15500:11:10,470 --> 00:11:14,730the

155
00:11:10,470 --> 00:11:14,730
their ways to push to push the camera
what we're gonna do now is we're gonna

156
00:11:14,730 --> 00:11:19,340
be switching to capture one and showing
the equivalent tools comparing it to

157
00:11:19,340 --> 00:11:23,020
Lightroom for the color and the texture
of the way that it really is able to

158
00:11:23,020 --> 00:11:25,190
bring back these colors that's the first
thing we're going to do is look at

159
00:11:25,190 --> 00:11:28,810
example next thing we're going to do is
get this into Photoshop and since the

160
00:11:28,810 --> 00:11:33,190
sky was blue we've already done the sky
replacement but in this case I don't

161
00:11:33,190 --> 00:11:37,370
want to do a full replacement all I
really want to do is add some texture to

162
00:11:37,370 --> 00:11:40,260
the sky just so it doesnt make it seem
like it was a blue sky so it had a

163
00:11:40,260 --> 00:11:43,810
little bit of the texture of the clouds
that said they were going to do in the

164
00:11:43,810 --> 00:11:48,750
channels palette once we get into
Photoshop let's begin first thing here

165
00:11:48,750 --> 00:11:53,470
that I have open is the scene for like
medicine that I chose remember we went

166
00:11:53,470 --> 00:11:56,570
through some different compositions here
but this is the one that I liked the

167
00:11:56,570 --> 00:12:00,290
most of the first thing I would do is
show you guys what it looks like inside

168
00:12:00,290 --> 00:12:04,390
of Adobe Lightroom remember back to the
church of the Good Shepherd that

169
00:12:04,390 --> 00:12:07,470
telephoto shot remember when I showed
the different versions how we can get

170
00:12:07,470 --> 00:12:11,430
those colors to pop right now it's a
very beautiful scene great falls a

171
00:12:11,430 --> 00:12:15,010
little bit of floating cloud here
beautiful light on the trees but again

172
00:12:15,010 --> 00:12:19,380
Lightroom process things keeps things
just a little bit flat we're not gonna

173
00:12:19,380 --> 00:12:22,930
get too much into Lightroom but I want
to show you again this is a good kid

174
00:12:22,930 --> 00:12:27,529
edit for changing the camera calibration
so instead of the default camera flat we

175
00:12:27,529 --> 00:12:31,380
may be able to get a camera neutral and
pump those colors up a little bit so

176
00:12:31,380 --> 00:12:35,260
that's going to expand the contrast and
bring some of that color technology that

177
00:12:35,260 --> 00:12:38,830
we lost in the initial processing
Lightroom instead of doing this in

178
00:12:38,830 --> 00:12:41,860
Lightroom as I said I wanted to use
capture one so let's take a look at

179
00:12:41,860 --> 00:12:49,459
capture one capture one is the second
raw processor that I used so basically

180
00:12:49,459 --> 00:12:53,870
I'm 50 50 with my files so I feel that
Lightroom does a really good job summit

181
00:12:53,870 --> 00:12:57,790
helicopter one does a really good job
but we're capture one really excels is

182
00:12:57,790 --> 00:13:01,899
color renditions of your files turned to
be a little flat inside of Lightroom

183
00:13:01,899 --> 00:13:05,040
capture one they'd be the answer to
really pop out the vibrancy of the

184
00:13:05,040 --> 00:13:09,020
colors and this is what it looks like by
defaults straight out of camera you can

185
00:13:09,020 --> 00:13:12,510
see the difference we were lightroom is
the colors didn't quite as much as they

186
00:13:12,510 --> 00:13:16,220
do know and capture one capture one
looks completely different as you can

187
00:13:16,220 --> 00:13:19,920
see it's a completely different
interface lets gonna go through enough

188
00:13:19,920 --> 00:13:23,279
already imported this if you guys will
open up this file you can find it in

189
00:13:23,279 --> 00:13:26,980
that folder you'll see a folder called
capture one files in there is a catalog

190
00:13:26,980 --> 00:13:30,240
file that you can open and you can look
at this yourself and make these

191
00:13:30,240 --> 00:13:34,270
adjustments so right now there's a few
taps year older tap here on the left

192
00:13:34,270 --> 00:13:38,900
allows me to import and manage all of
the images that I have all the images

193
00:13:38,900 --> 00:13:42,680
that I wanted my collection next thing
is this color the three colors here

194
00:13:42,680 --> 00:13:46,339
allow me to change the Kelvin
temperature custom white balance and set

195
00:13:46,339 --> 00:13:49,200
some of the import on the colors of I
wanted to warm it up

