油画《重度记忆》与《铭记的时刻•家园》是曲直用头像形式来表达主题性绘画

油画《重度记忆》与《铭记的时刻•家园》是曲直用头像形式来表达主题性绘画的一类作品。前者是一个红军战士的肖像，以数倍于真人体量的尺寸来描绘普通的士兵——一个穿越了半个多世纪的时空、满脸硝烟和征尘的红军战士形象，这对作者来讲，不论是技术上的难度还是精神上的追求都是充满挑战的。因为前有罗中立的《父亲》，将农民形象刻画到一个具有转折意义的高度并享有广泛的影响，这种创作形式在视觉上的新鲜感以不复存在。选择这样的表现形式只能在形象的深度和传达的观念上下功夫、做文章。由于是一个沉浸在历史深处的普通人物，可供参照的历史图象就比较稀少，从现代的模特儿身上又难现当年人物的气质。那种岁月迹痕与理想信念融为一体的精神气度，不通过细心揣摩、精心体察和会心想象，是不可能具备令人信服的艺术高度的。画家在面对头像时，其实是在面对一段历史、面对一个红军战士成长的轨迹，它既是对历史的追问、对个人生命历程和信念意志的追问，同时也包含对画家自身艺术创作方面的追问。这幅肖像的创作过程是与探究的心理结伴而行的。曲直以超现实的手法，在画布上呈现了一个在他的脑海里萦绕了多年的形象，他在与对象的对话中，既强调了英雄主义的传承与发扬，同时又注入了现代人回顾历史的眼光，在人的本质、个性的描述上，充分注意到个体价值，在坚定、剽悍、沉静的表情里，加进了稚气、质朴甚或略带卤莽等元素，使形象丰满而有力度，亲切而令人感动。《铭记的时刻•家园》刻画的是一张劫后余生的姑娘的脸。这类表情曲直并不陌生，因为在5•12大地震发生后的一周，他就跟随抢险救灾队伍奔赴灾区一线，灾区的悲情惨相，军民携手救死扶伤的情景，他历历在目。他在为“心系汶川——全国美术作品特展”准备作品时，创作了这张视角独特的画。画面突出了小姑娘表情复杂的面容，突如其来的地震灾难，使她还没有完全从惊恐的阴影里走出来，眼前的废墟以及废墟中奋力救援的战士，让她在绝境中看到了希望。那双干涩的眼睛已经没有泪水，她忧郁的的神情是对失却家园和亲人的悲痛，还是对英勇救援的子弟兵叔叔的感激？前景的写实人物与背景打破时空的救援场景的组合，使画面层次分明，对比强烈。沉厚、凝重的色调笼罩着画面，有一种悲壮的气氛。画面右下角刻意画了一只电子表，液晶屏上清晰地定格着灾难发生的时间。关注灾难中人的状态，从人性的角度，从受灾群众的视角来反映我军官兵在和平年代的突发事件中所显示的牺牲奉献精神，这样的表现方式显然更具亲和力，更具人性化，更有感召力。

結果 (英文) 1:

Painting "severe memory" and "Bearing in mind the moment • home" is right and wrong with the avatar form of expression Thematic painting works. The former is a portrait of a Red Army soldiers to several times the size of the true human to depict the ordinary soldier - a journey through time and space of more than half a century, the face, the smoke and the image of Red Army soldiers Zheng Chen, this pair of terms, technical difficulty or spiritual pursuit is challenging. Luo Zhongli's "father" because the former farmer image portrayed to a height of a watershed and enjoy a wide range of effects, this creative form of visual freshness to cease to exist.Choose this form of expression only in depth and convey the concept of the image of the efforts to make a fuss. Available due to a common figure immersed in the depths of history, with reference to the historical image is more scarce, difficult now when figures from the modern model body temperament. Kind of years track marks ideals and beliefs that blends the spirit of tolerance, not by carefully try to figure out, carefully observe and imagine knowing, it is impossible to have a compelling artistic heights. Painter in the face of Avatar, in fact, in the face of a history, the face of the growth trajectory of a Red Army soldier, it is both a history of questioning,Also contain personal journey through life and faith will ask, questioning aspects of the artist's own artistic creation. The portrait of the creative process go hand in hand with the inquiry psychological. The merits of a surreal approach, on the canvas presents an image linger in his mind for many years, his dialogue with the object, both emphasized the heroism of heritage and carry forward into the modern look back at history vision, in the description of human nature, personality, fully aware of individual value in the firm, swift and fierce, quiet expression into a childish, rustic or even somewhat reckless and other elements, so that the image of the fullness and intensity,Cordial and very impressive. "Bearing in mind the moment • home" is a portrait of the face of a surviving girl. Such expression of right and wrong is not strange, because in week 5 • 12 earthquake, he follows the rescue and relief teams rushed to the disaster first-line, the tragic tragic phase of the disaster area, the scene of soldiers and civilians work together to heal the sick, he vividly remembered. He is ready to work when the "heart Wenchuan - National Art Special Exhibition", created this unique perspective painting. The screen highlights the complex face of the little girl expression, the sudden earthquake disaster, so she has not completely come out from the horror of the shadowIn front of the ruins of ruins struggling to rescue the soldiers, let her see the desperate hope. Pair of dry eyes have no tears, her melancholy look of grief to have lost their homes and loved ones of gratitude to the heroic rescue the army uncle? The combination of the prospects of realistic characters and the background to break the space-time rescue scene, the screen structured and strong contrast. SHEN Hou, the solemn tones enveloped screen, a solemn atmosphere. The lower right corner of the screen deliberately drew an electronic form, and clearly on the LCD screen freeze the time of the disaster. Concerned about the state of human disaster, from the human point of view,From the perspective of people in disaster areas to reflect the spirit of sacrifice and dedication displayed by the officers and men of our armed forces in the incident in a peaceful era, this expression is clearly more accessible, more humane, more charisma.

