1
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so when it comes to removing a
somebody's crossing hairs on the inside
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and the hair
3
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10 different tricks that you can use
personally based on my experiences with
4
00:00:17,640 --> 00:00:18,760
a retoucher to talk to you
5
00:00:18,760 --> 00:00:22,430
none really work consistently have been
for some of these lighter hairs
6
00:00:22,430 --> 00:00:25,779
you could potentially trying you
something like darkened lawn mowed
7
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so incredibly layer here and said it
darkened only
8
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and in that way when we constand it's
not going to lighten up
9
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any areas the problem with that is I
found with hairs the way the pickup
10
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light
11
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they tend to and have darker and lighter
elements
12
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so if you use either lighten or darken
blend mode oftentimes are getting halos
13
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and some remnants of the original here
14
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so it doesn't end to work very well
hyperbole just have to you
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constand very carefully you can also do
it
16
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in it's at a frequency separation like
we talked about I
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in the portrait retouch now again at
something that I will sometimes attempt
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knowing the the situation here we have
these fairly
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light hair is on a relatively dark
background I know that that's not really
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gonna help us much
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on that they're just a blur out might
have problems on what the low and high
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00:01:11,939 --> 00:01:12,549
layer
23
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so you know ninety five percent the time
your best approach is just to use
24
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I'm simple com stamp tool and just take
your time
25
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and work through them one by one so go
anywhere here I get in and around
26
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two hundred percent or so nice and close
and we basically start coming in
27
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stepping now I just remember you don't
have to make this perfect as long as
28
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the hair strands are relatively intact
nobody's really gone unnoticed
29
00:01:36,820 --> 00:01:40,119
so are you generally do this around
maybe 50-60 percent
30
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flow rate and add to your hardness to
around
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seventy percent or so and so keep your
constant or relatively small
32
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something like this should work well for
us and basically
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sample and then paint this out so well
you know you can adjust
34
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clone away until our
35
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the hair is gone and like I said it's
not looking perfect
36
00:02:01,509 --> 00:02:05,569
not a big deal nobody's gonna notice I
mean repeating patterns
37
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things of that nature in the hair for
the most part
38
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you have to remember that we are at two
hundred percent here so our
39
00:02:23,890 --> 00:02:27,350
you know again we're were way tighter
than
40
00:02:27,350 --> 00:02:32,200
anybody would ever see this tennis stuff
there's that one which was
41
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rather unpleasant so this one we're just
gonna
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shrink our brush size down for a little
bit I don't think when you're quite this
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large
44
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and so I'm going to be working
45
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through this in this general manner
Cylon
46
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just over and over again sampling
47
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a good source point oftentimes undoing
48
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what I've done is it just may not look
good
49
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so don't be afraid undo things
50
00:03:03,970 --> 00:03:07,500
as you can to go through this as my
perfect first time around
51
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try again and I do apologize if you
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we're expecting some sort of miracle
solution to this
53
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there there isn't one it this is
literally what Harry touching it
54
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so I'm if you're doing hair add budget
55
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on what I love retouching time and
56
00:03:33,600 --> 00:03:37,010
well ideally money is you have the
retouching budget
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just her somebody else to do this at my
best to buy tickets for
58
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retouching hairs to tire somebody else
to do it I know it's not terribly
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helpful but
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seriously he'll you'll save yourself a
lot of stress that way
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I don't recommend using the Healing
Brush for this
62
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and sometimes it can work okay but for
the most part it just causes more
63
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problems in
64
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will just end up coming you know undoing
over and over again
65
00:04:13,000 --> 00:04:16,780
trying different source points so
personally I don't think it really
66
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helps all that much I think you know you
pretty much have to do the same amount
67
00:04:21,299 --> 00:04:22,220
of alignment
68
00:04:22,220 --> 00:04:27,360
and and sampling source points so you're
better off just starting off with p.m.