196
00:13:49,200 --> 00:13:53,220
cool it down or change the two were
gonna be spending most of her time here

197
00:13:53,220 --> 00:13:56,920
editing the same information that we
were doing in Adobe Lightroom but we're

198
00:13:56,920 --> 00:14:00,529
gonna be editing it now in a different
way so we've been talking about Rob

199
00:14:00,529 --> 00:14:03,080
recovery you can see now we have
exposure contrast brightness saturation

200
00:14:03,080 --> 00:14:07,779
highlight and shadow and highlight and
shadow fall into this high dynamic range

201
00:14:07,779 --> 00:14:11,910
menu so they've kind of done this
throwback to increasing the dynamic

202
00:14:11,910 --> 00:14:15,270
range you enjoy using the term high
dynamic range but it's really nice so

203
00:14:15,270 --> 00:14:19,430
this takes the place of highlight and
shadow recovery simply by sliding this

204
00:14:19,430 --> 00:14:22,890
to the right will actually start to
recover those highlights in the sky and

205
00:14:22,890 --> 00:14:26,990
you can see the curb changed to reflect
that result so most of our recovery in

206
00:14:26,990 --> 00:14:31,020
the Ross going to be done in this high
dynamic range menus actually simplify

207
00:14:31,020 --> 00:14:34,529
the process let the color correction
that contrasts elections the top

208
00:14:34,529 --> 00:14:38,660
and then the recovery here in the second
area next thing that we can do is we can

209
00:14:38,660 --> 00:14:42,959
change the shadows highlights in mid
tones either here in the levels or here

210
00:14:42,959 --> 00:14:46,230
in the curves we've been using the
curves a little bit so you should

211
00:14:46,230 --> 00:14:49,829
understand basically how to change the
mid tones the highlights the shadows

212
00:14:49,829 --> 00:14:54,009
actually like to use the levels of the
show you guys how if I wanted to change

213
00:14:54,009 --> 00:14:57,939
the position of the highlights I could
grab the top of this you can see as a

214
00:14:57,939 --> 00:15:01,720
drag to the left its gonna change the
curve it's going to clamp those areas

215
00:15:01,720 --> 00:15:05,319
are blown out I can move this to the
left and start to clip it so it's not

216
00:15:05,319 --> 00:15:09,699
quite as intuitive as far as a slider
based environment Lake lightroom is for

217
00:15:09,699 --> 00:15:13,079
example but you can still do all of the
same things that you can inside of

218
00:15:13,079 --> 00:15:16,339
Lightroom just was some different tools
so it's just important to know that

219
00:15:16,339 --> 00:15:19,790
everything is basically the same it's
just called something different and it

220
00:15:19,790 --> 00:15:21,819
functions and a little bit different

221
00:15:21,819 --> 00:15:25,509
of a way so let's get right down to
editing and I said these are the basic

222
00:15:25,509 --> 00:15:29,209
things were going to stay in right here
before getting it might be a good idea

223
00:15:29,209 --> 00:15:34,139
to show you guys a little bit more of
the options that we can do here so we

224
00:15:34,139 --> 00:15:38,769
have here under the magnifying glasses
details remember inside of Adobe

225
00:15:38,769 --> 00:15:43,000
Lightroom I told you that I always turn
off the sharpening inside of capture one

226
00:15:43,000 --> 00:15:47,540
I like to leave it by the fall so we're
Lightroom fails at its global sharpening

結果 (中文) 1:

15500:11:10，470--> 00:11:14，730他们的方式来推推相机我们现在要做什么是我们要去15600:11:14，730--> 00:11:19，340要切换到捕获一个和显示等效的工具比较15700:11:19，340--> 00:11:23，020Lightroom 的颜色和质地方式，这真的是能够15800:11:23，020--> 00:11:25，190带回的第一次这些颜色我们要做的事情是看看15900:11:25，190--> 00:11:28，810示例接下来我们要做的是得到这个进 Photoshop 和自16000:11:28，810--> 00:11:33，190天是蓝的我们已经做的天空更换，但在这种情况下我不16100:11:33，190--> 00:11:37，370想要做所有可以完全取代我真正想要做是添加一些纹理，16200:11:37，370--> 00:11:40，260只是，所以它不会使它看起来的天空像它似乎有了一片蓝天16300:11:40，260--> 00:11:43，810小小的云的纹理这就是说他们要做16400:11:43，810--> 00:11:48，750一旦我们进入通道面板Photoshop 让我们开始第一件事就是在这里16500:11:48，750--> 00:11:53，470我已打开是一样的场景我选择的医学还记得我们去16600:11:53，470--> 00:11:56，570通过一些不同的作文但这是我喜欢的那个16700:11:56，570--> 00:12:00，290首先我会做大多数是事情的你们这些家伙看起来像里面什么它的显示16800:12:00，290--> 00:12:04，390Adobe Lightroom 的记得回复好的教会牧养，16900:12:04，390--> 00:12:07，470长焦镜头记得当我发现我们如何能得到不同版本17000:12:07，470--> 00:12:11，430它是那些到现在流行的颜色非常漂亮的场景大瀑布17100:12:11，430--> 00:12:15，010浮动的云在这里的点点滴滴美丽的光，但是再说一遍，树上17200:12:15，010--> 00:12:19，380Lightroom 过程事保持东西只是有点扁我们办不到17300:12:19，380--> 00:12:22，930得到太多到 Lightroom 但我想要让你再次实施，这是个好孩子17400:12:22，930--> 00:12:27，529编辑更改摄像机标定而不是默认相机这么平我们17500:12:27，529--> 00:12:31，380也许能够买一部相机中性和那些颜色有点太打气17600:12:31，380--> 00:12:35，260这打算扩大对比度和带一些那颜色技术，17700:12:35，260--> 00:12:38，830我们迷失在初始处理不去这样做 Lightroom17800:12:38，830--> 00:12:41，860Lightroom 正如我说我想要使用捕获一个那么让我们看一看17900:12:41，860--> 00:12:49，459捕获一个捕获一个是第二个我所以基本上使用的原始处理器18000:12:49，459--> 00:12:53，870我 50 岁与我的文件，所以我觉得 50Lightroom 真的很好工作的首脑会议18100:12:53，870--> 00:12:57，790直升机一做得真的很好但我们是一个真正擅长的捕获是18200:12:57，790--> 00:13:01，899转到您文件的颜色格式副本是在 Lightroom 有点平18300:13:01，899--> 00:13:05，040捕获一个他们会给答案真的弹出的活力18400:13:05，040--> 00:13:09，020颜色，这是它的是什么样子直接从相机可以默认值18500:13:09，020--> 00:13:12，510看到我们被存进不同的是颜色不像他们一样18600:13:12，510--> 00:13:16，220做知道和捕获一个捕获一看起来完全不同，你可以18700:13:16，220--> 00:13:19，920看到它就完全不一样接口允许去通过足够18800:13:19，920--> 00:13:23，279已导入这，如果你们将打开此文件，你可以找到它在18900:13:23，279--> 00:13:26，980你会看到一个名为文件夹，文件夹在那里捕获一个文件是一个目录19000:13:26，980--> 