Changing makeup color or the color of anything in Photoshop for the matter doesn't have to be a challenging task, although it can be very easy to mess up. In this tutorial I will show you three different ways of changing makeup color in Photoshop.
However, these techniques can be used to change the color of any portion of your image portrait or otherwise. The techniques in the video will range from quick methods that beginner Photoshopers users can use to the more advanced techniques retouchers can make use of.
Method 1: Curves
Curves in my opinion is one of the fundamental tools of Adobe Photoshop, it always you to do major changes of different kinds to your image, from dodging and burning to color correction. For this process remember that you are going to want to mask out or mask in the area you want to affect. Since we are changing makeup color we only want to target the one area. If you are trying to change multiple areas then I would recommend using separate adjustment layers for each section.
First you will need to understand your complimentary colors when working with Curves. You will have the option of either altering the "Red", "Green", or "Blue" color channels, but when you do so, you won't only be able to introduce or remove those colors, you will also be altering the complimentary colors. So remember the following:
Removing Red increases Cyan
Removing Green increases Magenta
Removing Blue increases Yellow
You will also probably recognize these additive color opposites – Cyan, Magenta, and Yellow – as the "CMY" in CMYK. If you have studied additive and subtractive color you also know that RGB is an additive process and CMYK is a subtractive process, so it can also be intuitive to a degree that we can add Cyan, Magenta, and Yellow, by subtracting Red, Green, and Blue.
By going into each channel in the Curves adjustment you can mix the exact color that you are looking for. In the video you will see how I go into each channel and make slight adjustments until I have the desired color.
Blending Mode
The Blending Mode you choose for your color adjustment will also play a large part in how the adjustment affects your image. In Normal blending more the adjustment will affect the hue, saturation, and luminosity of the base layer. If you change the blending mode to Color then it will only affect the hue and saturation, and finally if you change the blending mode to Hue, it will only affect the hue. In the video you will get to see how each blending mode changes the appearance of the adjustment layer, I also give my recommendation for which one to use.
With only a few more touches to be done with dodging and burning, you can see the makeup change and also basic skin tone changes with this before and after.
Method 2: Channel Mixer
Channel Mixer is the one method that will come with a warning. It gives you a lot of control to completely re-write the output channel information, but it is also really easy to wind up with an overdone result that is overly saturated and can destroy a lot of the value information for that particular area. If done well however, Channel Mixer can be really great. I would recommend for beginning Photoshopers to maybe experiment with this one, but not to make it their go-to method quite yet.
With Channel Mixer, you will have the option of selecting the Output Channel, as you can see on the graphic above. The red channel will default to being 100 percent red and zero percent green and blue. The green and blue channels will also default to being 100 percent green or blue respectively. You then have the option completely changing the amount of red, green, and blue that will comprise each channel.
In the video above you will see how you can quickly mess up the area you are trying to change, but also how you can change the output channels to get a very customized appearance.
Also remember to look at the blending mode of the Adjustment Layer. Again, look at the Color and Hue blending modes and decide which gives you the better result. You can also take the opacity of the adjustment layer down, if you don't want the change to be quite as strong. I like to usually pull down these types of changes by 10 to 20 percent.
Method 3: Hue/Saturation
For this particular image, Hue and Saturation is probably my favorite. As you can see in the graphic directly above, there is a small Colorize check box. Select Colorize when doing this and instead of tweaking the hue of the current area, you will actually be able to select the exact hue that you want and it will overlay it on the selected area. Hue and Saturation is a very efficient way of working. You will see in the video that it only takes seconds for me to find the hue that I want and then slightly tweak the saturation as well. I would also recommend leaving the lightness alone, as you don't want to change the luminosity of the area (especially for something like eye makeup) because the areas of skin around it will have the original luminosity and the effect will clearly look fake.
In the graphic of the Hue/Saturation properties window, you can see the exact settings I used. I chose 268 as my hue and then bumped the saturation up just slightly to 34, but it is important to remember that this isn't a recipe to be followed, it a concept that you can apply to your image, so select and tweak the values that best suit your image!
Also remember to look at the blending mode and opacity of the adjustment layer once you are done. Even though I bumped the saturation of the affect I still decreased the opacity just a bit.
Mixing and Stacking
My actual final result that you see in the banner image was not done by using just one of these methods. I actually combined and stacked a few of them with different blending modes and opacity levels to get exactly what I wanted. I highly encourage you guys, whenever you read or watch a tutorial, to experiment and make the techniques your own!
