100:00:02,070 --> 00:00:05,621When

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When you want to apply an adjustment that only affects a specific area of a photo,

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sometimes the best way to go about that is to simply paint the adjustment into

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the image. In this photo, for example, you can see

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that over in the trees there's a real lack of contrast.

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The top portion of the tree looks good, but most of the mid-section here looks

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very drab. A little bit gray and flat.

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And I'd like to enhance contrast there. And in fact also for the boathouse in the

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distance as well. I'll start off by applying an adjustment

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that I think will be an appropriate adjustment for the image, and more

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importantly, an adjustment that is fairly obvious, very plain to see.

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I'll add a Curves adjustment in this case, and I'm going to drag my curve

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upwards, since this is a black and white image.

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I'll drag the curve upward in order to add some density, but I want to focus

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that adjustment on the darkest portions of the photo.

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If I scroll down a little bit, you can see that the dark portions of the curve

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are over on the right side, and the lighter portions are over on the left side.

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So I want this anchor point to be over on the right side, and I want to raise it up

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in order to add density. But I also want to have some contrast in

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the photo, and so I'm going to drag the left side down just a little bit.

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Now, I'm obviously affecting the entire image, and so it's very difficult to

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evaluate whether or not this is a good adjustment.

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The most important thing at the moment is that it's an obvious adjustment.

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I can then focus on having this adjustment only affect specific areas of

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the photo. And the way I prefer to work, when I'm

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applying a targeted adjustment in this way, is to first fill the layer mask with black.

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The layer mask starts off filled with white, that's the default, so that the

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adjustment layer will effect every single pixel in the image.

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I'm going to fill with black so that the adjustment will not affect any pixels in

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the image. I'll go ahead and choose Edit and then

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Fill from the menu. I've already made sure that the layer

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mask itself is active, and then I can choose Black from the Use popup and click OK.

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That will fill that layer mask with black, so now the adjustment is not

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affecting any of the image. Next I'll choose the Brush tool from the

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toolbox, and then make sure that I'm working with a brush that has a 0%

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hardness, a nice soft edge. The Blend mode needs to be set to Normal

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and I will leave my opacity at 100%. Now again in the context of a layer mask,

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Black blocks the adjustment and White reveals the adjustment.

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And so in order to reveal the adjustment in the tree area here, I'll want to paint

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with white. I can press the letter D on the keyboard

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to set the colors to the defaults for a layer mask, which are a white foreground

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color and a black background color. I can also switch back and forth between

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those by pressing X on the keyboard. But in this case, I want to paint with

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white, and so I'll click and drag in the image, painting over the area that I want

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to adjust. In this case, for the most part, the tree here.

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And because I've applied a little bit of an exaggerated adjustment, I'm able to

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see the effect very, very clearly within the photo.

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Once I feel that I have the area that I want to adjust well defined, I can go

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back to my Curves Adjustment layer and change the effect within the photo.

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I think in this case, I'll make the image a bit darker.

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That looks to be a pretty good result. I can turn off the visibility for the

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Curves Adjustment layer and then turn it back on in order to evaluate the result.

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That might be just a little bit too dark, so I'll tone things down just a little bit.

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That looks much better. So once again, evaluating by turning off

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the visibility for the Curves Adjustment layer, we can see the original image,

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which has areas that are very washed out. And then turning on the visibility for

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that Curves Adjustment layer, we can see that we've greatly improved the overall density.

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Obviously, there's a fair amount of other work that's needed in this image, but I'm

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happy with this initial starting point, painting in order to apply a targeted adjustment.

結果 (中文) 1:

