100:00:05,720 --> 00:00:15,320is here again I'm going to show you thed的中文翻譯

100:00:05,720 --> 00:00:15,320is he

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00:00:05,720 --> 00:00:15,320
is here again I'm going to show you the
demonstration

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demonstration of what I just said in
previous chapter regarding restoration

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and different type of flashes and the
fact that we do not freeze action with

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shutter speed so it will be quick shop
real shot you'll see the result because

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I was with integrity also result on the
white room which are useful to the

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recruiting and we'll go from there so
let me show you the white and super

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quick easy shooting table with white
plastic on it

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glass on it

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cameras here the light source the only
one I sort of health is here I'll be

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using three different type of strobes to
show you how they work differently and

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each throw will have agreed to create a
spot on the diffuser and if user will be

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between subject and my source this is a
simpler stop for any clear liquid not

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only with any clear basically subject
because glass water everything clear

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will usually look pretty nice when you
have light come through it in the UK

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like the ground and you'll see you'll
see what will happened all that

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wonderful actor on top of everything
just to help will come

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from the front again it's fine not to
have any leads from the front when you

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shoot liquid like water but it it should
work fine

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the camera I use Canon 5d Mark 222 my
pixel camera hundred millimeter camera

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2.0 a male micrograms I don't before use
macro lenses in studio this macro lens

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well it's good that only the better when
I know from Canon 880 millimeters 3.5

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Markham same grape lands but that
hundred 80 millimetres is a true gift

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it's great lengths but hundred would
respond its guidelines and again I just

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additional information for you

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marvin is anyone who work for the kind
of shocked so I will use white light X

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1600 this is one of the most lives in
years because it's not expensive it's a

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really powerful it has 640 what second
tort second was put here and that's good

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light I started with them long time ago
I used quite extensively in studio and

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these days I'm not using them at all cuz
I switch to digital einstein's possible

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fines times

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and I'll show you where I switched so
this light will be mounted behind our

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values court to synchronize discover
there is a while synchronizer thru Cyber

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part I them I had them but I saw them
anyway let me show you the whole process

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right arm

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light on the pollution where are you
want them like modifier goes here

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the power level let's start from
somewhere one sort or full power

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I'm putting my

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to turn on the camera on my Lightroom

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protruding and you will see results on
picture-in-picture talking already

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everything is set

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camera manual mode I mean they're
shooting mode one of two hundredth of a

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second shutter speed 16 of 16 that's
about how much I need for food on given

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distance given medication for the glass
which I don't be pouring water in

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obviously only 90 focus where you can
come out of the focus when he shoots to

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life subject no need because it may who
knows because of changing light

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conditions of the focus my frail and it
will even if it was on the focus before

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his shift and you can get out of focus
image that some of the sequence shots so

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are you are you are with Sacramento
focus focus manually by looking at the

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camera or I can throw out the camera
consider after four let focus and then

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switch back to menu also to be fixed
because it's still like nothing is more

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surprised so many focus 116

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see what will happen if we should
without flash I just disconnected strong

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from the camera you see the hell I'd
relatively bright light and studio and

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I'm going to shoot right

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the shop

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and it's black it's giving exporters

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I saw one hundred I was trying to shoot
basic to make if I so for the sensor to

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preserve quality without flash all this
light doesn't have any role even there

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you see the sport Eurosport on the
issues of this is modern life obviously

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it's not enough that's why basically
you're not using the shopper to

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re-election because if something is one
of two hundredth of a second but first

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duration will be what's a one of four
thousand or second you understand what

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exposure will be effective exposure time
will be equal to one thousandth of a

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second the rest i'm open til it's done
it's not so let me connect are strong

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and should it's not coming for some
reason it seems

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one letter left of the really really
cool one issue that was like coming

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through many highlights from the ground
by the way will keep for you you see the

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background you see how little harder on
the ground

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this is from these diffuser powerful
interest in fact for you this is why we

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have white diffuser but because no other
lied or strobe is highlighting basically

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it's dark that's how you can easily make
white be black right no lights on it and

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that's why I like any light my fire
which lets me control of the light

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spread like honeycomb grid that has
brought the rest is dark because no

74
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light coming from the flesh to eat the
same for the table

75
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anyway let's try to pour some water and
catch the shop and you see how to so I

76
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got just regular tap water and I'll be
triggering my hand economizing it's

77
00:10:04,569 --> 00:10:06,780
possible to use

78
00:10:06,780 --> 00:10:14,160
different devices to trigger a camera
but for this demonstration it should

