100:00:00,130 --> 00:00:11,910when

1
00:00:00,130 --> 00:00:11,910
when I'm out here shooting and I find
what ever it is that i'm gonna

2
00:00:11,910 --> 00:00:15,580
photograph I'll take a lot of time
outdoors circle at all go around and

3
00:00:15,580 --> 00:00:20,089
look at it through my lens and trying to
find that perfect composition I don't

4
00:00:20,089 --> 00:00:25,519
put my camera on my tripod just yet
because if I do but I end up with you

5
00:00:25,519 --> 00:00:30,119
know these unwieldy leg that I'm trying
to move around within and I think you

6
00:00:30,119 --> 00:00:33,710
kind of get stuck in a rut when you do
that so I like to go around with my

7
00:00:33,710 --> 00:00:37,510
camera then when I found the composition
pretty close to what I want you know

8
00:00:37,510 --> 00:00:41,740
I'll get in there and a look at it and
I'll take my head away found silly but

9
00:00:41,740 --> 00:00:46,580
all actually like leave my camera you
know where it is fully headway and i'm

10
00:00:46,580 --> 00:00:50,200
looking at where my camera is that gives
me the information I need to figure out

11
00:00:50,200 --> 00:00:55,110
where my tripod needs to be right so
then I got my tripod legs pulled out

12
00:00:55,110 --> 00:01:00,900
like this and that means I can already
put my camera on the tripod and put the

13
00:01:00,900 --> 00:01:03,560
head down and I'm halfway there

14
00:01:03,560 --> 00:01:10,579
ok but I got my shot partially set up
not ready yet but I'm getting there we

15
00:01:10,579 --> 00:01:13,679
get down low for a shot like this you
always a little harder than working with

16
00:01:13,679 --> 00:01:17,939
no rocks in these these deep cracks and
you know don't fall into a break

17
00:01:17,939 --> 00:01:21,759
yourself when things I do they actually
stick is under my knees which is silly

18
00:01:21,759 --> 00:01:30,219
but totally works so yeah something like
that at this point I'm gonna be looking

19
00:01:30,219 --> 00:01:33,679
through either my viewfinder sometimes
only use the Live View Avenue

20
00:01:33,679 --> 00:01:39,609
viewfinders little more effective for me
and I'm just my camera sometimes with

21
00:01:39,609 --> 00:01:44,109
the ball had actually sometimes
adjusting it with the tripod I might

22
00:01:44,109 --> 00:01:48,639
even move move a leg you know just a
little bit at a time to get my my focus

23
00:01:48,639 --> 00:01:56,310
just right i'm looking through the lands
making the adjustments as I work when I

24
00:01:56,310 --> 00:02:02,729
find that composition that I really like
sometimes i'm too close to right now for

25
00:02:02,729 --> 00:02:06,780
example I actually can't focus lenses to
close I'm like

26
00:02:06,780 --> 00:02:12,250
couple of millimeters off from where I'm
capable of focusing so in a case like

27
00:02:12,250 --> 00:02:17,709
this I'm just use this great little
tripod that I have to bring it up tiny

28
00:02:17,709 --> 00:02:23,420
bit closer to what I want to do what I
can also adjust my other leg to give me

29
00:02:23,420 --> 00:02:31,130
leeway in other directions so in this
case something more like that should

30
00:02:31,130 --> 00:02:38,270
give me all the leeway I need and with a
little luck I'll be able to get the

31
00:02:38,270 --> 00:02:42,630
composition I want

32
00:02:42,630 --> 00:02:47,780
so sharp focus is critically important
here you can see even as I work I'm just

33
00:02:47,780 --> 00:02:51,190
moving my camera little bit this we're
moving a little bit that way and I'm

34
00:02:51,190 --> 00:02:56,930
using my tripod as much as I am i ball
head when you're working with a tiny

35
00:02:56,930 --> 00:03:04,140
tiny area I'm talking literally an area
that you know two centimeters are left

36
00:03:04,140 --> 00:03:08,790
to get this photo that that little ship
to the tribe called can be easier than

37
00:03:08,790 --> 00:03:14,440
than the ship the camera once I have my
tripod where I wanted my camera

38
00:03:14,440 --> 00:03:19,700
positioned exactly in the right position
and I lock it in place now right now

39
00:03:19,700 --> 00:03:25,000
about the shadow of my camera pretty
close to where many shooting and that's

40
00:03:25,000 --> 00:03:28,240
usually not a very good idea so I was
really careful when I was looking

41
00:03:28,240 --> 00:03:32,910
through the lens to make sure that it
didn't quite go into it but I'm also

42
00:03:32,910 --> 00:03:41,510
gonna use a diffuser to help with the
lighting so just a little bit year take

