100:00:03,100 --> 00:00:05,980in ad

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in addition to being helpful for
providing control with adjustments for

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saturation

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with an Aussie masur also great for
working with color palettes

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when an image has an overall color
balance issue

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for example a global color cast can be
neutralized with white balance

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adjustments in cammarata

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or the brady have color balance
adjustments in Photoshop

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the color balance adjustment is made
just for this purpose

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this image has an overall blue color
cast I can work with

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a color balance adjustment layer

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starting with the Midtown's

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and bring in some yellows and reds

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and then move on to the shadows

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also make some adjustments for yellows

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and red a little bit maybe in the
highlights

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a little bit magenta now we can see that

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made a global color balance adjustment
to remove their blue cast

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and get the colors more neutral and
looking better but there are times when

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a color cast is a global

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areas with different light sources such
as shadows and brightly lit areas

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may have different color casts and you
may also want to adjust color balance in

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different portions have an image for
creative effect

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while the color balance adjustment as
well as curves

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levels selective color and hue and
saturation

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all out various methods for targeting
color balance adjustments to particular

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color

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or call ranges it can still be difficult
to get color just wants to be confined

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to just the areas you want

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this is where using a luminosity mas to
help direct the adjustment is so helpful

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this image has a variety of color
balance issues

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but the color balance adjustments I
wanna make in the highlight areas if the

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imager different than the ones I wanna
make

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to the shadowed areas while the color
balance adjustment allows for

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adjustments to be targeted towards
highlights Midtown's and shadows

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it still doesn't give me the kind of
control over those various Tahoe areas

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that I want to have to get the look that
I walked instead

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I would use luminosity master control my
color balance adjustments

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I'm a start off by making all the lights
masks and all the darks masks

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all-star by evaluating the lights mas to
find one that'll

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direct my adjustment to the brightest a
reserve the image lights

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light lights bright lights

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I really want this adjustment to affect
the very brightest portions of the image

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and I think that only the lights mask is
gonna be

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broad enough to get the areas that I
want to affect so controller command

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click on the lights channel

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and then generate a color balance
adjustment layer

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but that mask attached click on the
layer to make the

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quick mask go away I can work with the
blue slider

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to shift or G L O to try to take some
%uh the Blues at the highlights

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and I mail so on adding a little bit
magenta

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to the highlights and

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little bit a red how this is

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happening to the Midtown's because I've
set the color palettes tool to Midtown's

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but it's happening to the Midtown's love
the lightest areas

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as being controlled by the luminosity
mask

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and I can see the effect

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that's having an overall color balance I
can also

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still work with the shadows %uh

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the brightest areas as controlled by the
Naseem ask and

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if I think it needs it even the
highlights

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so I think that's an improvement to the

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areas now I wanna work on the color
balance in the more shadow areas of the

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image

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let's evaluate the darks masks the darks

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dark darks shattered arcs

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supra darks and ultra darks

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think the shattered arcs or the Super
darks

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really make adjustments down and the
shadowed areas of the image

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while leaving the writers in the image
in effect think I'm gonna go with the

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more restrictive

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super darks to make sure that way
adjustments don't bleed into the

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highlight areas

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so I will controller command click on
the super dark mask

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this time all go back to an RGB channel

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first so I don't get the red quick mask

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now make another color balance
adjustment layer

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the sage in the shadows feels a little
purple he blew it I want it to be more

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kind of steely gray

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so I can start with adjusting the
Midtown's

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love the color balance

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but I'm doing it through this
restrictive darks mask

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so by go a little bit more towards
yellow

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and a little bit more towards Scion

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I can give more that steely gray color
i'm looking for.

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maybe a little bit more towards green
and I can also now move to the shadows

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and somewhere in there is going to be
balance that I want its

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try seeing that one before the
adjustment and after the adjustment

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feels a lot better let's take a look at
what these adjustments look like without

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the masks

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Wow you can see without that mask that's
completely

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not the rate adjustment at affecting the
whole image this is the right

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adjustments

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and it's really just targeting shattered
areas

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else go down to are highlighted just
without the mask

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again not the red adjustment and also
it's happening

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even into the shadows where we don't
wanna with the mask

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it's just right and Alyssa the overall
before and after for this image

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I feel that's done a really good job

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love creating the proper color balance
release my intended color balance

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in both the highlight areas in the image
and the shadow areas

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now let's look at an example that's a
little different

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in this image I like the color balance
in the highlights

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but there are a lot of Blues in the
shadows down here in the rocks

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and in the water let's see what it would
look like if I tried to make an

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adjustment to the blue shadow color cast

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the color balance adjustment with no
nasty mask

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start with the shadows and

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bring in some yellows to those shadows

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perhaps Reds an

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magenta green looks okay

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so I've done a pretty good job

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neutralizing the Blues in the shadows

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but as you can see it's also change the
color balance in my highlights

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even know I was using the shadow setting
in the color palette stool

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so let's turn visibility that layer of

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and try again with the luminosity mask
some to go the Tiki Actions panel