79
00:10:14,160 --> 00:10:27,110
work like this but at least be able to
catch something like a knife with me do

80
00:10:27,110 --> 00:10:28,710
you more

81
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ok

82
00:11:03,830 --> 00:11:18,880
it's not what they coming here I just
want to show you how it looked like

83
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let's see this sort of problem here it's
kind of nice even though we see the

84
00:11:29,090 --> 00:11:32,690
motion law but it's not nice at all

85
00:11:32,690 --> 00:11:40,460
place like this not modified looks
really good but when magnified receive

86
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that its all goood effective interest in
playing here in blue

87
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here for artistic approach it's fine but
when you should commercially when you

88
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shoot with you know for client obviously
this place should be frozen and look

89
00:12:04,940 --> 00:12:11,310
like so it doesn't work it simply
doesn't work there's like left live

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camera and exposure as I'm not going to
touch it so let's change the strong

91
00:12:22,700 --> 00:12:33,020
going to put their Einstein same power
641 second but this is just lost all

92
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meaning I can control Federation and
it's much shorter so I'm going to play
0/5000
原始語言: -
目標語言: -
結果 (中文) 1: [復制]
復制成功!
100:00:05,720--> 00:00:15,320又在这里我要告诉你示范200:00:15,320--> 00:00:22,369我刚才所说的在示范前一章关于恢复300:00:22,369--> 00:00:27,769和不同类型的闪光和我们不冻结与行动的事实400:00:27,769--> 00:00:35,870快门速度,所以它会快店实拍你会看到结果因为500:00:35,870--> 00:00:41,560我是用诚信也导致对白色的房间里,这是有用的600:00:41,560--> 00:00:48,170招聘,我们会去从那里所以让我告诉你的白色和超级700:00:48,170--> 00:00:55,550快速容易射击与白表在上面的塑料800:00:55,550--> 00:00:58,730在上面的玻璃900:00:58 730--> 00:01:10,320相机的唯一光源一个排序的健康是我会在这里1000:01:10,320--> 00:01:17,920使用三个不同类型的频闪灯到告诉你它们是如何以不同的方式和1100:01:17 920--> 00:01:25,780每个扔将已同意创建上扩压器的地方,如果用户将1200:01:25,780--> 00:01:33,780这是主题与我的源之间任何清澈的液体不的简单停止1300:01:33,780--> 00:01:41,190只有与任何明确基本主题因为玻璃水一切清晰1400:01:41,190--> 00:01:47,110将通常看起来很好当你在英国有光来通过它1500:01:47,110 --> 00:01:55,580like the ground and you'll see you'llsee what will happened all that1600:01:55,580 --> 00:02:00,440wonderful actor on top of everythingjust to help will come1700:02:00,440 --> 00:02:06,710from the front again it's fine not tohave any leads from the front when you1800:02:06,710 --> 00:02:13,760shoot liquid like water but it it shouldwork fine1900:02:13,760 --> 00:02:24,320the camera I use Canon 5d Mark 222 mypixel camera hundred millimeter camera2000:02:24,320 --> 00:02:33,9302.0 a male micrograms I don't before usemacro lenses in studio this macro lens2100:02:33,930 --> 00:02:41,080well it's good that only the better whenI know from Canon 880 millimeters 3.52200:02:41,080 --> 00:02:48,320Markham same grape lands but thathundred 80 millimetres is a true gift2300:02:48,320 --> 00:02:54,530it's great lengths but hundred wouldrespond its guidelines and again I just2400:02:54,530 --> 00:02:56,170additional information for you2500:02:56,170 --> 00:03:06,810marvin is anyone who work for the kindof shocked so I will use white light X2600:03:06,810 --> 00:03:16,2091600 this is one of the most lives inyears because it's not expensive it's a2700:03:16,209 --> 00:03:28,270really powerful it has 640 what secondtort second was put here and that's good2800:03:28,270 --> 00:03:35,640light I started with them long time agoI used quite extensively in studio and2900:03:35,640 --> 00:03:43,190these days I'm not using them at all cuzI switch to digital einstein's possible3000:03:43,190 --> 00:03:44,950fines times3100:03:44,950 --> 00:03:51,500and I'll show you where I switched sothis light will be mounted behind our3200:03:51,500 --> 00:04:01,640values court to synchronize discoverthere is a while synchronizer thru Cyber3300:04:01,640 --> 00:04:10,890part I them I had them but I saw themanyway let me show you the whole process3400:04:10,890 --> 00:04:23,250right arm3500:04:23,250 --> 00:04:46,100light on the pollution where are youwant them like modifier goes here3600:04:46,100 --> 00:04:58,680the power level let's start fromsomewhere one sort or full power3700:04:58,680 --> 00:05:05,340I'm putting my3800:05:05,340 --> 00:05:14,210to turn on the camera on my Lightroom3900:05:14,210 --> 00:05:21,199protruding and you will see results onpicture-in-picture talking already4000:05:21,199 --> 00:05:23,690everything is set4100:05:23,690 --> 00:05:30,630camera manual mode I mean they'reshooting mode one of two hundredth of a4200:05:30,630 --> 00:05:42,550second shutter speed 16 of 16 that'sabout how much I need for food on given4300:05:42,550 --> 00:05:50,050distance given medication for the glasswhich I don't be pouring water in4400:05:50,050 --> 00:06:02,160obviously only 90 focus where you cancome out of the focus when he shoots to4500:06:02,160 --> 00:06:07,210life subject no need because it may whoknows because of changing light4600:06:07,210 --> 00:06:13,080conditions of the focus my frail and itwill even if it was on the focus before4700:06:13,080 --> 00:06:19,570his shift and you can get out of focusimage that some of the sequence shots so4800:06:19,570 --> 00:06:24,810are you are you are with Sacramentofocus focus manually by looking at the4900:06:24,810 --> 00:06:30,789camera or I can throw out the cameraconsider after four let focus and then5000:06:30,789 --> 00:06:34,710switch back to menu also to be fixedbecause it's still like nothing is more5100:06:34,710 --> 00:06:41,289surprised so many focus 1165200:06:41,289 --> 00:06:49,590see what will happen if we shouldwithout flash I just disconnected strong5300:06:49,590 --> 00:06:55,440from the camera you see the hell I'drelatively bright light and studio and5400:06:55,440 --> 00:07:01,940I'm going to shoot right5500:07:01,940 --> 00:07:09,650the shop5600:07:09,650 --> 00:07:17,180and it's black it's giving exporters5700:07:17,180 --> 00:07:23,660I saw one hundred I was trying to shootbasic to make if I so for the sensor to5800:07:23,660 --> 00:07:32,000preserve quality without flash all thislight doesn't have any role even there5900:07:32,000 --> 00:07:37,380you see the sport Eurosport on theissues of this is modern life obviously6000:07:37,380 --> 00:07:44,070it's not enough that's why basicallyyou're not using the shopper to6100:07:44,070 --> 00:07:48,690re-election because if something is oneof two hundredth of a second but first6200:07:48,690 --> 00:07:55,590duration will be what's a one of fourthousand or second you understand what6300:07:55,590 --> 00:08:02,730exposure will be effective exposure timewill be equal to one thousandth of a6400:08:02,730 --> 00:08:22,790second the rest i'm open til it's doneit's not so let me connect are strong6500:08:22,790 --> 00:08:39,599and should it's not coming for somereason it seems6600:08:39,599 --> 00:08:47,940one letter left of the really reallycool one issue that was like coming6700:08:47,940 --> 00:08:54,110through many highlights from the groundby the way will keep for you you see the6800:08:54,110 --> 00:08:59,709background you see how little harder onthe ground6900:08:59,709 --> 00:09:07,060this is from these diffuser powerfulinterest in fact for you this is why we7000:09:07,060 --> 00:09:15,579have white diffuser but because no otherlied or strobe is highlighting basically7100:09:15,579 --> 00:09:25,829it's dark that's how you can easily makewhite be black right no lights on it and7200:09:25,829 --> 00:09:32,540that's why I like any light my firewhich lets me control of the light7300:09:32,540 --> 00:09:38,790spread like honeycomb grid that hasbrought the rest is dark because no7400:09:38,790 --> 00:09:43,630light coming from the flesh to eat thesame for the table7500:09:43,630 --> 00:09:55,360anyway let's try to pour some water andcatch the shop and you see how to so I7600:09:55,360 --> 00:10:04,569got just regular tap water and I'll betriggering my hand economizing it's7700:10:04,569 --> 00:10:06,780possible to use7800:10:06,780 --> 00:10:14,160different devices to trigger a camerabut for this demonstration it should7900:10:14,160 --> 00:10:27,110work like this but at least be able tocatch something like a knife with me do8000:10:27,110 --> 00:10:28,710you more8100:10:28,710 --> 00:11:03,830ok8200:11:03,830 --> 00:11:18,880it's not what they coming here I justwant to show you how it looked like8300:11:18,880 --> 00:11:29,090let's see this sort of problem here it'skind of nice even though we see the8400:11:29,090 --> 00:11:32,690motion law but it's not nice at all8500:11:32,690 --> 00:11:40,460place like this not modified looksreally good but when magnified receive8600:11:40,460 --> 00:11:52,620that its all goood effective interest inplaying here in blue8700:11:52,620 --> 00:11:59,990here for artistic approach it's fine butwhen you should commercially when you8800:11:59,990 --> 00:12:04,940shoot with you know for client obviouslythis place should be frozen and look8900:12:04,940 --> 00:12:11,310like so it doesn't work it simplydoesn't work there's like left live9000:12:11,310 --> 00:12:22,700camera and exposure as I'm not going totouch it so let's change the strong9100:12:22,700 --> 00:12:33,020going to put their Einstein same power641 second but this is just lost all9200:12:33,020 --> 00:12:42,110meaning I can control Federation andit's much shorter so I'm going to play
正在翻譯中..
結果 (中文) 3:[復制]
復制成功!
1
00:00:05720——> 00:00:15320
又来了我要给你
示范