100:00:02，070--> 00:00:05，621当你想要应用调整只会影响特定区域的一张照片，200:00:05，621--> 00:00:09，013有时最好的方法就是简单地画成调整300:00:09，013--> 00:00:13，838图像。这张照片，举个例子，你可以看到400:00:13，838--> 00:00:17，700在树上有，以上是真正缺乏对比度。500:00:17，700--> 00:00:21，156这棵树的顶部看起来不错，但大多数的中间的部分看起来600:00:21 156--> 00:00:24，330很单调。有点灰，平。700:00:24，330--> 00:00:28，007我想要那里的对比度增强。事实上也为在船屋800:00:28，007--> 00:00:31，680距离为好。我想先通过应用调整900:00:31，680--> 00:00:34，580我想会是适当的调整图像，和更多1000:00:34，580--> 00:00:39，100重要的是，是相当明显，很容易明白的调整。1100:00:39，100--> 00:00:42，817我会在这种情况下，添加一个曲线调整和我要去拖我的曲线1200:00:42，817--> 00:00:46，950向上，因为这是黑色和白色的图像。1300:00:46，950--> 00:00:50，730我会向上拖动曲线，添加一些密度，但我想要关注1400:00:50，730--> 00:00:55，112这种调整对这张照片的黑暗部分。1500:00:55，112--> 00:00:58，088如果我向下一点点滚动，你可以看到黑暗部分的曲线1600:00:58，088--> 00:01:02，840在右边，并且更轻的部分是在左边。1700:01:02，840--> 00:01:06，305所以我想这个锚点要结束在右手边，和我想要再建立起来1800:01:06，305--> 00:01:10，510为了增加密度。但我也想要一些对比1900:01:10，510--> 00:01:15，420这张照片，所以我要去的左侧向下拖动只是一点点。2000:01:15，420--> 00:01:18，556现在，我很明显地影响整个图像，所以它是很难2100:01:18，556--> 00:01:21，745评估这是一个很好的调整。2200:01:21，745--> 00:01:26，010目前最重要的事情是它是明显的调整。2300:01:26，010--> 00:01:29，310然后重点有这种调整只会影响的特定区域2400:01:29，310--> 00:01:32，230这张照片。和我喜欢的工作，当我的方式2500:01:32，230--> 00:01:37，425应用这种方式有针对性地的调整，是第一次用黑色填充图层蒙版。2600:01:37，425--> 00:01:40，764图层蒙版开始充满白，那就是默认的所以，2700:01:40，764--> 00:01:45，340调整图层会影响图像中的每个像素。2800:01:45，340--> 00:01:48，574我要去填充为黑色，这样的调整不会影响任何像素2900:01:48，574--> 00:01:51，935图像。我会往前走，选择编辑，然后3000:01:51，935--> 00:01:56，005从菜单中填写。我已经已经确定，该图层3100:01:56，005--> 00:02:02，450掩码的本身，是活跃的和我可以从使用弹出式菜单中选择黑色，然后单击确定。3200:02:02，450--> 00:02:05，582将该图层蒙版填充为黑色，所以现在调整不是3300:02:05，582--> 00:02:10，483影响任何图像。接下来我会选择从画笔工具3400:02:10，483--> 00:02:13，960工具箱，然后确保我正在用刷子刷有 0%3500:02:13，960--> 00:02:19，002硬度，好的软边缘。混合模式需要设置为正常3600:02:19，002--> 00:02:24，331和我将离开我不透明度为 100%。在图层蒙版，上下文中再现在3700:02:24，331--> 00:02:28，353黑块调整和白色揭示了调整。3800:02:28，353--> 00:02:32，115所以为了揭示树地区调整在这里，我就会想要油漆3900:02:32，115--> 00:02:35，340用白色。我可以按键盘上的字母 D4000:02:35，340--> 00:02:38，590要设置的颜色是白色的前景色为图层蒙版，默认值4100:02:38，590--> 00:02:43，990颜色和黑色的背景颜色。我还可以来来回回之间进行切换4200:02:43，990--> 00:02:48，320那些通过按键盘上的 X。但在这种情况下，我想用颜料4300:02:48，320--> 00:02:52，016白，，所以我会单击并在图像中拖动，画在我想要的区域4400:02:52，016--> 00:02:57，170若要调整。在这种情况下，为最的部分，这里的树。4500:02:57，170--> 00:03:00，866因为我已经申请一点点的夸张的调整，我能到4600:03:00，866--> 00:03:05，150效果非常，非常清楚地看到在照片内。4700:03:05，150--> 00:03:08，510一次我觉得我有我想要调整好定义，我可以去该地区4800:03:08，510--> 00:03:13，670追溯到我曲线调整图层，改变内照片效果。4900:03:13，670--> 00:03:17，650我认为在这种情况下，我会使图像有点暗。5000:03:17，650--> 00:03:20，940这看起来是一个不错的结果。我可以关闭的可见性5100:03:20，940--> 00:03:25，870曲线调整图层，然后右转，它背以评估结果。5200:03:25，870--> 00:03:30，580这可能只是有点太暗，所以我会淡化的事情只是一点点。5300:03:30，580--> 00:03:33，190这样看起来好多了。又一次，评价通过关闭5400:03:33，190--> 00:03:36，490曲线调整图层的可见性，我们可以看到原始图像，5500:03:36，490--> 00:03:41，130这已是非常冲蚀的领域。然后拐弯处的可见性5600:03:41，130--> 00:03:46，310该曲线调整图层，我们可以看到，我们极大地提升了整体密度。5700:03:46，310--> 00:03:49，898很明显，还有相当数量的其他工作，有需要在此图像中，但我5800:03:49，898--> 00:03:55，320快乐这个初始的起始点，绘画以应用有针对性的调整。

