20100:26:58,100 --> 00:26:59,900ter

201
00:26:58,100 --> 00:26:59,900
terms of this blend them in the mail

202
00:26:59,900 --> 00:27:05,170
so let's just try that for a minute to
come in here again all color contrast a

203
00:27:05,170 --> 00:27:13,960
set of curves and becoming talk about
later pushed up a tiny bit we're gonna

204
00:27:13,960 --> 00:27:22,190
call this caller and then for our grass
with a come in and this will be a blend

205
00:27:22,190 --> 00:27:25,530
later tried to do both

206
00:27:25,530 --> 00:27:33,800
contrast and color on the same layer and
push this up like this maybe again if

207
00:27:33,800 --> 00:27:38,070
you create more contrast we create an S
curve and less contrasts with an

208
00:27:38,070 --> 00:27:42,460
inverted asked her if you could see how
the less obviously extreme but a little

209
00:27:42,460 --> 00:27:46,530
contrast there is there a completely
open up the highlights just gonna do

210
00:27:46,530 --> 00:27:47,270
this

211
00:27:47,270 --> 00:27:54,460
something like this and then start
planning it in color layer blend

212
00:27:54,460 --> 00:28:03,420
contrast little less of that and a
little bit of CNN there they tied

213
00:28:03,420 --> 00:28:11,130
together little bit better before we
start

214
00:28:11,130 --> 00:28:17,300
so just too rough this then they come in
and take away the stuff that I don't

215
00:28:17,300 --> 00:28:22,320
include and even be really strange to
have this sun spots in here I'd so I

216
00:28:22,320 --> 00:28:29,210
just want to get rid of what is sitting
in the Sun really just come inherent in

217
00:28:29,210 --> 00:28:53,360
the shadow areas brush this in this

218
00:28:53,360 --> 00:29:07,700
to make sure that I don't leave anything
behind the Sun away and the only city of

219
00:29:07,700 --> 00:29:13,010
the shadow is seen that I got a little
bear the picture felt a lot warmer

220
00:29:13,010 --> 00:29:18,100
because I had this harder sunlight on it
as soon as that of the sunlight away by

221
00:29:18,100 --> 00:29:23,809
brushing it out this picture doesn't
feel as cool as I thought so come in

222
00:29:23,809 --> 00:29:32,429
here and just bring that read back in
and this just keep it they're not quite

223
00:29:32,429 --> 00:29:42,760
as he has continued in the same layer
and they come in and do here so talk

224
00:29:42,760 --> 00:29:47,230
about this for a minute now trying to
find a way to blend is right this grass

225
00:29:47,230 --> 00:29:48,970
here feels good to me

226
00:29:48,970 --> 00:29:55,030
feels like its inherent in these but
then again these areas feels too cool so

227
00:29:55,030 --> 00:30:00,049
it's little hard to make the top with
these are taken out read that this

228
00:30:00,049 --> 00:30:04,530
really need some red to blend to it so
the way to do this is to focus on the

229
00:30:04,530 --> 00:30:08,840
bottom end of the curve so he said an
anchor point in the middle and this will

230
00:30:08,840 --> 00:30:12,390
allow me to push down on the side of
parts of his game you wanna do in the

231
00:30:12,390 --> 00:30:19,540
shadows so under the screen later and
coming into our red layer and then as we

232
00:30:19,540 --> 00:30:24,480
have seen and done in the mid tones now
and try to push him read into the

233
00:30:24,480 --> 00:30:41,180
shadows my bad come into our yellow
they're gonna push this is over

234
00:30:41,180 --> 00:30:45,750
so when I dragged its anchor point this
way I get a lot of yellow and this way

235
00:30:45,750 --> 00:30:49,640
again about a blues so for now you're
just going to take a shadow anchor point

236
00:30:49,640 --> 00:31:01,360
pull some yellow into this there and I
also wonder now can make this little

237
00:31:01,360 --> 00:31:07,500
more contraste to use up plus key coming
to a bottom anchor point ICC right in