2
00:00:15320——> 00:00:22369
演示我刚才说的
前一章关于恢复

3
00:00:22369——> 00:00:27769
和闪烁不同的类型和
事实我们不冻结行动与

4
00:00:27769——> 00:00:35870
快门速度就快店
真正的机会,你会看到的结果,因为

5
00:00:35870——> 00:00:41560
我与完整性也导致在
白色房间是有用的

6
00:00:41560——> 00:00:48170
招聘,我们会从那里
让我给你白、超

7
00:00:48170——> 00:00:55550
快速简单的射击表白
塑料上

8
00:00:55550——> 00:00:58730
玻璃上

9
00:00:58,730——> 00:01:10320
相机这里的光源只有一种
我健康我会

10
00:01:10320——> 00:01:17920
使用三种不同类型的频闪灯
告诉你如何工作的不同,

11
00:01:17920——> 00:01:25780
每个都同意建立一个
现货在扩散器,如果用户将

12
00:01:25780——> 00:01:33780
学科之间和我的来源这是一个简单
停止任何透明液体,不

13
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只与任何明确的基本主题
因为玻璃水澄清一切

14
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通常会很漂亮时,你
光通过它在英国

15
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像地面,你会看到你
看看会发生什么,

16
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很棒的演员最重要的
只是帮助将

17
00:02:00440——> 00:02:06710
从前面再好的不
已经从前面的线索,当你

18
00:02:06710——> 00:02:13760
拍摄像水一样的液体但它应该
做工精细

19
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我使用佳能5D马克222我
相机像素的摄像头100毫米的照相机

20
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2男性微克我不使用前
微距镜头微距镜头

工作室这21
00:02:33930——> 00:02:41080
很好,只有更好时,
从我的佳能880毫米3.5

22
00:02:41080——>马卡姆00:02:48320
相同葡萄的土地但
亿80毫米是一个真正的礼物

23
00:02:48320——> 00:02:54530
是伟大的长度但百将
回应指导,我再次

24
00:02:54530——>你

25
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马尔文是谁的
震惊的工作,所以我将用白光X

26
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1600是一个在
年最生活因为它不贵是

27
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附加信息:03:28270
真厉害已经把这里是640第二
侵权二和很好

28
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光我开始与他们很久以前
我在工作室和

29
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这些天我不使用它们因为
我开关数字爱因斯坦的可能

30
00:03:43190——> 00:03:44950
罚款倍

31
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相当广泛我会告诉你在哪里交换所以
这光将被安装在我们的

32
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值同步
法院发现有同时同步通过网络

33
00:04:01640——> 00:04:10890
部分我他们我有他们但我看到他们
无论如何让我告诉你整个过程

34
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右臂

35
00:04:23250——> 00:04:46100

所在的光污染要他们喜欢改去这里

36
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功率水平让我们开始从
某处一种或全功率

37
00:04:58680——> 00:05:05340
我把我的

38
00:05:05340——> 00:05:14210
打开相机我

Lightroom 39
00:05:14210——> 00:05:21199
突出,你会看到结果
画中画说话已经

40
00:05:21199——> 00:05:23690
一切设置

41
00:05:23690——> 00:05:30630
相机手动模式,我的意思是他们
拍摄模式一个

42
00:05:30630一百分之二——> 00:05:42550
秒快门速度16 16,
对我是多么的需要在给定的

43
00:05:42550食品——> 00:05:50050
距离给出了玻璃
用药
正在翻譯中..
 
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