更改颜色的东西在 Photoshop 中的一件事或化妆颜色并不一定要富有挑战性的任务,虽然它可以很容易搞砸。在本教程中,我会告诉你三种不同方式的改变化妆颜色在 Photoshop 中。然而,这些技术可以用来改变你的形象肖像的任何部分的颜色或其他行为。在视频技术的范围可以从快速方法 Photoshopers 用户可以使用到更高级的初学者技术修图师可以使用。 方法 1: 曲线在我看来曲线是 Adobe Photoshop 的基本工具之一它总是你做重大的不同种类的变化对你的形象,从躲避和燃烧到色彩校正。这一进程请记住,你要想要通过使用蒙版或掩盖在你想要影响的地区。因为我们正在改变化妆颜色我们只想要一个地区的目标。如果你试图更改多个区域然后我建议为每个部分使用单独的调整图层。首先你需要了解你免费的颜色,使用曲线时。你将可以选择要么改变"红"、"绿色"、"蓝"的颜色通道,但当你这么做,你不会只能够介绍或删除那些颜色,你也将改变的免费的颜色。所以请记住以下内容:删除红色增加青色删除绿色增加洋红色Removing Blue increases YellowYou will also probably recognize these additive color opposites – Cyan, Magenta, and Yellow – as the "CMY" in CMYK. If you have studied additive and subtractive color you also know that RGB is an additive process and CMYK is a subtractive process, so it can also be intuitive to a degree that we can add Cyan, Magenta, and Yellow, by subtracting Red, Green, and Blue.By going into each channel in the Curves adjustment you can mix the exact color that you are looking for. In the video you will see how I go into each channel and make slight adjustments until I have the desired color.Blending ModeThe Blending Mode you choose for your color adjustment will also play a large part in how the adjustment affects your image. In Normal blending more the adjustment will affect the hue, saturation, and luminosity of the base layer. If you change the blending mode to Color then it will only affect the hue and saturation, and finally if you change the blending mode to Hue, it will only affect the hue. In the video you will get to see how each blending mode changes the appearance of the adjustment layer, I also give my recommendation for which one to use. With only a few more touches to be done with dodging and burning, you can see the makeup change and also basic skin tone changes with this before and after.Method 2: Channel Mixer通道混合器是会有一个警告的方法之一。它给您大量的控制完全重写输出信道信息,但它也是真的很容易过头的结果是过于饱和,可以摧毁大量的那一特定区域的价值信息风。如果做的很好但是,通道混合器可真的很棒。我建议开始 Photoshopers 也许实验与这一个,但不是能使他们走到方法尚未。通道混合器,你将有选择的输出通道,如你可以看到上面的图形。红色通道将默认为 100%红和零百分比绿色和蓝色。绿色和蓝色通道还会默认分别为 100%绿色或蓝色。然后,您可以完全更改的红色、 绿色和蓝色包含每个通道数量。在上面的视频你会看到如何你可以很快陷入困境的地区你正在改变,但如何您可以更改输出渠道来获取深度定制的外观。也别忘了看看调整图层的混合模式。又在此基础上,看看颜色和色调混合模式,决定让你有更好的结果。您还可以调整图层的不透明度降低,如果你不想变化相当的强劲。我想通常拉下来这些类型的更改由 10 至 20%。方法 3: 色相/饱和度对于此特定的映像,色相和饱和度可能是我的最爱。正如你可以看到图形直接上文中,还有一个小的着色复选框。选择着色,在这样的时候,而不是调整色调的当前区域,你将实际上能够选择你想要的确切色调和它会将它叠加在所选区域。色相和饱和度是工作的一种非常有效方式。在视频中,您将看到它只需为我找到我想要然后稍微调整饱和度以及色调秒。我也建议您保留明度独自一人,因为你不想要改变区域的亮度 (尤其是对眼部化妆之类),因为皮肤周围的地区将原始明度和效果显然会假。在色相/饱和度属性窗口的图形,你可以看到我所使用的确切设置。我选择 268 作为我的色调,然后撞到了饱和略到 34 名,但很重要的要记住,这不是应遵循食谱,它一个概念,你可以应用到你的形象,所以选择和调整最适合你的图像的值!此外记得来看看混合模式和不透明度的调整图层,一旦你做。即使我撞到了饱和的影响却仍然只是有点降低不透明度。混合和叠加你看到在横幅图片我实际的最终结果不是通过使用这些方法之一。我实际上结合和堆放其中数与不同的混合模式和不透明度级别得到自己想要什么。我非常鼓励你们这些家伙,每当您阅读或观看教程,来做实验、 做技术你自己!
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