238
00:31:07,500 --> 00:31:15,930
here is highlighted and use arrow keys
to push this around a little bit right

239
00:31:15,930 --> 00:31:19,930
thing that feels good for now we are
gonna move things around in your gonna

240
00:31:19,930 --> 00:31:27,770
find in this mask for sure but it's not
feel so bad if you can do a little bit

241
00:31:27,770 --> 00:31:56,200
better at the top edge here

242
00:31:56,200 --> 00:32:09,860
exploring went to find out what I would
including what I would not include this

243
00:32:09,860 --> 00:32:14,480
look cool to England but I can't really
because his oldest son sitting down here

244
00:32:14,480 --> 00:32:18,570
on the ground and that will just make
for a really messy composite and make

245
00:32:18,570 --> 00:32:25,639
sure that I brushed his out completely
and a little bit in there would be ok

246
00:32:25,639 --> 00:32:40,409
but don't really want to see that is to
really soft brush just blended together

247
00:32:40,409 --> 00:33:22,500
in the grass they seem to be working
quite fine

248
00:33:22,500 --> 00:33:38,890
just feels better and there's a gap here
between the tree in the frame and I'm

249
00:33:38,890 --> 00:34:07,870
not sure if you need anything they're
just grabs attention so close that gap

250
00:34:07,870 --> 00:34:14,770
numbers exploring a tiny bit my judgment
there on the one thing the shadow and I

251
00:34:14,770 --> 00:34:19,659
think we can keep somewhat but overall
added more saying so just pushing these

252
00:34:19,659 --> 00:34:29,040
down to more saying

253
00:34:29,040 --> 00:34:30,770
right

254
00:34:30,770 --> 00:34:36,620
now he added some more ground on the
right side and I think that this picture

255
00:34:36,620 --> 00:34:41,419
need and you start to get an imbalance
in between this area in that area so

256
00:34:41,419 --> 00:34:48,179
this now feels pretty dense so talk
about balanced just already read a

257
00:34:48,179 --> 00:34:53,820
little bit of a man yet done in here and
get a little bit of that same depth

258
00:34:53,820 --> 00:35:03,450
coming on on the left side as we now
have on the right so I come out here and

259
00:35:03,450 --> 00:35:08,640
put it on my own right

260
00:35:08,640 --> 00:35:28,420
feeling pretty good about this and
density is pretty good

261
00:35:28,420 --> 00:35:37,180
fine-tuning it I think this should be
like a little bit dancer landmark

262
00:35:37,180 --> 00:35:45,250
contrast there are right I think her
ready for our next piece so come up here

263
00:35:45,250 --> 00:35:50,809
and find somewhere under Windows will
start with the sky maybe again as I

264
00:35:50,809 --> 00:35:55,599
mentioned I have attached these two
together its left side and the right

265
00:35:55,599 --> 00:36:01,250
side and I try to blend these as good as
I can for now and will be relisted that

266
00:36:01,250 --> 00:36:08,849
in a minute ok here we are enfant
finally put this on top here actually

267
00:36:08,849 --> 00:36:17,570
take this right side glass grass and
weed pollen a folder as well

268
00:36:17,570 --> 00:36:38,110
so can't change my mind if I start
putting this in there now but changed

269
00:36:38,110 --> 00:36:42,370
the mountains afterwards does not make
sense let me just get the mountains in

270
00:36:42,370 --> 00:36:48,720
their first and then we'll work through
the sky option so just bring this to the

271
00:36:48,720 --> 00:36:57,940
front and here is our moment later so
we're going to put this in a folder I

272
00:36:57,940 --> 00:37:03,600
think you just can't crop it and again
now I'm doing a crop to make sure I have

273
00:37:03,600 --> 00:37:10,100
everything just toss away pixels I just
use my selection tool and I just think

274
00:37:10,100 --> 00:37:16,370
image crop and those will be deleted

275
00:37:16,370 --> 00:37:22,150
amount international thing here will be
to start lining things up in a sec I