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I'm a degenerate all the darks masks and
then all value it does masks

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the darks

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dark darks shattered arcs

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結果 (中文) 1:

100:00:03，100--> 00:00:05，980不仅是有用的提供控制与调整200:00:05，980--> 00:00:06，850饱和度300:00:06，850--> 00:00:10，250与澳元 masur 也是伟大的使用调色板400:00:10，250--> 00:00:13，550当图像的整体颜色平衡问题500:00:13，550--> 00:00:17，800例如可以是全局色铸瓦解与白平衡600:00:17，800--> 00:00:19，350在 cammarata 中的调整700:00:19，350--> 00:00:22，640布雷迪也色彩平衡在 Photoshop 中调整800:00:22，640--> 00:00:25，900色彩平衡调整只是为此目的900:00:25，900--> 00:00:30，340此映像有整体蓝色的颜色我能用工作的铸造1000:00:30，340--> 00:00:33，940色彩平衡调整图层1100:00:33，940--> 00:00:37，180与市中心的开始1200:00:37，180--> 00:00:42，340在一些金黄色和红色带1300:00:42，340--> 00:00:45，520然后将移动到阴影1400:00:45，520--> 00:00:48，520此外作出一些调整为黄色1500:00:48，520--> 00:00:54，120和红一点点也许在亮点1600:00:54，120--> 00:01:00，059现在我们可以看到，有点洋红色1700:01:00，059--> 00:01:03，820作了全球色彩平衡调整要删除其蓝色的强制转换1800:01:03，820--> 00:01:09，479和获得更中性的颜色和寻找更好但也有一些时候1900:01:09，479--> 00:01:11，069色调是全球2000:01:11，069--> 00:01:14，990这类人不同光源的地区作为阴影和灯火通明的地区2100:01:14，990--> 00:01:19，009可能有不同的色痕和你也可能想要调整颜色平衡2200:01:19 009--> 00:01:21，319不同的部分有的图像创造性的影响2300:01:21，319--> 00:01:25，049同时作为色彩平衡调整以及曲线2400:01:25，049--> 00:01:28，279各级选择性的颜色和色调和饱和度2500:01:28，279--> 00:01:32，149都出来为目标的各种方法特别是色彩平衡调整2600:01:32，149--> 00:01:32，679颜色2700:01:32，679--> 00:01:37，399或拨打范围仍就很难获得的颜色来只是想要只限于2800:01:37，399--> 00:01:39，249只是你想要的领域2900:01:39，249--> 00:01:43，579这是在使用亮度 mas帮助直接调整是很有帮助3000:01:43，579--> 00:01:48，989此映像有各种颜色平衡问题3100:01:48，989--> 00:01:52，509但色彩平衡调整我想要突出显示区域，如果3200:01:52，509--> 00:01:54，459热像仪不同比我想的让3300:01:54，459--> 00:01:58，559对阴影区时的颜色平衡调整允许3400:01:58，559--> 00:02:02，249调整目标则为市中心的高光和阴影3500:02:02，249--> 00:02:06，469它仍然没有给我那种的对那些控制各种塔霍湖地区3600:02:06，469--> 00:02:10，119那我想要到那看我以步行代替3700:02:10，119--> 00:02:14，040我会用光度主控制我色彩平衡调整3800:02:14，040--> 00:02:20，060我要开始去通过使所有的灯面具和所有的暗部面具3900:02:20，060--> 00:02:26，590通过评估到灯 mas 全明星找到一个会4000:02:26，590--> 00:02:31，280直接给最聪明的我调整保留图像灯4100:02:31，280--> 00:02:35，709光灯亮灯4200:02:35，709--> 00:02:40，800我真的想要这种调整影响图像非常明亮部分4300:02:40，800--> 00:02:43，880我认为，只有灯面具是你应该怎么做4400:02:43，880--> 00:02:49，269广泛，足以得到领域，我想要影响这么控制器命令4500:02:49，269--> 00:02:52，980单击灯频道4600:02:52，980--> 00:02:56，580然后生成一个色彩平衡调整图层4700:02:56，580--> 00:03:00，650但那面具附上单击图层，使4800:03:00，650--> 00:03:04，740快速蒙版走开我可以与工作蓝色滑块4900:03:04，740--> 00:03:09，670对转变或 G L O 尝试采取一些%嗯亮点在蓝军5000:03:09，670--> 00:03:13，580和我邮件等等添加一点点洋红色5100:03:13，580--> 00:03:16，700对亮点和5200:03:16，700--> 00:03:20，610一点点如何这是一个红色5300:03:20，610--> 00:03:24，980到市中心的发生，因为我已经到市中心的设置颜色调色板工具5400:03:24，980--> 00:03:29，140但它发生在市中心的爱最轻的地区5500:03:29，140--> 00:03:32，390作为被控制亮度面具5600:03:32，390--> 