12100:07:44,080 --> 00:07:50,780sha

121
00:07:44,080 --> 00:07:50,780
shattered arcs I can see that this magic
Midtown selection

122
00:07:50,780 --> 00:07:54,480
will limit dodging only to the lightest
areas have the dark tones

123
00:07:54,480 --> 00:07:57,930
but still leave some the contrast in the
darkest darks

124
00:07:57,930 --> 00:08:05,690
let's try it on the image I'll start by
taking control de to make sure I don't

125
00:08:05,690 --> 00:08:06,310
have

126
00:08:06,310 --> 00:08:09,750
hidden selection then I'll load a

127
00:08:09,750 --> 00:08:13,650
dark selection

128
00:08:13,650 --> 00:08:17,210
and for this one I'm gonna subtract from
it by Control Alt

129
00:08:17,210 --> 00:08:21,240
are Command Option clicking on the dark
darks

130
00:08:21,240 --> 00:08:25,720
this is a fairly narrow

131
00:08:25,720 --> 00:08:31,250
of Center Midtown selections no pixels
are more than 50 percent selected first

132
00:08:31,250 --> 00:08:32,810
shows the dark selection

133
00:08:32,810 --> 00:08:37,349
so I can lighten the light is Syria's at
the shadows subtracted

134
00:08:37,349 --> 00:08:41,300
the dark dark from it because it will
protect all the other darks

135
00:08:41,300 --> 00:08:53,029
except the lightest arcs

136
00:08:53,029 --> 00:08:56,930
that's doing a good job lightning the
shadows and maintaining contrast

137
00:08:56,930 --> 00:09:00,660
but because it's all based around a dark
selection by paying close to this

138
00:09:00,660 --> 00:09:05,480
edge my dodging is affecting the shadows
but it's not bleeding over into the

139
00:09:05,480 --> 00:09:08,930
highlights very much

140
00:09:08,930 --> 00:09:12,149
his image before the adjustment and
after

141
00:09:12,149 --> 00:09:16,180
both adjustments are lightening the
shadows

142
00:09:16,180 --> 00:09:19,690
with contrast but what I did to the
lights mask

143
00:09:19,690 --> 00:09:23,430
is bleeding over into the light Syria
more than the 1i did

144
00:09:23,430 --> 00:09:26,630
with the magic Midtown's shifted towards
the darks

145
00:09:26,630 --> 00:09:31,320
and if I turn that burned dodge layer of
and turn the first one back on

146
00:09:31,320 --> 00:09:41,870
we can see how much we were able to you
retain the contrast

147
00:09:41,870 --> 00:09:45,830
following those ideas I wanted to darken
the light and maintain contrast

148
00:09:45,830 --> 00:09:49,720
I could use a magic Midtown that was
targeted towards the middle lights by

149
00:09:49,720 --> 00:09:51,190
loading a light selection

150
00:09:51,190 --> 00:09:55,280
and subtracting one of the more
restrictive lights from it then I would

151
00:09:55,280 --> 00:10:01,040
pay to the selection with black

152
00:10:01,040 --> 00:10:04,830
so make a lights selection and I will
subtract

153
00:10:04,830 --> 00:10:08,320
a bright lights from it hide it

154
00:10:08,320 --> 00:10:13,590
and now paint with black darken the
highlights

155
00:10:13,590 --> 00:10:20,440
it's a good idea to compare these tapes
have adjustment

156
00:10:20,440 --> 00:10:24,070
both with the sawfly blending mode and
the overlay blending

157
00:10:24,070 --> 00:10:28,440
I often find that the overlay mode is
best for dodging adjustments

158
00:10:28,440 --> 00:10:31,570
and that the soft light mod

159
00:10:31,570 --> 00:10:36,460
is better for burning adjustments

160
00:10:36,460 --> 00:10:41,320
sometimes I'll go as far to even create
two different burned dodge layers

161
00:10:41,320 --> 00:10:44,760
one will be just for burning set to this
of light mod

162
00:10:44,760 --> 00:10:48,640
and another one will be for dodging set
to the overlay mode

163
00:10:48,640 --> 00:10:53,840
the nicely painting can be used to dodge
and burn very small areas of an image

164
00:10:53,840 --> 00:10:57,080
or you can get very painterly in build
up a variety of different

165
00:10:57,080 --> 00:11:03,170
total in contrast adjustments across the
entire image

166
00:11:03,170 --> 00:11:06,490
in this image I spent quite a bit I'm
burning and dodging through different

167
00:11:06,490 --> 00:11:08,020
luminosity selections

168
00:11:08,020 --> 00:11:18,000
here's how the image look to be four

169
00:11:18,000 --> 00:11:21,100
and here's what the result of all my
work looks like on the burn and dodge