276
00:37:22,150 --> 00:37:24,980
shouted from slightly different
perspectives so I'm just going to focus

277
00:37:24,980 --> 00:37:28,450
on the mountains and then we can worry
about blending the trees and all that

278
00:37:28,450 --> 00:37:40,360
stuff afterwards so I started lining of
the horizon lines just about there and

279
00:37:40,360 --> 00:37:48,630
obviously feels more read here and we're
going underneath so come into our

結果 (中文) 1:

20100:26:58，100--> 00:26:59，900职权范围这把它们融合在邮件20200:26:59，900--> 00:27:05，170因此，让我们只是尝试，到一分钟进来这里再次所有颜色对比度20300:27:05，170--> 00:27:13，960一套曲线和成为谈论后来推高一点点，我们要去了20400:27:13，960--> 00:27:22，190调用此呼叫方，然后我们的草进来，这将是一个混合20500:27:22，190--> 00:27:25，530后来试着做两个20600:27:25，530--> 00:27:33，800对比度和颜色相同的层上和这这样也许再次推如果20700:27:33，800--> 00:27:38，070创建更多的对比，我们创建一个 S曲线和少形成鲜明对比20800:27:38，070--> 00:27:42，460倒问她是否你可以看到如何不那么明显极端但一点20900:27:42，460--> 00:27:46，530对比有完全开放的亮点只是打算做21000:27:46，530--> 00:27:47，270这21100:27:47，270--> 00:27:54，460事情是这样，然后开始规划中的颜色图层混合21200:27:54，460--> 00:28:03，420比较少的和他们绑那里的 CNN 一点点21300:28:03，420--> 00:28:11，130在一起一点才好开始21400:28:11，130--> 00:28:17，300所以只是太粗糙这然后他们进来并带走的东西，我不知道21500:28:17，300--> 00:28:22，320包括，甚至是很奇怪的有此太阳斑我这里有我21600:28:22，320--> 00:28:29，210只是想要摆脱的什么坐在太阳真的只是来固有的21700:28:29，210--> 00:28:53，360阴影区刷这在这21800:28:53，360--> 00:29:07，700为了确保我不要留下任何东西太阳走和唯一的城市的背后21900:29:07，700--> 00:29:13，010阴影是看到我有点熊觉得暖和很多的图片22000:29:13，010--> 00:29:18，100因为有此难的阳光尽快的太阳光反射出去的22100:29:18，100--> 00:29:23，809刷出这张照片不感觉像我以为的那么冷所以进来22200:29:23，809--> 00:29:32，429在这里，只是使读回这只是保持它他们不相当22300:29:32，429--> 00:29:42，760他一直在同一图层中和他们进来，在这里做如此谈论22400:29:42，760--> 00:29:47，230关于这一分钟，现在去找到一种混合方法是正确的这片草地22500:29:47，230--> 00:29:48，970在这里感觉很好对我22600:29:48，970--> 00:29:55，030感觉就像它所固有的这些，但然后再这些领域感觉太酷太22700:29:55，030--> 00:30:00，049它是有点难与顶部这些都采取了读，这22800:30:00，049--> 00:30:04，530真的需要一些红，所以混合到它这样做的方法是把重点放在22900:30:04，530--> 00:30:08，840bottom end of the curve so he said ananchor point in the middle and this will23000:30:08,840 --> 00:30:12,390allow me to push down on the side ofparts of his game you wanna do in the23100:30:12,390 --> 00:30:19,540shadows so under the screen later andcoming into our red layer and then as we23200:30:19,540 --> 00:30:24,480have seen and done in the mid tones nowand try to push him read into the23300:30:24,480 --> 00:30:41,180shadows my bad come into our yellowthey're gonna push this is over23400:30:41,180 --> 00:30:45,750so when I dragged its anchor point thisway I get a lot of yellow and this way23500:30:45,750 --> 00:30:49,640again about a blues so for now you'rejust going to take a shadow anchor point23600:30:49,640 --> 00:31:01,360pull some yellow into this there and Ialso wonder now can make this little23700:31:01,360 --> 00:31:07,500more contraste to use up plus key comingto a bottom anchor point ICC right in23800:31:07,500 --> 00:31:15,930here is highlighted and use arrow keysto push this around a little bit right23900:31:15,930 --> 00:31:19,930thing that feels good for now we aregonna move things around in your gonna24000:31:19,930 --> 00:31:27,770find in this mask for sure but it's notfeel so bad if you can do a little bit24100:31:27,770 --> 00:31:56,200better at the top edge here24200:31:56,200 --> 00:32:09,860exploring went to find out what I would包括我不会包括这24300:32:09，860--> 00:32:14，480看起来很酷到英格兰，但我是真的不因为他的大儿子坐在这里24400:32:14，480--> 00:32:18，570在地上，那只会让一团糟的复合材料和使24500:32:18，570--> 00:32:25，639肯定我完全刷他出和一点点的在那里生活会好起来24600:32:25，639--> 00:32:40，409但真的不想看到的就是将真的很软毛刷，只是混合在一起24700:32:40，409--> 00:33:22，500他们似乎在草丛中工作很好24800:33:22，500--> 00:33:38，890就是感觉更好，有的差距在这里在框架中树之间，我24900:33:38，890--> 00:34:07，870不确定的如果你有什么需要他们只是争夺注意力因此缩小这种差距25000:34:07，870--> 00:34:14，770数字探索一点点我的判断有一件事的阴影上25100:34:14，770--> 00:34:19，659认为我们可以保持有点但总体添加更多说，所以只在推销这些25200:34:19，659--> 00:34:29，040到更多的说25300:34:29 040--> 00:34:30，770权利25400:34:30，770--> 00:34:36，620现在他有些添加更多的地面上右侧，我认为这张照片25500:34:36，620--> 00:34:41，419需要你开始变得不平衡在这一领域在这一领域之间所以25600:34:41，419--> 00:34:48，179如今这感觉相当密集所以说话约平衡就已经读过25700:34:48，179--> 00:34:53，820小一点的人还在这里做和得到一点点的那个相同的深度25800:34:53，820--> 00:35:03，450现在来作为我们的左侧有在右边，所以我来这里和25900:35:03，450--> 00:35:08，640把它放在我自己的权利26000:35:08，640--> 00:35:28，420感觉这很好，密度是不错26100:35:28，420--> 00:35:37，180我想这应该是微调它像有点舞蹈家地标26200:35:37，180--> 00:35:45，250有的对比是合适，我认为她准备好了我们未来的作品所以到这里来26300:35:45，250--> 00:35:50，809和下 Windows 将能找到的地方开始也许再次作为我的天空26400:35:50，809--> 00:35:55，599提到我附上了这两个在一起它的左侧和右侧26500:35:55，599--> 00:36:01，250一边和我尝试融合这些一样好我现在可以和将讲过，26600:36:01，250--> 00:36:08，849在一分钟内好的我们在这里儿童安全防护最后把这放在上面这里实际上26700:36:08，849--> 00:36:17，570采取这种右侧玻璃草和杂草花粉以及文件夹26800:36:17，570--> 00:36:38，110所以不能改变我的想法，如果我开始把这个在那里现在却改变了26900:36:38，110--> 00:36:42，370群山之后不会感觉让我拿山27000:36:42，370--> 00:36:48，720他们第一次，然后我们会通过工作天空选项所以就把它带回27100:36:48，720--> 00:36:57，940前面，这里是我们的时刻以后所以我们要把这放在一个文件夹中我27200:36:57，940--> 00:37:03，600认为你只是不能裁剪它又一次现在我在做一种作物，确保自己有27300:37:03，600--> 00:37:10，100一切都只是折腾掉的像素，我只是使用我选择工具和我只是觉得27400:37:10，100--> 00:37:16，370图像裁切和那些将被删除27500:37:16，370--> 00:37:22，150量国际事在这里都会开始在美国证券交易委员会里排队的事情我27600:37:22，150--> 00:37:24，980高声呼喊，略有不同所以我只要关注的角度27700:37:24，980--> 00:37:28，450在山上，然后我们可以担心关于混合树和所有，27800:37:28，450--> 00:37:40，360之后的东西，所以我开始衬砌天际线只是谈到那里和27900:37:40，360--> 00:37:48，630明显感觉更读到这里我们下面会因此走进我们