00:13:30，240你可以打开的文件，你可以看看这你自己和使这些19100:13:30，240--> 00:13:34，270所以现在很少有什么的调整水龙头一岁击此处在左边19200:13:34，270--> 00:13:38，900让我能够导入和管理的所有我有所有的图像的图像19300:13:38，900--> 00:13:42，680我想要我收集下一件事是这种颜色的三种颜色在这里吗19400:13:42，680--> 00:13:46，339请允许我改变开尔文温度自定义白平衡和集19500:13:46，339--> 00:13:49，200一些进口的我的颜色想要来温暖它吧19600:13:49，200--> 00:13:53，220冷静下来或更改这两个将度过她的大部分时间在这里19700:13:53，220--> 00:13:56，920编辑相同的信息，我们但我们在 Adobe Lightroom 干你19800:13:56，920--> 00:14:00，529要编辑它现在的不同方式，所以我们一直在谈论罗布19900:14:00，529--> 00:14:03，080你可以看到现在我们的恢复曝光对比度亮度饱和度20000:14:03，080--> 00:14:07，779突出和阴影和高光和阴影落入这高的动态范围20100:14:07，779--> 00:14:11，910所以他们做种的这菜单返祖增加动态20200:14:11，910--> 00:14:15，270你喜欢使用高一词的范围动态范围，但它还是挺不错的所以20300:14:15，270--> 00:14:19，430这需要突出显示的地方，只需通过滑动这阴影恢复20400:14:19，430--> 00:14:22，890向右实际上会开始向恢复那些在天空中的亮点和20500:14:22，890--> 00:14:26，990你可以看到更改，以反映在路边这一结果所以大多数我们的复苏30W00:14:26，990--> 00:14:31，020罗斯去做这种高动态范围菜单实际上简化20700:14:31，020--> 00:14:34，529这一进程让色彩校正这顶部形成鲜明对比的选举20800:14:34，529--> 00:14:38，660然后在第二个恢复在这里地区下我们能做的就是我们可以20900:14:38，660--> 00:14:42，959更改阴影高光在中期声调的水平在这里还是在这里21000:14:42，959--> 00:14:46，230在曲线中我们一直在使用曲线有点所以你应该21100:14:46，230--> 00:14:49，829基本上了解如何更改中旬色调阴影高光21200:14:49，829--> 00:14:54，009想要使用的级别如何给你们如果我想要改变21300:14:54，009--> 00:14:57，939高光的位置，我可以抓住这上面你可以看到作为21400:14:57，939--> 00:15:01，720向左拖动要改变它要夹紧这些领域的曲线21500:15:01，720--> 00:15:05，319被吹灭我可以搬到这左，并开始将它夹，所以它不是21600:15:05，319--> 00:15:09，699很直观到滑块基于的环境湖 lightroom 是为21700:15:09，699--> 00:15:13，079示例，但您仍可以做的所有同样的事情，你可以里面的21800:15:13，079--> 00:15:16，339Lightroom 只是一些不同的工具所以，只需要知道一点21900:15:16，339--> 00:15:19，790一切都基本上是相同的它有只是被称为不同的东西和它22000:15:19，790--> 00:15:21，819功能，又有点不同22100:15:21，819--> 00:15:25，509一种方式让我们赶快下来编辑和我说这些都是基本22200:15:25，509--> 00:15:29，209有些事情要留在这里在开始之前，它可能是个好主意22300:15:29，209--> 00:15:34，139来给你们看的多一点点我们可以在这里做的选项所以我们22400:15:34，139--> 00:15:38，769在放大镜下这里有详细信息请记住在 Adobe22500:15:38，769--> 00:15:43，000Lightroom，我告诉过你总是使关闭内部的锐化捕获一22600:15:43，000--> 00:15:47，540我想离开它的下降，所以我们在其全球的锐化 Lightroom 失败