43
00:03:41,510 --> 00:03:50,930
out that filter that diffuser always do
that and this is where having a diffuser

44
00:03:50,930 --> 00:03:56,610
is really good I'm shooting I'm
photographing salt little crystals of

45
00:03:56,610 --> 00:04:01,360
salt and the Sun is reflecting off them
and getting that really bright light on

46
00:04:01,360 --> 00:04:07,980
them so by going and I hold it in the
Sun the ground I can soften the light I

47
00:04:07,980 --> 00:04:13,540
can have an idea of what I'm gonna get
for my final image I like what it looks

48
00:04:13,540 --> 00:04:21,330
like through the lens like my focus this
is where I turn on the live you on the

49
00:04:21,330 --> 00:04:26,410
back of my camera turned it on and at
this point I'm I need to get my focus

50
00:04:26,410 --> 00:04:30,530
just right so having the bright light
shining on it can actually be helpful

51
00:04:30,530 --> 00:04:35,460
for getting your focus right Mizzou min
really close

52
00:04:35,460 --> 00:04:41,700
Justin here a little bit find that
comfortable position

53
00:04:41,700 --> 00:04:48,090
and blocking the light from the Sun with
my head so they can get a view of the of

54
00:04:48,090 --> 00:04:52,650
the viewfinder in the back now there's a
little + button on the back my camera

55
00:04:52,650 --> 00:04:54,860
can zoom in on my viewfinder

56
00:04:54,860 --> 00:04:59,450
getting really close sometimes all use
auto focus on a case like this I

57
00:04:59,450 --> 00:05:05,320
actually prefer manual focus because
it's more accurate for me because my

58
00:05:05,320 --> 00:05:12,410
vision is pretty good once I have that
set I make sure that my settings exactly

59
00:05:12,410 --> 00:05:16,840
where I want to go in and with that
diffuser and places of course that

60
00:05:16,840 --> 00:05:22,940
alleges that that'll make a difference
to how I choose my settings I start to

61
00:05:22,940 --> 00:05:28,960
align things in terms of aperture and
shutter speed in a fall into this crack

62
00:05:28,960 --> 00:05:31,380
hold on to get out of it

63
00:05:31,380 --> 00:05:38,040
ok I'm just got a profit this right up
against my tripod sometimes if it's

64
00:05:38,040 --> 00:05:43,420
windy that won't work but today it's
gonna work and adjusting my shutter

65
00:05:43,420 --> 00:05:47,630
speed you can see how important it is to
have a tripod here with this kind of

66
00:05:47,630 --> 00:05:51,880
work it's not going to happen if i dont
have the type of this is impossible at

67
00:05:51,880 --> 00:05:57,980
some point could you just don't fall in
you know hey so I'm making those tiny

68
00:05:57,980 --> 00:06:04,680
little adjustments I've got it set at
about five point six for my aperture and

69
00:06:04,680 --> 00:06:10,690
looks like I'm gonna need about one
one-hundredth of a second get it just

70
00:06:10,690 --> 00:06:16,050
right now at this point I'm gonna turn
on mirror lockup in my camera mirror

71
00:06:16,050 --> 00:06:22,150
lockup balances the camera up sorry
there lockup bounces the mirror up and

72
00:06:22,150 --> 00:06:28,180
it locked up in that upright positions
us going to help free the camera the

73
00:06:28,180 --> 00:06:32,590
lock the mirror bouncing up can actually
cause some the vibrations and protein

74
00:06:32,590 --> 00:06:35,380
shot like this we don't want any
vibrations

75
00:06:35,380 --> 00:06:39,030
the other thing we need is a two second
time delay of course I might crawling

結果 (中文) 1:

100:00:00，130--> 00:00:11，910当我不在这里拍摄，我发现我要去的是什么200:00:11，910--> 00:00:15，580照片我会花费大量的时间在户外圈子根本四处走动，300:00:15，580--> 00:00:20，089看看它通过我的镜头，并试发现，第一完美组合不400:00:20，089--> 00:00:25，519只是还没有把我的相机我的三脚架因为如果我做，但我与你分手500:00:25，519--> 00:00:30，119知道这些笨拙的腿，我想那要在移动，我想你600:00:30，119--> 00:00:33，710种卡住在车辙中当你这样做所以我喜欢去与我700:00:33，710--> 00:00:37，510摄像机镜头然后当我发现组成很接近我想要你知道800:00:37，510--> 00:00:41，740我会那里，看看它和我将带走我的头发现傻但900:00:41，740--> 00:00:46，580实际上都喜欢离开我的相机你知道它在哪里充分进展和我1000:00:46，580--> 00:00:50，200看着我的相机是给我需要弄清楚我的信息1100:00:50，200--> 00:00:55，110在哪里我的三脚架需要正确的这样然后我掏出我的三脚架腿1200:00:55，110--> 00:01:00，900像这个，这也意味着我已经可以把我的相机放在三脚架上1300:01:00，900--> 00:01:03，560头低了下来，我是半路有1400:01:03，560--> 00:01:10，579好的但拍完部分设置还没有做好准备，但我正在那里我们1500:01:10，579--> 00:01:13，679你这张照片的低下来总是有点难度比使用1600:01:13，679--> 00:01:17，939在这些这些没有岩石深裂缝和你知道不陷于停顿1700:01:17，939--> 00:01:21，759自己的事情，我实际上做他们当坚持是在我的膝盖下是傻1800:01:21，759--> 00:01:30，219但完全作品所以，是的东西喜欢在这一点上我要去寻找1900:01:30，219--> 00:01:33，679通过我的取景器有时只有使用实时视图大道2000:01:33，679--> 00:01:39，609对我来说有点更有效的取景器我只是有时与我的相机2100:01:39，609--> 00:01:44，109其实有时球了我可能会调整它与三脚架2200:01:44，109--> 00:01:48，639连动动你知道只是一条腿一次，得到一点我我的焦点2300:01:48，639--> 00:01:56，310正好我正在通过土地作出调整，因为工作，当我2400:01:56，310--> 00:02:02，729发现我真的很喜欢那组成有时我太接近现在的2500:02:02，729--> 00:02:06，780我其实不能聚焦透镜的例子我像附近2600:02:06，780--> 00:02:12，250几毫米关闭从我在哪里因此，在聚焦的能力一例喜欢2700:02:12，250--> 00:02:17，709这我只是使用这个伟大的小我要把它带到小小的三脚架2800:02:17，709--> 00:02:23，420更接近到我想要什么呢?此外可以调整我另给我一条腿2900:02:23，420--> 00:02:31，130在其他方向的回旋余地，这案例的东西更像，应该3000:02:31，130--> 00:02:38，270给我所有我需要的余地，一点点运气就可以得到3100:02:38，270--> 00:02:42，630我想要的组成3200:02:42，630--> 00:02:47，780所以大家关注的焦点是至关重要在这里你可以看到甚至是我的工作我只是3300:02:47，780--> 00:02:51，190移动我的相机小咬这我们移动一点点这种方式和我3400:02:51，190--> 00:02:56，930像我一样使用我的三脚架是我球当你正在一个小小的头3500:02:56，930--> 00:03:04，140我从字面上说面积的小区域你知道离开了两厘米3600:03:04，140--> 00:03:08，790为了得到这张照片，那个小小的船被称为部落可以比更容易3700:03:08，790--> 00:03:14，440比船照相机一旦我有了我在这里我想要我的照相机的三脚架3800:03:14，440--> 00:03:19，700完全位于正确的位置然后我将其锁定到位现在现在3900:03:19，700--> 00:03:25，000关于我的相机漂亮的阴影靠近哪里很多拍摄的4000:03:25，000--> 00:03:28，240通常不很好的主意所以我当我寻找时，真的要小心4100:03:28，240--> 00:03:32，910透过镜头，请确保它没有相当进入它，但我也是4200:03:32，910--> 00:03:41，510要使用扩压器帮助照明只是小一点的年带4300:03:41，510--> 00:03:50，930出了该筛选器的扩压器总是做的这是凡有扩压器4400:03:50，930--> 00:03:56，610真的不错，我拍我拍摄盐小的晶体4500:03:56，610--> 00:04:01，360盐和太阳反射他们靠那真正灿烂的光芒4600:04:01，360--> 00:04:07，980他们这么去按住它在太阳我可以柔化光线在地上我4700:04:07，980--> 00:04:13，540可以有一个想法的我要去对于我最后的形象，我喜欢它看起来4800:04:13，540--> 00:04:21，330像这样的人通过像我的焦点镜头是在哪里我在上打开活你4900:04:21，330--> 00:04:26，410我的相机背面打开它并在这一点我是我需要得到我的焦点5000:04:26，410--> 00:04:30，530刚刚好所以有明亮的灯光照耀着它实际上可以有帮助5100:04:30，530--> 00:04:35，460用于获取您焦点正确密苏里民真的关闭5200:04:35，460--> 00:04:41，700贾斯汀在这里有点发现舒适的位置5300:04:41，700--> 00:04:48，090和阻塞与太阳的光我的头，所以他们可以得到的视图的5400:04:48，090--> 00:04:52，650在后面现在有取景器小 + 按钮背上我的相机5500:04:52，650--> 00:04:54，860可以放大取景器5600:04:54，860--> 00:04:59，450有时所有使用真正都接近自动对焦对一例像这我5700:04:59，450--> 00:05:05，320其实更喜欢手动对焦因为它是更精确，我因为我5800:05:05，320--> 00:05:12，410愿景是不错的一旦有了这些集我确保我的设置到底5900:05:12，410--> 00:05:16，840我想去哪里，那扩压器和地方的课程，6000:05:16，840--> 00:05:22，940声称，会有所作为到我如何选择我的设置入门6100:05:22，940--> 00:05:28，960对齐的东西，在孔径和在这个裂缝落入快门速度6200:05:28，960--> 00:05:31，380坚持才能摆脱它6300:05:31，380--> 00:05:38，040好的我我只是拿利润这最合适的反对我的三脚架有时如果它有6400:05:38，040--> 00:05:43，420风很大，不会工作，但今天它是去上班和调整我的快门6500:05:43，420--> 00:05:47，630你可以看到它对是多么重要的速度有三脚架留在这里，与这种6600:05:47，630--> 00:05:51，880它不会发生如果我不工作有的这类型是不可能在6700:05:51，880--> 00:05:57，980某一时刻你能只是不要掉下去你知道嘿我得做那些小6800:05:57，980--> 00:06:04，680小小的调整，我已经搞定约五六点为我的孔径和6900:06:04，680--> 00:06:10，690看起来要需要约一个百分之一秒的只是得到它7000:06:10，690--> 00:06:16，050现在，在这一点上我要去打开就在我的相机镜子镜子锁住7100:06:16 050--> 00:06:22，150锁定平衡起抱歉相机那里锁定弹起镜子和7200:06:22，150--> 00:06:28，180它被锁在那直立的位置我们要帮助免费相机7300:06:28，180--> 00:06:32，590镜子反射实际上能锁导致一些振动和蛋白质7400:06:32，590--> 00:06:35，380像这样我们不想任何的镜头振动7500:06:35，380--> 00:06:39，030我们需要的其他东西是两个第二延迟时间的课程我可能爬行