結果 (英文) 2:

Oil painting "severe memory" and "moment", home is black and white with Avatar form to express the theme painting class works.The former is a Red Army soldier's portrait, with several times in the human body dimensions to describe the common soldier -- a through half a century's time, smoke and dust with the image of Red Army soldiers, the author is concerned, whether it is technically difficult or spiritual pursuits are challenging.Because the former has Luo Zhongli's "father", the farmer image depicting a turning point height and enjoyed wide influence, this kind of creation in the form of visual freshness to cease to exist.Select this form only in the image of the depth and conveys the idea under the time, do the.Because it is immersed in a history of deep general character, refer to historical image is scarce, from modern mannequin, and is now in the character's temperament.The years trace and ideal com. The breadth of spirit, not by the attentive fathom, carefully observe and understanding of imagination, is unlikely to have compelling art high.In the face of portrait painter, is in fact in the face of a paragraph of history, in the face of a Red Army soldier growth trajectory, it is not only the historical inquiry,On the personal life and belief will ask, but also contains the painter's artistic creation aspect question.The portrait of the creative process and explore the psychological traveling.Right and wrong in a surreal way, the canvas presents a in his mind for years in his image, and the object of the dialogue, emphasizes the heroism and carry forward the tradition, but also into the modern review historical perspective, in essence, character description, full attention to the individual value, in the firm, agile, quiet expression, added, or with a reckless childish simple elements, so that the image of fullness and strength,Warm and touching."Remember the time, home" depicts a be a survivor of a disaster of the girl's face.This kind of expression suggested not unfamiliar, because in the 5. 12 earthquake occurred after a week, he will follow the rescue team rushed to the disaster area first, the tragic miserable, and to heal the wounded and rescue the dying scene, he be visible before the eyes.He was in the "heart of Wenchuan -- National Fine Art Exhibition" ready to work, creating a unique perspective drawing.Picture highlights the little girl look complicated face come unexpectedly, the earthquake disaster, that she has not fully come out from the shadows of fear,In front of the ruin and rubble to rescue soldiers, let her see the hope in despair.The dry eyes have no more tears, her sad look for lost their homes and loved ones of sorrow, or to the heroic rescue soldiers uncle gratitude?The prospect of realistic characters and background of broken time rescue scene combination, make the picture hierarchy, strong contrast.Heavy, heavy tone covered the picture, there is a solemn atmosphere.Lower right corner of the screen to draw a digital watch, LCD screen clearly fixed disaster happens all the time.Attention to disaster in the state of man, from the perspective of human nature,From people's angle of view to reflect our army in time of peace incidents shown in the sacrifice and dedication, such performance is obviously more affinity, more humane, more charisma.

結果 (英文) 3:

Oil bearing in mind the severe memory and the moment · homes is Qu Zhiyong head expressing the theme of painting in the form of a class of works. First is a portrait of a Red Army soldier, amount to several times the human dimensions to describe ordinary soldiers-one through the time and space of more than half a century, faces Red Army image of smoke and Zheng Chen, the author, whether they are technical or spiritual pursuit is the difficulty of challenging. Former Romanian neutrality because of the father, farmer image depicting to a watershed level and enjoy a wide range of effects, this sense of creative forms visually fresh to cease to exist.Select the manifestation only in the depth of the image and convey the idea of effort, and move on. Because it is an immersed deep in the history of ordinary people, to be taken into account the historical image is more scarce, and difficult when people out of modern models of temperament. Trace trace for integration with the ideals and beliefs of spiritual sense, without careful to try, carefully observing and understanding, is the height could not have convincing art. Painters in the face when the head is in fact in the face of history, face of a Red Army soldier's growth trajectory, it is both a historical inquiry,Inquiry on personal life and beliefs the will, also contains a reference to the artist's own inquiry into artistic creation. This portrait is the creation and exploration of psychological went along with. Merits to Super reality of practices, in canvas Shang rendering has a in he of mind in haunts has years of image, he in and object of dialogue in the, both stressed has heroism of inheritance and develop, while and injected has modern recalled history of vision, in people of nature, and personality of description Shang, full attention to individual value, in firm, and swift and fierce, and quiet of expression in, plus into has childlike, and simple or slightly halogen Mang, element, makes image busty and has efforts,Kind and touching. Bearing in mind the moment · characterizations of homes is a survival of the girl's face. No stranger to this type of expression the merits because the week after the earthquake in 5·12, he follows rescue teams rushed to the disaster area, tragic sadness in the affected area, soldiers and civilians work together to heal the stories, he vividly. He is the "heart of Wenchuan – national art exhibition" ready to work, created this piece of unique perspective of art. Picture highlights the faces of the little girls face complex, unexpected disaster, she walked out of the shadow of the still from panic,Struggling to rescue soldiers in the ruins and the ruins, she sees hope in the despair. Those dry eyes have no tears, her look of melancholy is grief for lost homes and loved ones, is the heroic rescue of Chen Ku-uncle's gratitude? Realistic characters and backgrounds to break in the future combinations of spatio-temporal rescue scenes, screen layer is clear, contrast. Sink thick, solemn tone hanging over the screen, there is a solemn atmosphere. Right corner of the screen deliberately painted a electronic table, LCD display clearly on hold with time the disaster occurred. Concerned about the status of the people in the disaster, from the point of view of human nature,From the perspective of affected people to reflect the unexpected events of officers and soldiers of our army in times of peace the spirit of sacrifice and dedication shows, such behavior is clearly more affinity, more humane, more charismatic.