結果 (中文) 3:

155
00:11:10470——> 00:11:14730
方式推了推镜头
我们现在要做的是我们要

156
00:11:14730——> 00:11:19340
被切换到捕捉和显示
等效工具相比它

157
00:11:19340——> 00:11:23020
Lightroom的颜色及它真的能

158
00:11:23020——> 00:11:25190
方式的纹理
把这些颜色，我们要做的第一
是看

159
00:11:25190——> 00:11:28810
例子，接下来我们要做的是
进入PS图象处理软件自

160
00:11:28810——> 00:11:33190
天空是蓝色的天空，我们已经做了
置换但在这种情况下，我不

161
00:11:33190——> 00:11:37370
想做一个完整的更换我
真正想做的是添加一些纹理

162
00:11:37370——> 00:11:40260
天空只要不让它看起来像是一个
蓝天，所以它有一个

163
00:11:40260——> 00:11:43810
点点纹理的云
说他们会做的

164
00:11:43810——> 00:11:48750
通道调色板一旦我们进入
PS图象处理软件让我们开始的第一件事就是在这里

165
00:11:48750——> 00：11:53470
，我开的是现场像
医学，我选择记得我们去

166
00:11:53470——> 00:11:56570
经过这里
一些不同成分的但这是一个我喜欢的

167
00:11:56570——> 00:12:00290
大部分我要做的第一件事是
告诉你你们看起来就像在

168
00:12:00290——> 00:12:04390
Adobe Lightroom记得回到
教会的好牧人，

169
00:12:04390——> 00:12:07470
长焦镜头还记得我给
不同版本如何

170
00:12:07470——> 00:12:11430
那些颜色流行，现在它是一个非常美丽的场景
杰出的瀑布

171
00:12:11430——> 00:12:15010
小点这里
浮云树上美丽的光芒，但又

172
00:12:15010——> 00:12:19380
Lightroom处理事情保持
只是一点点平我们不会

173
00:12:19380——> 00:12:22930
太多它但我想
告诉你这是一个好孩子

174
00:12:22930——>，而不是默认的相机平我们

175
00:12:27529——> 00:12:31380
也许能得到相机的中性和
摄像机标定
改变编辑00:12:27529
泵的颜色一点点，所以

176
00:12:31380——> 00:12:35260
，要扩大对比
带来一些色彩技术，

177
00:12:35260——> 00:12:38830
我们迷失在初加工
Lightroom不是在

178
00:12:38830这样做——> 00:12:41860
它就像我说的我想用
捕获一个让我们看

179
00:12:41860——> 00:12:49459
一看捕获一个捕捉一个是第二
原处理器，我基本上

180
00:12:49459——> 00:12:53870
我50 50我的文件，所以我觉得
Lightroom是一份很好的工作

峰会181
00:12:53870——> 00:12:57790
直升机是一个很好的工作
但我们捕获一个真正擅长的是

182
00:12:57790——>文件00:13:01899
色彩的演奏转向
是一个小公寓里

Lightroom 183
00:13:01899——> 00:13:05040
捕获一个他们会回答
真正流行的

184
00:13:05040活力——> 00:13:09020
颜色这是什么样子的
违约直接从相机可以

185
00:13:09020——> 00:13:12510
看到区别我们的Lightroom是
颜色不太一样

186
00:13:12510——> 00倍：13:16220
知道捕获一个捕获一个
看起来完全不同的你可以

187
00:13:16220——> 00:13:19920
看到这是一个完全不同的
界面让要通过足够的

188
00:13:19920——> 00:13:23279
已经进口这如果你们将
打开这个文件你可以在

189
00:13:23279找到它——> 00:13:26980
文件夹中你会看到一个文件夹名为
在那里捕捉一个文件是一个目录

190
00:13:26980——> 00:13:30240
文件，你可以打开，你可以看
这自己做这些

191
00:13:30240——> 00:13:34270
调整，现在有几
水龙头岁点击左侧

192
00:13:34270——> 00:13:38900
允许我进出管理所有
图像，我把所有的图像

193
00:13:38900——> 0时13：42680
我想我收集的下一件事
这个颜色三种颜色在这里

194
00:13:42680——> 00:13:46339
让我改变
开尔文温度自定义白平衡设置

195
00:13:46339——> 00:13:49200
部分进口的颜色我
想暖和起来

196
00:13:49200——> 00:13:53220
冷静下来或改变两
要她在这里的时间

197
大部分开支00:13:53220——> 00:13:56920
编辑相同的信息，我们
在Adobe的Lightroom但是我们

198
00:13:56920——> 00:14:00529
会编辑现在在不同的
方式所以我们一直在谈论抢

199
00:14:00529——> 00:14:03080
恢复你现在可以看到我们有
曝光对比度亮度饱和

200
00:14:03080——> 00:14:07779
高亮和阴影和高亮和
影子落在这个高动态范围

201
00:14:07779——> 00:14:11910
菜单所以他们种了
倒退增加动态

202
00:14:11910——> 00:14:15270
范围你喜欢使用的术语
高动态范围但它真的很好，

203
00:14:15270——> 00:14:19430
这取代了突出和
阴影恢复通过简单的滑动这

204
00:14:19430——> 00:14:22，890
右边将真正开始
恢复那些集锦在天空和

205
00:14:22890——> 00:14:26990
你可以看到路边的变化反映
，结果大部分我们在

206
00:14:26990恢复——> 00:14:31020
罗斯会在高动态范围
菜单实际上做了简化

207
00:14:31020——> 00:14:34529
过程让色彩校正
比较选举前

208
00:14:34529——> 00:14:38660
然后恢复在第二
地区未来的东西，我们能做的就是

209
00:14:38660——> 00:14:42959
改变阴影集锦中
音调是在水平或

210
00:14:42959——> 00:14:46230
曲线中我们已经使用
曲线一点点，所以你应该

211
00:14:46230——> 00:14:49，829
基本了解如何改变
中间色调的阴影

集锦212
00:14:49829——> 00:14:54009
其实喜欢用的
水平给你们如果我想改变

213
00:14:54009——> 00:14:57939
集锦的位置我能
抓住这顶你可以看到作为一个

214
00:14:57939——> 00:15:01720
向左拖动会改变
曲线要夹这些地区

215
00:15:01720——> 00:15:05319
都吹了，我可以把这对
左右夹起它所以它不是

216
00:15:05319——> 00:15:09699
相当直观到滑块
下湖Lightroom是

217
00:15:09699——> 00:15:13079
的例子，但是你仍然可以做所有的
相同的东西，你可以在

218
00:15:13079——> 00:15：16339
Lightroom只是一些不同的工具
所以很重要知道

219
00:15:16339——> 00:15:19790
都基本上是相同的
只是叫不同的东西，它

220
00:15:19790——> 00:15:21819
功能和一点点不同

221
00:15:21819——> 00:15:25509
一个办法让我们马上去
编辑和我说的这些都是基本的

222
00:15:25，509——> 00:15:29209
都要呆在这里
之前，它可能是一个好主意

223
00:15:29209——> 00:15:34139
给你们一点
我们可以做的，所以我们在这里

224
00:15:34139——> 00:15:38769
这里在放大镜
细节记得在Adobe

225
00:15:38769——> 00:15:43000
Lightroom我告诉你，我总是选择
从磨内捕获一个

226
00:15:43000——> 00:15:47540
我想离开它的秋天我们
Lightroom未能在其全球锐化