結果 (中文) 3:

1
00:00:00130——> 00:00:11910
当我在这里拍摄，我发现
不管它是什么，我会

2
00:00:11910——> 00:00:15580
照片我会花很多时间
户外圈都去

3
00:00:15580——> 00:00:20089
看它通过我的镜头试图
找到完美的成分我不

4
00:00:20089——> 00:00:25519
把我的相机在我的三脚架呢
因为如果我这样做，但我和你结束

5
00:00:25519——> 00:00:30119
知道这些笨拙的腿，我想
左右移动，在我想你

6
00:00:30119——> 00:00:33710
种陷入一成不变，当你
，所以我想去我

7
00:00:33710——> 00:00:37510
相机当我发现组成
很接近我想要的你知道

8
00:00:37510——> 00:00:41，740
我进去一看，
我会带我的头去发现傻但

9
00:00:41740——> 00:00:46580
其实都喜欢离开我的相机你
知道它是完全的进展和我

10
00:00:46580——> 00:00:50200
看着我的相机给
我需要找出

11
00:00:50200——> 00:00:55110
我鼎需要正确的信息
然后我得到了我的三脚架的腿拉出

12
00:00:55110——> 00:01:00900
这样意味着我已经可以
我把相机放在三脚架上，把

13
00:01:00900——> 00:01:03560
头下来，我有一半

14
00:01:03560——> 00:01:10579
好但我我的镜头部分设置
尚未准备好，但我要我们

15
00:01:10579——> 00:01:13679
向下低，这样的拍摄，你
总是有一点比工作

16
00:01:13679——> 00:01:17939
没有岩石在这些深深的裂缝和
你知道不要陷入打破

17
00:01:17939——> 00:01:21759
自己当我所做的事却
棒下我的膝盖这是愚蠢的

18
00:01:21759——> 00:01:30219
但完全的作品是像
在这一点上，我要看着

19
00:01:30，219——> 00:01:33679
通过我的取景器，有时
只使用生活景观大道

20
00:01:33679——> 00:01:39609
取景器更有效地为我
我只有我的相机有时

21
00:01:39609——> 00:01:44109
球确实有时
调整它与脚架我可能

22
00:01:44109——> 00:01:48639
甚至动动腿你知道
在一个时间点让我专注

23
00:01:48639——> 00:01:56310
正好我看土地
使调整为我工作时，我

24
00:01:56310——> 00:02:02729
发现作文，我真的很喜欢
有时我太接近现在

25
00:02:02729——> 00:02:06780
例子其实不能聚焦透镜
接近我喜欢

26
00:02:06780——> 00:02:12250
两毫米关闭在我
能聚焦在像

27
00:02:12250案例——> 00:02:17709
这我只是用这个伟大的小
鼎，我已经把它的小

28
00:02:17709——> 00:02:23420
更接近我想做我
还可以调整我的腿给我

29
00:02:23420——>所以在这
其他方向00:02:31130
余地