00:03:35，830和我可以看到效果5700:03:35，830--> 00:03:40，540就把整体的色彩平衡我此外可以5800:03:40，540--> 00:03:44，750还在为工作的阴影 %呃5900:03:44，750--> 00:03:52，000最亮的地区的控制下纳西姆问和6000:03:52 000--> 00:04:08，549要是需要它甚至亮点6100:04:08，549--> 00:04:10，520所以这是改善6200:04:10，520--> 00:04:15，150现在我想要的颜色工作领域在更多的阴影区的平衡6300:04:15，150--> 00:04:15，670图像6400:04:15，670--> 00:04:20，400让我们评价深色面具的暗部6500:04:20，400--> 00:04:25，000黑暗的暗部粉碎弧6600:04:25，000--> 00:04:29，210上文暗部和超暗部6700:04:29，210--> 00:04:33，570想破碎的弧或超深色6800:04:33，570--> 00:04:37，740真正把调整和阴影的区域的图像6900:04:37，740--> 00:04:43，700而在图像离开作家实际上认为我要去陪7000:04:43，700--> 00:04:44，680限制性更强7100:04:44，680--> 00:04:47，980超级的深色衣服，以确保这种方式调整不渗入7200:04:47，980--> 00:04:48，970突出显示的区域7300:04:48，970--> 00:04:53，770所以我将控制器命令单击超级黑面具7400:04:53，770--> 00:04:57，380这次一切都回到 RGB 通道7500:04:57，380--> 00:05:00，520第一不要让红色的快速蒙版7600:05:00，520--> 00:05:03，820现在让另一个色彩平衡调整图层7700:05:03，820--> 00:05:08，910阴影中的圣人是感觉有点紫色他砸了我想要更多7800:05:08，910--> 00:05:10，190种的钢铁般的灰色7900:05:10，190--> 00:05:13，760这样我就可以开始与调整市中心的8000:05:13，760--> 00:05:17，039爱的色彩平衡8100:05:17，039--> 00:05:23，360但我正在通过这限制性深色面具8200:05:23，360--> 00:05:26，960所以通过去争取多一点点黄色8300:05:26，960--> 00:05:30，200并对接穗多一点点8400:05:30，200--> 00:05:34，810我可以给更多那钢铁般的灰色颜色我要的。8500:05:34，810--> 00:05:48，919也许有点更多的走向绿色现在也可以到阴影8600:05:48，919--> 00:05:53，190在某个地方在那里是要我想要的平衡其8700:05:53，190--> 00:05:57，949试着看那个之前调整后的调整8800:05:57，949--> 00:06:02，389好了很多让我们看一看这些调整是什么样子不8900:06:02，389--> 00:06:03，380面具9000:06:03，380--> 00:06:07，120哇你可以看到没有，掩盖那的完全9100:06:07，120--> 00:06:11，220不影响率调整整幅图像这是权利9200:06:11，220--> 00:06:11，810调整9300:06:11，810--> 00:06:14，930和它的目标真的只粉碎了地区9400:06:14，930--> 00:06:19，160其他去下来只是突出显示没有那面具9500:06:19，160--> 00:06:22，990再次不红的调整，也它正在发生9600:06:22，990--> 00:06:26，900甚至到阴影里我们不在那里想要与面具9700:06:26，900--> 00:06:31，889它的只是权利和艾莉莎整体之前和之后此图像9800:06:31，889--> 00:06:36，790我觉得这已经做一份好工作9900:06:36，790--> 00:06:40，880爱创造适当的颜色平衡释放我预定的色彩平衡10000:06:40，880--> 00:06:44，479在图像中的两个突出显示区域和阴影区10100:06:44，479--> 00:06:48，220现在让我们来看一个例子，略有不同10200:06:48，220--> 00:06:53，120在这张图片我喜欢色彩平衡中凸显10300:06:53，120--> 00:06:57，060但也有大量的中的蓝色这里在岩石中的阴影10400:06:57，060--> 00:07:01，620和在水中让我们看看它的会如果我想要的样子10500:07:01，620--> 00:07:04，000蓝色阴影色调的调整10600:07:04，000--> 00:07:07，710没有颜色的平衡调整令人讨厌的面具10700:07:07，710--> 00:07:11，060开始与阴影和10800:07:11 060--> 00:07:14，389带来一些黄色到那些阴影10900:07:14，389--> 00:07:19，710也许红军11000:07:19，710--> 00:07:23，060洋红色绿色看起来很好11100:07:23，060--> 00:07:26，289所以，我做得相当不错11200:07:26，289--> 00:07:29，760压制蓝军在阴影中11300:07:29，760--> 00:07:34，599但正如你可以看到它也是变化色彩平衡我的亮点11400:07:34，599--> 00:07:38，690即使知道我正在使用的阴影设置在颜色调色板凳子11500:07:38，690--> 00:07:41，690因此，让我们打开可见性的那层11600:07:41，690--> 00:07:47，410然后再次尝试光度面具一些去 Tiki 动作面板11700:07:47，410--> 00:07:53，389我所有的暗部面具是一种退化和然后所有的价值它做面具11800:07:53，389--> 00:07:57，260深色11900:07:57，260--> 00:08:00，320黑暗的暗部粉碎弧12000