100:00:04,230 --> 00:00:09,309so le

1
00:00:04,230 --> 00:00:09,309
so let's study some patterns of light
and what's going to be really cool is

2
00:00:09,309 --> 00:00:14,389
once you learn this you're going to get
to the spot where that face needs

3
00:00:14,389 --> 00:00:18,100
butterfly light that face these
Bromborough the white knows they need

4
00:00:18,100 --> 00:00:23,179
split like you know you gonna you gonna
we're not gonna do this I'm not trying

5
00:00:23,179 --> 00:00:26,640
to say I'm the best photographer I have
no idea there some mornings where I go

6
00:00:26,640 --> 00:00:28,919
hey I'll be right back and I like put
the

7
00:00:28,919 --> 00:00:32,540
take a couple pictures with a light
moved around I'll be like God I don't

8
00:00:32,540 --> 00:00:37,789
know about the greatest today helped me
out I go back and look through my camera

9
00:00:37,789 --> 00:00:41,789
and all the Patapsco split likes the
past you know if I'm not awake didn't do

10
00:00:41,789 --> 00:00:48,020
enough coffee you know you got danger up
on it they were all the same ok so right

11
00:00:48,020 --> 00:00:54,649
now this is called butterfly like but
nobody really tells you exactly what is

12
00:00:54,649 --> 00:00:59,760
butterfly light how far should that
she'll come down how much of a shadow do

13
00:00:59,760 --> 00:01:03,480
you need ok so if you do this see the
shadows into her lap

14
00:01:03,480 --> 00:01:08,370
that's not part of my light shadows here
eight-member shadows height things she's

15
00:01:08,370 --> 00:01:12,840
got pretty lips why would you hide those
lips so let's do this that's a perfect

16
00:01:12,840 --> 00:01:16,390
shadow on during those years most
people's butterfly like this is not the

17
00:01:16,390 --> 00:01:20,820
highlight there's no Shadle so you gotta
make sure that you got that light at the

18
00:01:20,820 --> 00:01:28,490
right height the right distance now her
eyes don't have any cuts like a

19
00:01:28,490 --> 00:01:32,170
professional photographer will look for
cuts lights in the eyes

20
00:01:32,170 --> 00:01:37,050
hey if they got big glasses never gonna
happen now they double up dial ashis you

21
00:01:37,050 --> 00:01:40,760
never going to see a counselor but she
doesn't have any sushi spite I get the

22
00:01:40,760 --> 00:01:44,720
cuts lighter so watch out I might tell
her chin down just a little now your

23
00:01:44,720 --> 00:01:49,030
eyes look up a little higher nominal
over this down till I see the sparkle in

24
00:01:49,030 --> 00:01:50,310
the eyes there it is

25
00:01:50,310 --> 00:01:55,430
you can put the lighting on the face but
there's no cats light never gonna look

26
00:01:55,430 --> 00:02:00,650
sharp it's never going to pop the cats
light is the whole secret to the ice so

27
00:02:00,650 --> 00:02:04,620
remember you don't know the correct
height to you study and get the cuts

28
00:02:04,620 --> 00:02:07,900
like to show there's no catch light
right there so I'm gonna lower it down

29
00:02:07,900 --> 00:02:12,489
there's the catch alight lookout greater
face looks what this is but if I like

30
00:02:12,489 --> 00:02:13,420
now

31
00:02:13,420 --> 00:02:18,510
we take the butterfly light and you
modify it which means moving to the side

32
00:02:18,510 --> 00:02:24,270
now see the shadow former knows where is
that shadow going where's the finish

33
00:02:24,270 --> 00:02:29,959
line the edge of the lip is the finish
line so if you this is Luke lighting and

34
00:02:29,959 --> 00:02:34,700
if you close match at away in that be
remember what kind of like the Rembrandt

35
00:02:34,700 --> 00:02:40,120
have no you don't have a window that
looks to me like he had a trap door in

36
00:02:40,120 --> 00:02:42,550
ceiling that's why the light was up so
high

37
00:02:42,550 --> 00:02:47,680
Rembrandt lighting you don't tell the
people smile smile that lights up so

38
00:02:47,680 --> 00:02:52,510
high you can create bags into their eyes
you will never see a painting with

39
00:02:52,510 --> 00:02:57,920
Rembrandt lighting with a big smile you
just don't do it that's when you bring a