結果 (中文) 3:

201
00:26:58100——> 00:26:59900
这方面混合在邮件

202
00:26:59900——> 00:27:05170
让我们试试，一分钟
进来所有的色彩对比

203
00:27:05170——> 00:27:13960
组曲线成为谈论
往后推了点我们要

204
00:27:13960——> 00:27:22190
称这个来电然后我草
一进来，这将是一个混合

205
00:27:22190——> 00:27:25530
后来试图做

206
00:27:25530——> 00:27:33800
对比度和颜色在同一层，
推了这样也许如果

207
00:27:33800——> 00:27:38070
你创造更多的对比我们创建的
曲线不与

208
00:27:38070——> 00:27:42460
倒问她，如果你能看到
不明显的极端但有点

209
00:27:42460——> 00:27:46530
对比有完全
打开集锦要做

210
00:27:46530——> 00:27:47270
这

211
00:27:47270——> 00:27:54460
这样的事情然后开始
规划在颜色图层混合

212
00:27:54460——> 00:28:03420
对比少，和
点点美国有线电视新闻网他们绑

213
00:28:03420——> 00:28:11130
一起更好一点在我们
开始

214
00:28:11130——> 00:28:17300
所以太粗糙这就来
带走的东西，我不

215
00:28:17300——> 00:28:22320
包括甚至是
真奇怪有太阳斑在这里，我想我

216
00:28:22320——> 00:28:29210
只是想摆脱什么是坐
在阳光下，真的只是在

217
00:28:29210内在——> 00:28:53360
阴影刷这本

218
00:28:53360——> 00:29:07700
保证我不会留下任何东西
太阳后面走，

219
00:29:07700唯一的城市——> 00:29:13010
阴影看，我有点
熊画面感觉温暖许多

220
00:29:13010——> 00:29:18100
因为在这
我曾努力尽快的阳光，阳光的

221
00:29:18100走——> 00:29:23809
刷出来的这张照片不
感到我想的那么有

222
00:29:23809——> 00:29:32429
这里只是把复述
这只是保持他们不太

223
00:29:32429——> 00:29:42760
正如他在同一层
继续降温他们来做这里谈

224
00:29:42760——> 00:29:47230
这一分钟现在试图找到一种方式来混合
对这种草

225
00:29:47230——> 00:29:48970
这里给我感觉很好

226
00:29:48970——> 00:29:55030
感觉其固有的这可是
再这些方面感觉太酷了，

227
00:29:55030——> 00:30:00049
很小很难与
使顶部这些都是拿出来读这个

228
00:30:00049——> 00:30:04530
真的需要一些红色的混合，
这样做是为了专注于

229
00:30:04530——>的00:30:08840
曲线底端，他说在中间的
锚点，这将

230
00:30:08840——> 00:30:12390
允许我推在一边
部分他的比赛你在

231
00:30:12390想做的——> 00:30：19540
阴影在屏幕后，
进入我们的红层，然后我们

232
00:30:19540——> 00:30:24480
见过在中间色调，现在
做，尽量把他读到

233
00:30:24480——> 00:30:41180
阴影我糟糕的进入我们的黄
他们要把这是在

234
00:30:41180——> 00:30:45750
所以当我把锚点这
我得到了很多黄色，这样

235
00:30:45750——> 00:30:49640
了布鲁斯所以现在你
就影子锚点

236
00:30:49640——> 00:31:01360
拉一些黄色到那里，我也不知道
现在可以使这个小

237
00:31:01360——> 00:31:07500
更对比使用键来
在

238
00:31:07底部锚点ICC的权利，