20000:13:52,910 --> 00:13:56,690bas

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basically have this temperature and Tina
just over here but we're not we're not

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basically dying in a specific Calvin
intent what we're doing is making

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00:13:59,709 --> 00:14:03,890
compensation for it so yes it looks like
we have control over it but in reality

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00:14:03,890 --> 00:14:08,820
it's not giving us full control we're
just adjusting over the existing image

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00:14:08,820 --> 00:14:13,980
we're not changing at the white balance
of the image ok so just remember that if

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00:14:13,980 --> 00:14:18,770
you're in JPEG or in any other type of
file in post-production you can adjust

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00:14:18,770 --> 00:14:22,610
temperature until later it over what's
already there but you better have shot

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00:14:22,610 --> 00:14:26,160
it correctly in camera cause you can't
have specific control like you would a

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00:14:26,160 --> 00:14:29,630
RAW file let's go ahead and move on to
another image again this immigrated here

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00:14:29,630 --> 00:14:33,350
this was shot with a shot with actual to
jail one

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00:14:33,350 --> 00:14:37,110
letting them up his work outdoors
there's no light we have a another like

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00:14:37,110 --> 00:14:40,450
up on a stick that kind of crystal
backlight just a tad electrolyte to the

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00:14:40,450 --> 00:14:45,570
scene where balancing this around 3,400
degrees Kelvin if it were say around

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00:14:45,570 --> 00:14:51,510
daylight we left it on daylight it would
be really really orange and look nasty

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00:14:51,510 --> 00:14:54,720
all these colors get blown out and this
is what happens if you don't adjust

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00:14:54,720 --> 00:14:58,020
those colors if you're shooting video by
the way you better be adjusting in

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00:14:58,020 --> 00:15:03,300
camera because video is just like a JPEG
you don't have any control later on if

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00:15:03,300 --> 00:15:07,140
we end up adjusting it to be too cool
around 2,500 and all those colors they

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00:15:07,140 --> 00:15:08,430
go blue

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00:15:08,430 --> 00:15:11,610
ok let's take a look at another one so
right around where I like it was around

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00:15:11,610 --> 00:15:17,190
that 3400 range or 36 intertwined to
again there's kind of a variance where

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00:15:17,190 --> 00:15:22,050
you can choose based on your style this
was an overcast day so take a look at

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00:15:22,050 --> 00:15:27,770
this so overcast were at 5600 Calvin
here again rumor how these are all

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00:15:27,770 --> 00:15:31,220
variations depending on where you are
depending on the time of day depends on

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00:15:31,220 --> 00:15:36,910
the type of overcast all the weather and
all the all the settings of your

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00:15:36,910 --> 00:15:41,990
atmosphere are gonna affect the color
temperature so distant fallen to 6,000

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00:15:41,990 --> 00:15:45,910
6,000 was where we said it normally
would be but for my preference i

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00:15:45,910 --> 00:15:49,190
preferred remedy 600 degrees again this
is where the LiveView comes in really

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00:15:49,190 --> 00:15:53,360
handy because you can dial in 10 based
on that live you now this is a perfect

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00:15:53,360 --> 00:15:54,630
illustration right here

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00:15:54,630 --> 00:15:59,170
of basically mixture in lighting we
talked about how daylight is basically

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00:15:59,170 --> 00:16:02,510
more blue and inside light is more
orange right we showed you that little

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00:16:02,510 --> 00:16:06,950
chart right here take a look at this so
daylight we have more bluish side and an

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00:16:06,950 --> 00:16:11,260
indoor light we have it more orange so
going back to this image we have this

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00:16:11,260 --> 00:16:15,180
mixture here and we're actually using it
in the photo to the right side a vigil

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00:16:15,180 --> 00:16:18,990
one which is this like right here that
balance tungsten on the left side have

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00:16:18,990 --> 00:16:21,900
this nice it'll happen I have a kind of
looking towards the lamps on the left

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00:16:21,900 --> 00:16:26,270
and the right we're basically shaping
her with this tungsten light and we're

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00:16:26,270 --> 00:16:30,360
using the background and setting the
white balance to be allowed the

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00:16:30,360 --> 00:16:33,500
background this day light coming through
the back to go very blue

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00:16:33,500 --> 00:16:35,830
so when that happened to that is watch
this

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00:16:35,830 --> 00:16:41,440
when we had just to make sure we make
that indoor light more neutral so far to

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00:16:41,440 --> 00:16:45,000
make it more neutral by cooling it down
the background light which is already