40
00:02:57,920 --> 00:03:05,220
light down dilute lighting and now she
can smile and let's not as high oK so

41
00:03:05,220 --> 00:03:10,150
that's rember at now turn your face that
way I don't know where the cameras at

42
00:03:10,150 --> 00:03:21,739
benefits over here is that the camera
the closeup ok so turn your faces thats

43
00:03:21,739 --> 00:03:28,120
rembrandt broad anybody $100 bill I'm
going out let's take a look

44
00:03:28,120 --> 00:03:35,799
assist us in front of you every day
there with the guys name

45
00:03:35,799 --> 00:03:40,739
look at the lighting on his face that's
call rembrandt prod now I'm not gonna

46
00:03:40,739 --> 00:03:44,420
show you one dollar bill because the
lighting just it just goes downhill on

47
00:03:44,420 --> 00:03:49,209
$1 dogs don't carry one of those will
you look at the lighting is not good

48
00:03:49,209 --> 00:03:54,390
that's rembrandt fraud then to your face
so you're this year the main camera

49
00:03:54,390 --> 00:04:02,130
right to your face towards him that
split lighting you turn your face that

50
00:04:02,130 --> 00:04:08,180
way that's brought lighting broadest
part of the faces being lit but keep

51
00:04:08,180 --> 00:04:11,430
your eye straight with you know if you
can wear your noses and then turn your

52
00:04:11,430 --> 00:04:17,040
face this way keep doing it that's
brought ok

53
00:04:17,040 --> 00:04:22,110
big deal but let me show you exactly how
to do it the cleanest way because this

54
00:04:22,110 --> 00:04:27,340
is stuff took me 30 years no one told me
this stock look great at that came when

55
00:04:27,340 --> 00:04:32,020
you do split lighting your life can be
down low because there's no cut its

56
00:04:32,020 --> 00:04:39,900
gonna split the face and half now you
gotta watch that you don't make a black

57
00:04:39,900 --> 00:04:45,560
eye in here that's from the split like
not being in the right spot I'm gonna

58
00:04:45,560 --> 00:04:50,180
bring a light forward try to clean up
that shadow in there you guys see that

59
00:04:50,180 --> 00:04:55,810
will watch how far bring it clean that
up the best I can if the light hits the

60
00:04:55,810 --> 00:04:59,910
other I pushed it to your max which is
what you wanna do

61
00:04:59,910 --> 00:05:03,540
pushed to the max back it up a little
bit that's the cleanest split like

62
00:05:03,540 --> 00:05:09,060
you'll ever do what's the most beautiful
thing you see on this girl right now I

63
00:05:09,060 --> 00:05:13,230
love the top of her lips the club in
their beautiful that is you I see that

64
00:05:13,230 --> 00:05:21,760
you race you'll never see again let's go
back to split look at her she's

65
00:05:21,760 --> 00:05:28,340
beautiful lips every time you move the
light around the face you're showing

66
00:05:28,340 --> 00:05:32,680
different features now watch it I'm
gonna take the light just moving around

67
00:05:32,680 --> 00:05:37,570
her face watch what happens watch how
many different ways she's gonna look

68
00:05:37,570 --> 00:05:42,540
what I got different lenses I can change
the look I'm about doing it with

69
00:05:42,540 --> 00:05:47,410
lighting I'll just put your lips a
little bit we're all happy little mouth

70
00:05:47,410 --> 00:05:55,260
so you have by giving animals pets what
do you have

71
00:05:55,260 --> 00:06:00,190
what's-his-name happy when you
photograph people what do you say that

72
00:06:00,190 --> 00:06:03,140
you say say cheese

73
00:06:03,140 --> 00:06:06,900
you bring them to the happy moments
she's a lot of larry and I should even

74
00:06:06,900 --> 00:06:10,390
though I'm here she's taken in mind
totally off get your picture taken

75
00:06:10,390 --> 00:06:15,180
that's the art of taking photographs you
have to talk to people so we learned

76
00:06:15,180 --> 00:06:19,280
that now that's that's she's too pretty
sluts muster up a little bit let's see

77
00:06:19,280 --> 00:06:25,630
if we can correct so your left hand put
it on top of you knows just like like

78
00:06:25,630 --> 00:06:29,360
you had a bump on your nose ok here she
is

79
00:06:29,360 --> 00:06:32,840
here's your life in every studios never
moves got dustin has never been move