69
00:04:27,360 --> 00:04:38,449
with the constant all to begin with the
worse
70
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when you're going over areas were you
know multiple hairs below change
71
00:04:41,949 --> 00:04:43,879
direction can you keep resembling
72
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as you go through this and rescue teams
gonna try and work through some of the
73
00:04:58,960 --> 00:05:00,349
most noticeable once
74
00:05:00,349 --> 00:05:04,479
because if we want to make this like
perfect strand by strand
75
00:05:04,479 --> 00:05:12,729
we're just gonna be here all day in fact
I don't think I'm gonna have you watch
76
00:05:12,729 --> 00:05:16,699
all this framework to a couple other
areas here see get can adjust to the
77
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process and I'm gonna finish this up
kisser
78
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you know we don't sell you a 10 hour DVD
up which
79
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three hours is on cloning and stamping
stranded here
80
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that to told me is not to
81
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great marketing tactic
82
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the side as I can to go through this
year
83
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you get the point. believe me I'm not
going to get any points while you're not
84
00:05:45,750 --> 00:05:46,389
watching
85
00:05:46,389 --> 00:05:50,620
I'm you some crazy track to finish this
in seconds
86
00:05:50,620 --> 00:05:55,060
that idea neglected to share with you
it's it's still just gonna be me doing
87
00:05:55,060 --> 00:05:55,550
this
88
00:05:55,550 --> 00:06:04,690
for probably an hour or so
89
00:06:04,690 --> 00:06:07,870
he is wanted by happen if you're doing
this is a find
90
00:06:07,870 --> 00:06:12,580
some good music that is both motivating
and
91
00:06:12,580 --> 00:06:18,290
relaxing at the same time that's my best
tip
92
00:06:18,290 --> 00:06:23,920
for doing this this play good music
because you'll be stuck here for a long
93
00:06:23,920 --> 00:06:25,020
long time
94
00:06:25,020 --> 00:06:30,290
I'm a title are layers on and off
95
00:06:30,290 --> 00:06:35,770
same here you see gonna see how this is
looking
96
00:06:35,770 --> 00:06:47,080
now as you get into areas that are
97
00:06:47,080 --> 00:06:51,070
blurry your simply because the DEP the
field as you can see a 200 millimetres
98
00:06:51,070 --> 00:06:52,360
given an F-sixteen
99
00:06:52,360 --> 00:06:56,280
you know that the field the start to
melt away are you can soften
100
00:06:56,280 --> 00:07:00,770
your brush again you're not too worried
about to tech sure at this point
101
00:07:00,770 --> 00:07:04,680
Nick Cannon just you know want to get
everything covered up and there's really
100:00:08,020 --> 00:00:11,710so when it comes to removing asomebody's crossing hairs on the inside200:00:11,710 --> 00:00:12,990and the hair300:00:12,990 --> 00:00:17,64010 different tricks that you can usepersonally based on my experiences with400:00:17,640 --> 00:00:18,760a retoucher to talk to you500:00:18,760 --> 00:00:22,430none really work consistently have beenfor some of these lighter hairs600:00:22,430 --> 00:00:25,779you could potentially trying yousomething like darkened lawn mowed700:00:25,779 --> 00:00:29,080so incredibly layer here and said itdarkened only800:00:29,080 --> 00:00:32,780and in that way when we constand it'snot going to lighten up900:00:32,780 --> 00:00:36,489any areas the problem with that is Ifound with hairs the way the pickup1000:00:36,489 --> 00:00:36,980light1100:00:36,980 --> 00:00:40,220they tend to and have darker and lighterelements1200:00:40,220 --> 00:00:44,330so if you use either lighten or darkenblend mode oftentimes are getting halos1300:00:44,330 --> 00:00:46,059and some remnants of the original here1400:00:46,059 --> 00:00:49,379so it doesn't end to work very wellhyperbole just have to you1500:00:49,379 --> 00:00:52,610constand very carefully you can also doit1600:00:52,610 --> 00:00:56,229in it's at a frequency separation likewe talked about I1700:00:56,229 --> 00:01:01,110in the portrait retouch now again atsomething that I will sometimes attempt1800:01:01,110 --> 00:01:04,269knowing the the situation here we havethese fairly1900:01:04,269 --> 00:01:08,080light hair is on a relatively darkbackground I know that that's not really2000:01:08,080 --> 00:01:09,080gonna help us much2100:01:09,080 --> 00:01:11,939on that they're just a blur out mighthave problems on what the low and high2200:01:11,939 --> 00:01:12,549layer2300:01:12,549 --> 00:01:16,880so you know ninety five percent the timeyour best approach is just to use2400:01:16,880 --> 00:01:20,140I'm simple com stamp tool and just takeyour time2500:01:20,140 --> 00:01:25,409and work through them one by one so goanywhere here I get in and around2600:01:25,409 --> 00:01:29,840two hundred percent or so nice and closeand we basically start coming in2700:01:29,840 --> 00:01:32,829stepping now I just remember you don'thave to make this perfect as long as2800:01:32,829 --> 00:01:36,820the hair strands are relatively intactnobody's really gone unnoticed2900:01:36,820 --> 00:01:40,119so are you generally do this aroundmaybe 50-60 percent3000:01:40,119 --> 00:01:43,130flow rate and add to your hardness toaround3100:01:43,130 --> 00:01:47,780seventy percent or so and so keep yourconstant or relatively small3200:01:47,780 --> 00:01:50,899something like this should work well forus and basically3300:01:50,899 --> 00:01:54,869sample and then paint this out so wellyou know you can adjust3400:01:54,869 --> 00:01:57,920clone away until our3500:01:57,920 --> 00:02:01,509the hair is gone and like I said it'snot looking perfect3600:02:01,509 --> 00:02:05,569not a big deal nobody's gonna notice Imean repeating patterns3700:02:05,569 --> 00:02:20,350things of that nature in the hair forthe most part3800:02:20,350 --> 00:02:23,890you have to remember that we are at twohundred percent here so our3900:02:23,890 --> 00:02:27,350you know again we're were way tighterthan4000:02:27,350 --> 00:02:32,200anybody would ever see this tennis stuffthere's that one which was4100:02:32,200 --> 00:02:35,640rather unpleasant so this one we're justgonna4200:02:35,640 --> 00:02:39,440shrink our brush size down for a littlebit I don't think when you're quite this4300:02:39,440 --> 00:02:40,060large4400:02:40,060 --> 00:02:45,990and so I'm going to be working4500:02:45,990 --> 00:02:50,290through this in this general mannerCylon4600:02:50,290 --> 00:02:53,390just over and over again sampling4700:02:53,390 --> 00:02:56,650a good source point oftentimes undoing4800:02:56,650 --> 00:03:00,480what I've done is it just may not lookgood4900:03:00,480 --> 00:03:03,970so don't be afraid undo things5000:03:03,970 --> 00:03:07,500as you can to go through this as myperfect first time around5100:03:07,500 --> 00:03:18,890try again and I do apologize if you5200:03:18,890 --> 00:03:22,270we're expecting some sort of miraclesolution to this5300:03:22,270 --> 00:03:26,709there there isn't one it this isliterally what Harry touching it5400:03:26,709 --> 00:03:30,300so I'm if you're doing hair add budget5500:03:30,300 --> 00:03:33,600on what I love retouching time and5600:03:33,600 --> 00:03:37,010well ideally money is you have theretouching budget5700:03:37,010 --> 00:03:41,410just her somebody else to do this at mybest to buy tickets for5800:03:41,410 --> 00:03:45,739retouching hairs to tire somebody elseto do it I know it's not terribly5900:03:45,739 --> 00:03:46,370helpful but6000:03:46,370 --> 00:04:01,760seriously he'll you'll save yourself alot of stress that way6100:04:01,760 --> 00:04:04,060I don't recommend using the HealingBrush for this6200:04:04,060 --> 00:04:07,930and sometimes it can work okay but forthe most part it just causes more6300:04:07,930 --> 00:04:08,930problems in6400:04:08,930 --> 00:04:13,000will just end up coming you know undoingover and over again6500:04:13,000 --> 00:04:16,780trying different source points sopersonally I don't think it really6600:04:16,780 --> 00:04:21,299helps all that much I think you know youpretty much have to do the same amount6700:04:21,299 --> 00:04:22,220of alignment6800:04:22,220 --> 00:04:27,360and and sampling source points so you'rebetter off just starting off with p.m.6900:04:27,360 --> 00:04:38,449with the constant all to begin with theworse7000:04:38,449 --> 00:04:41,949when you're going over areas were youknow multiple hairs below change7100:04:41,949 --> 00:04:43,879direction can you keep resembling7200:04:43,879 --> 00:04:58,960as you go through this and rescue teamsgonna try and work through some of the7300:04:58,960 --> 00:05:00,349most noticeable once7400:05:00,349 --> 00:05:04,479because if we want to make this likeperfect strand by strand7500:05:04,479 --> 00:05:12,729we're just gonna be here all day in factI don't think I'm gonna have you watch7600:05:12,729 --> 00:05:16,699all this framework to a couple otherareas here see get can adjust to the7700:05:16,699 --> 00:05:19,039process and I'm gonna finish this upkisser7800:05:19,039 --> 00:05:22,960you know we don't sell you a 10 hour DVDup which7900:05:22,960 --> 00:05:27,569three hours is on cloning and stampingstranded here8000:05:27,569 --> 00:05:30,899that to told me is not to8100:05:30,899 --> 00:05:41,290great marketing tactic8200:05:41,290 --> 00:05:42,810the side as I can to go through thisyear8300:05:42,810 --> 00:05:45,750you get the point. believe me I'm notgoing to get any points while you're not8400:05:45,750 --> 00:05:46,389watching8500:05:46,389 --> 00:05:50,620I'm you some crazy track to finish thisin seconds8600:05:50,620 --> 00:05:55,060that idea neglected to share with youit's it's still just gonna be me doing8700:05:55,060 --> 00:05:55,550this8800:05:55,550 --> 00:06:04,690for probably an hour or so8900:06:04,690 --> 00:06:07,870he is wanted by happen if you're doingthis is a find9000:06:07,870 --> 00:06:12,580some good music that is both motivatingand9100:06:12,580 --> 00:06:18,290relaxing at the same time that's my besttip9200:06:18,290 --> 00:06:23,920for doing this this play good musicbecause you'll be stuck here for a long9300:06:23,920 --> 00:06:25,020long time9400:06:25,020 --> 00:06:30,290I'm a title are layers on and off9500:06:30,290 --> 00:06:35,770same here you see gonna see how this islooking9600:06:35,770 --> 00:06:47,080now as you get into areas that are9700:06:47,080 --> 00:06:51,070blurry your simply because the DEP thefield as you can see a 200 millimetres9800:06:51,070 --> 00:06:52,360given an F-sixteen9900:06:52,360 --> 00:06:56,280you know that the field the start tomelt away are you can soften10000:06:56,280 --> 00:07:00,770your brush again you're not too worriedabout to tech sure at this point10100:07:00,770 --> 00:07:04,680Nick Cannon just you know want to geteverything covered up and there's really
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