29,260 --> 00:04:32,450and tonal balance that was possible withthe single exposure7300:04:32,450 --> 00:04:35,880but with a much more natural appearanceand better image quality then if7400:04:35,880 --> 00:04:40,160Photoshop each year pro or some otherreached your application had been used7500:04:40,160 --> 00:04:42,419it on map the 32-bit image file7600:04:42,419 --> 00:04:45,750so let's work with this let's try7700:04:45,750 --> 00:04:50,570bring up the exposure little bit an hourreally bring up those shadows7800:04:50,570 --> 00:04:54,340this 32-bit file has a lot of shadowinformation7900:04:54,340 --> 00:04:58,020and I can bring up the blacks a littlebit bring down

結果 (中文) 3:

1
00:00:01839——> 00:00:03810
说到混合曝光

2
00:00:03810——> 00:00:07930
在PS图象处理软件掩蔽技术提供
最控制，可以实现

3
00:00:07930——> 00:00:09550
最好的最终的图像质量

4
00:00:09550——> 00:00:13530
但这种方法非常耗时
和需要大量的练习

5
00:00:13530——> 00:00:17720
有许多的HDR应用在
市场帮助自动化和简化

6
00:00:17720——> 00:00:18859
混合

7
00:00:18859——> 00:00:23179
暴露在这个时候他们不
提供控制和质量，我

8
00:00:23179——> 00:00:24890
希望所以我很少使用它们

9
00:00:24890——> 00:00:28980
然而有一个自动化的混合
方法我会告诉你

10
00：00:28980——> 00:00:32349
只要动态范围在
场面不是太过极端

11
00:00:32349——> 00:00:35550
这种技术比处理
暴露

12
00:00:35550——> 00:00:38910
它真的扩展动态范围
鞭长莫及

13
00:00:38910——> 00:00:42519
单曝光技术，在正确的
情况

14
00:00:42519——> 00:00:46350
容易从这种技术的结果可以用什么可以实现

15
00:00:46350——> 00:00:48449
通过哈姆林在PS图象处理软件

16
00:00:48449——> 00:00:52230
最好的部分是，它使用的
调整，分别在17


00:00:52230——> 00:00:52780
Lightroom

18
00:00:52780——> 00:00:56179
或康玛拉达执行此技术

19
00:00:56179——> 00:00:59410
几乎同等的
你需要拥有至少4.1


版Lightroom 20
00:00:59410——> 00:01:05329
至少PS图象处理软件版本CS5可以
也做康玛拉达如果你不

21
00:01:05329——> 00:01:06110
以后使用

22
00:01:06110——> 00:01:11350
日落史密斯岩州立公园是一个
经典的高动态范围的情况

23
00:01:11350——> 00:01:14329
超过我的相机曝光
单能力

24
00:01:14329——> 00:01:23360
所以我把5张一站
增量

25
00:01:23360——> 00:01:26430
我们要用PS图象处理软件的HDR Pro
发动机

26
00:01:26430——> 00:01:30229
你平淡的这五
暴露到一

27
00:01:30229——> 00:01:33399
高动态范围图像文件
32
28
00:01:33399——> 00:01:36430
开始使用任何镜头校正

29
00:01:36430——> 00:01:41240
色差的去除和
角度调整，你想

30
00:01:41240——> 00:01:42280
使图像

31
00:01:42280——> 00:01:45939
确保同步调整的


32
00:01:45939——> 00:01:50860
跨越图像的整个系列现在
在系列选择

33
00:01:50860——> 00:01:55，369
右键单击或点击一个MAC控制
去

34
00:01:55369编辑——> 00:01:59069
合并到HDR Pro在PS图象处理软件

35
00:01:59069——> 00:02:03009
在PS图象处理软件HDR引擎将

36
00:02:03009——> 00:02:06209
打开图像对齐和创建一个

37
00:02:06209——> 00:02:10619
高动态范围图像文件
32规划所有的时间，所有的信息

38
00:02:10619——> 00：02:23020
从系列已经暴露

39
00:02:23020——> 00:02:27700
这32位文件有更多的动态
范围，我们可以将这一

40
00:02:27700——> 00:02:28300
监控

41
00:02:28300——> 00:02:32040
滑块允许我们查看整个
动态范围

42
00:02:32040——> 00:02:35310
阴影信息

43
00:02:35310——> 00:02:38510
一次所有的方式通过明亮的
集锦

44
00:02:38510——> 00:02:42090
如果有什么东西在移动场景
喜欢这些云

45
00:02:42090——> 00:02:47000
可以检查拆去斯波克的

46
00:02:47000——> 00:02:51240
然后挑选你想要的曝光
图像中

47
00:02:51240使用的那部分——> 00:02:56200
这种情况下，我认为这是
天空