170
00:11:21,100 --> 00:11:21,800
layer

171
00:11:21,800 --> 00:11:26,690
everything darker than 50 percent craze
being

172
00:11:26,690 --> 00:11:30,050
darkened in the image and everything
lighter than 50 percent raise be

173
00:11:30,050 --> 00:11:31,260
lightened in the image

174
00:11:31,260 --> 00:11:37,720
for a much more detailed discussion of
all the advantages and nuances

175
00:11:37,720 --> 00:11:44,130
luminosity painting in this way make
sure to read or reread tony's article

176
00:11:44,130 --> 00:11:44,690
titled

177
00:11:44,690 --> 00:11:49,840
luminosity painting lessons learned if
you own is PDS you can find it there

178
00:11:49,840 --> 00:11:53,090
where you can read it here on this site
by going to this lake

179
00:11:53,090 --> 00:12:00,310
or simply by going to his tutorials page

180
00:12:00,310 --> 00:12:05,560
and looking under

181
00:12:05,560 --> 00:12:16,660
luminosity painting

182
00:12:16,660 --> 00:12:20,090
luminosity painting is a great way to be
very creative when working with the

183
00:12:20,090 --> 00:12:22,680
local tonality is in contrast in an
image

184
00:12:22,680 --> 00:12:26,460
it has the flexibility have the painting
amassed technique when it comes to being

185
00:12:26,460 --> 00:12:27,980
able to use combinations

186
00:12:27,980 --> 00:12:32,060
luminosity selections and subtracted
magic Midtown selections

187
00:12:32,060 --> 00:12:36,210
on a single adjustment however unlike
the painting a mask

188
00:12:36,210 --> 00:12:39,730
or the masking a mass techniques which
can be used to create

189
00:12:39,730 --> 00:12:43,900
any kind image adjustment the use of the
burned dodge layer means that

190
00:12:43,900 --> 00:12:47,100
luminosity painting can only be used to
make adjustments

191
00:12:47,100 --> 00:12:48,850
to brightness in contrast

結果 (中文) 1:

12100:07:44，080--> 00:07:50，780粉碎了我能看到的弧，这魔法中城选择12200:07:50，780--> 00:07:54，480将限制躲避只到最轻地区有暗色调12300:07:54，480--> 00:07:57，930但仍然留下一些中的对比最暗的部分12400:07:57，930--> 00:08:05，690让我们试一下我先来的图像考虑控制德以确保我不12500:08:05，690--> 00:08:06，310有12600:08:06，310--> 00:08:09，750隐藏选定内容，然后我会加载12700:08:09，750--> 00:08:13，650黑暗的选择12800:08:13，650--> 00:08:17，210这次我会要从中减去它由控制 Alt12900:08:17，210--> 00:08:21，240命令选项点击黑暗吗深色13000:08:21，240--> 00:08:25，720这是相当狭窄13100:08:25，720--> 00:08:31，250中心城选择的像素不50%以上第一选择吗13200:08:31，250--> 00:08:32，810显示的黑暗的选择13300:08:32，810--> 00:08:37，349所以我就能减轻光是叙利亚在阴影中减去13400:08:37，349--> 00:08:41，300黑暗黑暗从它，因为它将保护所有其他深色13500:08:41，300--> 00:08:53，029除了轻弧13600:08:53，029--> 00:08:56，930那干什么好工作闪电阴影和保持对比13700:08:56，930--> 00:09:00，660但因为它所有基于四周一片黑暗通过支付这样的选择13800:09:00，660--> 00:09:05，480边缘我躲避影响阴影但它不狭隘地被13900:09:05，480--> 00:09:08，930突出了很多14000:09:08，930--> 00:09:12，149他调整前的形象和后14100:09:12，149--> 00:09:16，180两项调整闪电阴影14200:09:16，180--> 00:09:19，690与对比，但对做了什么灯的面具14300:09:19，690--> 00:09:23，430在进入光叙利亚流血1i 比14400:09:23，430--> 00:09:26，630与市中心的转向的魔力深色14500:09:26，630--> 00:09:31，320如果我把它烧了，躲闪的层重新打开第一个14600:09:31，320--> 00:09:41，870我们可以看到多少我们都能给你保留的对比14700:09:41，870--> 00:09:45，830以下这些想法，我想要变暗光和维护对比14800:09:45，830--> 00:09:49，720我能使用魔法是市中心针对中间灯由14900:09:49，720--> 00:09:51，190加载光的选择15000:09:51，190--> 00:09:55，280并减去越之一限制性灯从它，那么我想15100:09:55，280--> 00:10:01，040付给选择黑色15200:10:01，040--> 00:10:04，830使灯光选择和我将减去15300:10:04，830--> 00:10:08，320明亮的灯光从它隐藏它15400:10:08，320--> 00:10:13，590和现在用黑色油漆变暗亮点15500:10:13，590--> 00:10:20，440它是一个好的主意来比较这些磁带有调整15600:10:20，440--> 00:10:24，070两个与蜂混合模式和层叠混合15700:10:24，070--> 00:10:28，440我经常发现重叠模式是最好的回避调整15800:10:28，440--> 00:10:31，570和那软光 mod15900:10:31，570--> 00:10:36，460是更好的燃烧调整16000:10:36，460--> 00:10:41，320有时我会去远甚至创建两个不同的烧伤的道奇层16100:10:41，320--> 00:10:44，760人会只是为了燃烧把这放在光的 mod 的16200:10:44，760--> 00:10:48，640另一个将为躲避集对重叠模式16300:10:48，640--> 00:10:53，840很好画，可以用来躲避和烧伤很小的区域的图像16400:10:53，840--> 00:10:57，080或者，你可以得到非常绘画中生成建立各种各样的不同16500:10:57，080--> 00:11:03，170相比之下共调整跨整个图像16600:11:03，170--> 00:11:06，490在这张图片，我花了很多我燃烧和回避通过不同16700:11:06，490--> 00:11:08，020亮度选择16800:11:08，020--> 00:11:18，000这里是如何的图像看上去是四16900:11:18，000--> 00:11:21，100和在这里会是什么结果的所有我工作看起来像在道奇和烧伤17000:11:21，100--> 00:11:21，800图层17100:11:21，800--> 00:11:26，690一切比 50%热潮暗正在17200:11:26，690--> 00:11:30，050黑暗中的形象和一切更轻，比基础上提高 50%17300:11:30，050--> 00:11:31，260在图像中点亮17400:11:31，260--> 00:11:37，720一个更详细的讨论所有的优点和细微差别17500:11:37，720--> 00:11:44，130发光度绘画这种方式使当然，阅读或重读托尼的文章17600:11:44，130--> 00:11:44，690标题17700:11:44，690--> 00:11:49，840发光度绘画教训如果你自己是你可以在那里找到的 PDS17800:11:49，840--> 00:11:53，090在这里你可以阅读它在这里在这个网站上这个湖去17900:11:53，090--> 00:12:00，310或者简单地去他教程页18000:12:00，310--> 00:12:05，560和下望18100:12:05，560--> 00:12:16，660发光度绘画18200:12:16，660--> 00:12:20，090发光度绘画是一个伟大的方式，要在使用时很有创意18300:12:20，090--> 00:12:22，680当地的音调是相反的图像18400:12:22 680--> 00:12:26，460它具有灵活性，有一幅油画当它来到正在积累的技术18500:12:26，460--> 00:12:27，980能够使用组合18600:12:27，980--> 00:12:32，060亮度选择和减去魔法城的选择18700:12:32，060--> 00:12:36，210上一次调整不过不像这幅画的面具18800:12:36，210--> 00:12:39，730或屏蔽质量的技术，可以用来创建18900:12:39，730--> 00:12:43，900任何一种图像调整的使用烧伤的道奇层意味着19000:12:43，900--> 00:12:47，100仅用于光度绘画作出调整19100:12:47，100--> 00:12:48，850对亮度的对比

結果 (中文) 3:

121
00:07:44080——破碎> 00:07:50780
弧我可以看到，这个魔法
市中心选择

122
00:07:50780——> 00:07:54480
将限制躲避只有最轻的
地区有暗色调

123
00:07:54480——> 00:07:57930
但仍留下一些对比在
黑暗黑暗

124
00:07:57930——> 00:08:05690
让我们试试图像我就开始以控制DE确保我不


125
00:08:05690——> 00:08:06310


126
00:08:06310——> 00:08:09750
隐藏选择然后我

127负荷
00:08:09750——> 00:08:13650
黑暗选择

128
00:08:13650——> 00:08:17210
和为这一个我要减去从
它通过控制ALT

129
00:08:17210——> 00:08:21240
命令选项点击黑暗
暗部

130
00:08:21240——> 00:08:25720
这是一个相当狭窄的131


00:08:25720——> 00:08:31250
中心城选择没有像素
是超过50%选择第一

132
00:08:31250——> 00:08:32810
显示的黑暗选择

133
00:08:32810——在
的阴影中减去

134
00:08:37349——
> 00:08:41300黑暗黑暗从它，因为它将
保护所有其他深色

135
00:08:41300——> 00:08 > 00:08:37349
所以我可以照亮叙利亚的：53029
除外的轻弧

136
00:08:53029——> 00:08:56930
，做好雷电
阴影和维护对比

137
00:08:56930——> 00:09:00660
，但因为它的所有基础周围黑暗
选择的密切这

138
00:09:00660——>
00:09:05480边缘的躲我是影响阴影
但不出血的

139
00:09:05480——
> 00:09:08930集锦非常
140

00:09:08930——
> 00:09:12149他的图像调整前和
后

141
00:09:12149——> 00:09:16180
调整减轻
阴影

142
00:09:16180——> 00:09:19690
对比，但我所做的对的
灯面具

143
00:09:19690——> 00:09:23430
出血进入光叙利亚
超过1I没有

144
00:09:23430——
> 00:09:26630与魔法市中心的移向

暗部145

00:09:26630——> 00:09:31320
，如果我把，烧毁道奇
层和第一轮一回在

146
00:09:31320——> 00:09:41870
我们可以看到多少我们可以到你
保留对比

147
00:09:41870——> 00:09:45830
以下这些想法我想要到
光变暗和维护对比

148
00:09:45830——
> 00:09:49720我可以用一个神奇的市中心，是针对中间灯的

149
00:09:49720——> 00:09:51190
加载一个光选择

150
00:09:51190——> 00:09:55280减去更多
限制灯从它然后我会

151
00:09:55280——> 00:10:01040
支付选择黑色

152
00:10:01040——> 00:10:04830
使灯选择我将



153减去

00:10:04830——> 00:10:08320
一个明亮的灯光从隐藏它

154
00:10:08320——> 00:10:13590
，并现在漆黑色暗
集锦

155
00:10:13590——> 00:10:20440
这是一个好主意比较这些磁带
有调整

156
00:10:20440——
> 00:10:24070是与叶蜂混合模式和
的叠加混合

157
00:10:24070——> 00:10:28440
我经常发现覆盖模式是最佳
的回避调整

158
00:10:28440——> 00:10:31570
的软光MOD

159
00:10:31570——> 00:10:36460
更好的燃烧调整

160
00:10:36460——
有时> 00:10:41320我会走的更远，甚至创造
两种不同燃烧道奇层

161
00:10:41320——只是燃烧设置这
光MOD


> 00:10:44760162
00:10:44760——> 00:10:48640
，另一个将回避设置
覆盖模式

163
00:10:48640——> 00:10:53840
好画可以用来躲避
和非常小的地区164图像


00:10:53840——> 00:10:57080
或者你可以得到很好的绘画在
建立一个各种不同

165
00:10:57080——> 00:11:03170对比度调整在
整个图像


总烧伤166
00:11:03170——> 00:11:06490
这图像中我花了不少我
燃烧和躲避通过不同

167
00:11:06490——> 00:11:08020
光度选择

168
00:11:08020——> 00:11:18000
这里的形象怎么看都是四

169
00:11:18000——> 00:11:21100
和这里的什么
我所有的工作的结果看起来像在燃烧和道奇

170
00:11:21100——> 00:11:21800
层

171
00：11:21800——> 00:11:26690
一切深超过50%的热潮
是

172
00:11:26690——> 00:11:30050
黑暗中的图像和一切提高打火机比50%
是

173
00:11:30050——> 00:11:31260
减轻174图像


00:11:31260——> 00:11:37720
为一个更详细的讨论
所有的优点和细微差别

175
00:11:37720——
> 00:11:44130光度绘画这种方式使
肯定来阅读或重读托尼的第

176
00:11:44130——
> 00:11:44690标题

177
00:11:44690——> 00:11:49840
光度绘画经验教训如果
你自己是PDS，你可以发现它有

178
00:11:49840——> 00:11:53090
，你可以在这儿读这个网站
去这个湖

179
00:11:53090——> 00:12:00310
或者干脆去他的教程页面

180
00:12:00310——> 00:12:05560
和下寻找

181
00:12:05560——> 00:12:16660
光度绘画

182
00:12:16660——一个伟大的方式是非常有创意的
工作时的

183
00:12:20090——>当地调性00:12:22680
对比184图像



00:12:22680——
> 00:12:26460 > 00:12:20090
光度的绘画它的灵活性绘画
积累技术，当谈到

185
00:12:26460——> 00:12:27980
可以使用组合

186
00:12:27980——> 00:12:32060
光度选择和减去
魔法市中心选择

187
00:12:32060——> 00:12:36210于一个单一的调整却不像画面具

188
00:12:36210——
> 00:12:39730

或掩蔽质量技术
可以用来创建

189
00:12:39730——
> 00:12:43900任何图像调整使用
烧层道奇意味着，

190
00:12:43900——> 00:12:47100
光度绘画可以只使用
做出调整

191
00:12:47100——> 00:12:48850
亮度对比度