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00:16:45,000 --> 00:16:49,630
blew becomes more blue ok so this is
where we can use white balance for

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00:16:49,630 --> 00:16:53,810
creative effect again this is getting
into more letting 10131 stuff that we're

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00:16:53,810 --> 00:16:56,760
gonna talk about in those workshops
gonna give you a little taste of it

246
00:16:56,760 --> 00:17:00,710
because it's absolutely amazing what you
can do with lighting in this situation

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00:17:00,710 --> 00:17:04,670
right here we're using actually two
flashes when using two pockets ropes and

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00:17:04,670 --> 00:17:08,440
we're shooting and balancing daylight
because this is a daylight scene so

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00:17:08,440 --> 00:17:11,480
we're balancing to the lightness seen
just a light up a couple of us we have

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00:17:11,480 --> 00:17:15,240
this nice beautiful light and if we look
at the color temperature we're right

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00:17:15,240 --> 00:17:19,650
around fifty a hundred degrees they
liken very to this is the sun's out of

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00:17:19,650 --> 00:17:25,290
the blue sky but for this image I prefer
1500 degrees rather than 5500 5500 this

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00:17:25,290 --> 00:17:28,370
looks a little bit on the cold side you
can see that the d4

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00:17:28,370 --> 00:17:33,940
ok so again remember that there's a lot
of stylistic preference here let's go

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00:17:33,940 --> 00:17:38,950
back to see this image this image was
shot indoors this is actually from

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00:17:38,950 --> 00:17:43,620
lighting 101 which is weird feeling
right now be sure to check it out and in

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00:17:43,620 --> 00:17:47,730
this video and lighting 11 we're showing
you essentially how to create amazing

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00:17:47,730 --> 00:17:53,390
images with a single on camera flash
that means we never take the camera we

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00:17:53,390 --> 00:17:56,060
never take the flash off the camera this
whole workshop is designed to help you

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00:17:56,060 --> 00:17:59,840
to master on-camera flash to show you
just how much you can do that so this is

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00:17:59,840 --> 00:18:04,380
all done with one single on-camera flash
but with this we're leaving it daylight

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00:18:04,380 --> 00:18:06,640
white balance because we have a little
bit of daylight poking through

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00:18:06,640 --> 00:18:11,090
underneath this garage ok so again if we
look at the white balance over here it's

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00:18:11,090 --> 00:18:15,080
right around daylight even though work
indoors all the light they were using is

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00:18:15,080 --> 00:18:21,080
daylight so we're balancing to that
light ok let's go back here and I'm

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00:18:21,080 --> 00:18:26,010
gonna show you want everything this one
is this was actually one of the photo

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00:18:26,010 --> 00:18:31,230
101 of 101 things that we did I wanted
to show this one particular because the

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00:18:31,230 --> 00:18:35,880
temperature even though she's standing
in shade we have a reflector on her and

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00:18:35,880 --> 00:18:40,910
the correct white balance really for me
is around fifty degrees Kelvin it can

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00:18:40,910 --> 00:18:44,430
again change based on the type of
lighting modifiers never using so don't

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00:18:44,430 --> 00:18:48,820
treat all the number that we gave you as
kind of guys as a rule that don't treat

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00:18:48,820 --> 00:18:52,650
them as concrete ok now looking at this
one this is one that we're going to get

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00:18:52,650 --> 00:18:55,790
into when we get into letting too and we
start taking the camera or the flash off

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00:18:55,790 --> 00:18:59,750
the cameras started shelling out more
this is what we're going for so in this

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00:18:59,750 --> 00:19:05,650
shot we're doing exactly using a gel 1
ok it spin lighted right on the subject

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00:19:05,650 --> 00:19:10,630
and what we've done here is we've white
balance the scene to the couple so the

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00:19:10,630 --> 00:19:14,320
couple is nice and they're a little bit
warm but it has a great look over their

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00:19:14,320 --> 00:19:19,130
skin tone then what happens is again
rumor daylight is more blue tungsten is

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00:19:19,130 --> 00:19:24,800
more yellow so if I pull everything down
if I pull the camera down to balance to

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00:19:24,800 --> 00:19:29,870
that yellow light than what's already
blew becomes even more blue so if I

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00:19:29,870 --> 00:19:32,620
bring this in tonight kind of tweaked
the temperature little bit you'll see

結果 (中文) 3:

200
00:13:52910——> 00:13:56690
主要有气温和蒂娜
只是在这里，但我们不我们不

201
00:13:56690——> 00:13:59709
基本上死在一个特定的加尔文
意图，我们要做的是

202
00:13:59709——> 00:14:03890
赔偿吗是的它看起来像
我们控制它，但在现实中

203
00:14:03890——> 00:14:08820
这不是给我们完全控制我们
只是调整在现有的图像

204
00:14:08820——> 00:14:13980
我们不会改变在图像好的白平衡
所以记住，如果

205
00:14:13980——> 00:14:18770
你JPEG或任何其他类型的
在生产后，你可以调整

206
00:14:18770——> 00:14:22610
温度直到后来什么
文件已经存在但你有更好的拍摄

207
00:14:22610——> 00:14:26160
正确相机因为你不能
已经喜欢你一个

208
00:14:26160——> 00:14:29630
原文件让我们继续前进到另一个图像
再次移民到这里

209
00:14:29630——> 00:14:33350这是一个
拍摄实际
监狱一

210
00:14:33350——> 00:14:37110
拍摄特定的控制让他们自己在户外工作
没有光，我们有另一个像

211
00:14:37110——> 00:14:40450
上一棒，水晶
背光类只是一点点电解质的

212
00:14:40450——> 00:14:45570
场景平衡这3400
开尔文如果说

213
00:14:45570——> 00:14:51510
白天我们就在白天会
真的真的橙色和看急

214
00:14:51510——> 00:14:54720
所有这些颜色搞这
是发生什么，如果你不调整

215
00:14:54720——> 00:14:58020
这些颜色如果你拍摄视频的
方式你最好是在

216
00:14:58020调整——> 00:15:03300
相机，视频就像是一个JPEG
你不要以后有任何控制如果

217
00:15:03，300——> 00:15:07140
我们最终调整它太酷
2500左右，所有颜色他们

218
00:15:07140——> 00:15:08430
去蓝色

219
00:15:08430——> 00:15:11610
好吧让我们来看看另一个很
右绕在我喜欢的地方就在

220
00:15:11610——> 00:15:17190
3400系列或36
交织在一起又是一种变异，

221
00:15:17190——> 00:15:22，050
你可以选择根据您的风格
是阴天所以看看

222
00:15:22050——> 00:15:27770
这样阴在5600加尔文
这里谣言如何这些都是

223
00:15:27770——> 00:15:31220
变化取决于你在哪里
取决于天时间取决于

224
00:15:31220——> 00:15:36910
型阴的天气和
所有的所有设置你的

225
00:15:36910——> 00:15:41990
气氛会影响颜色
温度那么遥远的下降到6000

226
00:15:41990——> 00:15:45910
6000里我们说它通常
会但我的偏好我

227
00:15:45910——> 00:15:49190
优先救济600度这一
就是朗视是真的

228
00:15:49190——> 00:15:53360
简单因为可以拨10的基础上
生活你现在这是一个完美的

229
00:15:53360——> 00:15:54630
插图在这里

230
00:15:54630——> 00:15:59170
基本混合照明我们
谈到白天基本上是

231
00:15:59170——> 00:16:02510
更蓝里面的光线更
橙色对我们表现出了你的小

232
00:16:02510——> 00:16:06950
图吧，看看这个，
白天我们有更多的蓝边和

233
00:16:06950——> 00:16:11260
室内光我们有更多的橙色，
回到我们这

234
00:16:11260——> 00:16:15180
混合物在这里和我们实际使用的
照片的右边是一个守夜

235
00:16:15180——> 00:16:18990
，这是在这里，
平衡钨在左侧有

236
00:16:18990——> 00:16:21900
这真会发生我有一种
看着灯在左

237
00:16:21900——> 00:16:26270
我们基本与此钨光整形
她对我们

238
00:16:26270——> 00:16:30360
使用背景和设置
白平衡可以

239
00:16:30360——> 00:16:33，500
背景这一天来的
去很蓝

240
00:16:33500——> 00:16:35830
所以当这一切发生的时候，看
这

241
00:16:35830——> 00:16:41440
当我们刚刚来确保我们的
室内光线更中性到目前为止到

242
00:16:41440——> 00:16:45000
冷却下来，
背景光已经

243
00:16:45更中性，000——> 00:16:49630
吹变得更蓝好吧，这是
那里我们可以使用白平衡

244
00:16:49630——> 00:16:53810
创意效果再次得到
更让10131的东西，我们

245
00:16:53810——> 00:16:56760
会谈论那些车间
会给你一点味道也

246
00:16:56760——> 00:17:00710
因为这绝对是惊人的你