結果 (中文) 3:

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时要将一只影响某一特定区域的照片调整，

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有时去，最好的方式就是漆调整到

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图像。在这张照片中，例如，你可以看到

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在树上有一个真正的缺乏对比。

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树的顶部看起来不错，但这里的大部分中间部分看起来

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很单调。一点点灰平。

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我想提高对比度有。事实上也为船坞在

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还有距离。我将开始应用一个调整，9，00：00:31680——> 00:00:34580
我认为会对图像进行适当的调整，更

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更重要的是，一个调整，是相当明显的，看的很平。

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我会加入这样一个曲线调整，和我要拖我的曲线

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向上，因为这是一个黑白图像。

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我拖动曲线向上为了增加一些密度，但我想重点

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在照片的最黑暗的部分调整。

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如果我向下滚动一点，你可以看到黑暗部分的曲线

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在右边，和较轻的部分在左边。

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所以我想这个锚点被放在右边，我想起来

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为了增加密度。但我也要有一定的对比

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的照片，所以我要拖动左侧下来只是一点点。

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现在，我显然影响了整个形象，所以很难

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评估是否这是一个很好的调整。

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现在最重要的是，这是一个明显的调整
。
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我可以集中精力在这个调整只影响特定区域

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照片。和我喜欢的方式工作，当我

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有针对性的调整，这样的应用，是第一个图层蒙版填充黑色。

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遮罩层开始充满了白色，这是默认的，所以

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调整图层在图像的每一像素的效果。

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我要用黑色填充，调整不会影响

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任何像素的图像。我会去选择编辑然后

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填补从菜单。我已经确信，层

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面膜本身是积极的，然后我可以选择使用弹出窗口并单击OK黑。

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将填补这一层黑色面罩，所以现在的调整是不

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影响任何图像。接下来我会选择画笔工具，从

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工具箱，然后确保我刷了0%
工作
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硬度，一个很好的软边。混合模式需要设置正常

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我将离开我的不透明度为100%。现在又在一层面具下，

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黑块的调整和白色显示的调整。

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所以为了揭示这里的树面积的调整，我想画

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白。我可以按下键盘上的字母D

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设置颜色为一层膜的缺陷，这是一个白色的前景

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彩色和黑色的背景颜色。我还可以来回切换42
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按下键盘上的X。但在这种情况下，我想和

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白漆，所以我会在图像中单击并拖曳，画过的地区，我想

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调整。在这种情况下，对于大多数的一部分，这里的树。

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因为我用一点点夸张的调整，我能

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看到效果非常，非常清楚的照片。

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一旦我觉得我有，我想调整好定义的地区，我可以去

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回到我的曲线调整层和变化的影响在49
00:03

照片：13670——> 00:03:17650
我认为在这种情况下，我会使图像更暗一点。

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，看起来是一个不错的结果。我可以关掉可视为

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曲线调整层，然后重新打开它来评估结果。

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可能只是有点太黑了，所以我会调下来的东西只是一点点。

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看起来好多了。再次，通过关闭

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的曲线调整层的可见性的评价，我们可以看到原始图像，

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具有非常淘汰区。然后打开知名度的

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，曲线调整层，我们可以看到，我们已经大大改善了整体的密度。

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明显，有相当数量的其他工作，在这一形象的需要，但我

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满意这个最初的起点，绘画以运用有针对性的调整。