結果 (中文) 1:

100:00:04，230--> 00:00:09，309因此，让我们研究一些模式的光什么要真的很酷，200:00:09，309--> 00:00:14，389一旦你学会这个你就要去到了现场，在那里，面对需求300:00:14，389--> 00:00:18，100面对这些的蝴蝶光宾白知道他们需要400:00:18，100--> 00:00:23，179就像你知道你要去你去的拆分我们不打算做这并不是500:00:23，179--> 00:00:26，640我说我有最好的摄影师不知道那里有些早晨我去哪里600:00:26，640--> 00:00:28，919嘿我马上回来，我喜欢放的700:00:28，919--> 00:00:32，540用光的一对夫妇拍照四处移动，我会像上帝我不一样800:00:32，540--> 00:00:37，789了解最伟大今天帮了我我回去和仔细检查我的相机900:00:37，789--> 00:00:41，789和所有帕塔普斯科拆分喜欢过去你知道是否我不是醒着没做1000:00:41，789--> 00:00:48，020你知道你足够咖啡起床危险它在所有相同的 ok 那么好1100:00:48，020--> 00:00:54，649现在这就所谓的蝴蝶一样，但没有人真的告诉你到底是什么1200:00:54，649--> 00:00:59，760蝴蝶光多远应该，她会如何多阴影做1300:00:59，760--> 00:01:03，480如果你做这个看你需要那好放到她膝盖上的阴影1400:01:03，480--> 00:01:08，370这不是我光的阴影的一部分八名成员阴影高度事情她是1500:01:08，370--> 00:01:12，840有美丽的嘴唇，你为什么会隐藏那些因此，让我们这么做，才是一个完美的双唇1600:01:12，840--> 00:01:16，390阴影在那些年里最像这样的人的蝴蝶不是1700:01:16，390--> 00:01:20，820有亮点是没有 Shadle，所以你得请确保你有在那光1800:01:20，820--> 00:01:28，490合适的高度权，现在距离她眼睛没有任何削减像1900:01:28，490--> 00:01:32，170专业摄影师会寻找眼中削减灯2000:01:32，170--> 00:01:37，050嘿如果他们得到了大大的眼镜，永远不会有发生现在他们翻倍拨号阿希斯 • 你2100:01:37 050--> 00:01:40，760永远不会看到一位顾问，但她没有我得到任何寿司怨恨2200:01:40，760--> 00:01:44，720削减较轻，所以当心，我可能会告诉她的下巴下来只是有点现在你2300:01:44，720--> 00:01:49，030眼睛看起来有点高名义在此向下直到我看闪耀的光芒2400:01:49，030--> 00:01:50，310它是有的眼睛2500:01:50，310--> 00:01:55，430你可以把脸上的照明，但永远不会看起来没有猫光2600:01:55，430--> 00:02:00，650夏普这永远不会流行猫光是冰的整个秘密所以2700:02:00，650--> 00:02:04，620记住你不知道正确对你的高度研究和得到削减2800:02:04，620--> 00:02:07，900希望看一看没有抓住光就在那儿，所以我要来降低它下来2900:02:07，900--> 00:02:12，489还有抓下车瞭望更多脸看起来这是什么，但如果我喜欢3000:02:12，489--> 00:02:13，420现在3100:02:13，420--> 00:02:18，510我们采取蝴蝶光和你修改这意味着向一侧移动3200:02:18，510--> 00:02:24，270现在看到影子前知道哪里是那影子去地方的终点3300:02:24，270--> 00:02:29，959嘴唇的边缘线是终点行这样如果你这是路加福音照明和3400:02:29，959--> 00:02:34，700如果你关闭掉在那在比赛，会记得什么喜欢伦勃朗3500:02:34，700--> 00:02:40，120没有你没有一扇窗户，在我看来就像他在陷阱门3600:02:40，120--> 00:02:42，550上限，这就是为什么光了所以高3700:02:42，550--> 00:02:47，680伦勃朗照明你不要告诉人的微笑，照亮所以3800:02:47，680--> 00:02:52，510高您可以创建包着他们的眼睛你将永远不会看到一幅画与3900:02:52，510--> 00:02:57，920伦勃朗照明用一个大大的微笑的你只是不要做它的时候你带4000:02:57，920--> 00:03:05，220光下稀照明和现在她可以微笑，让我们高不好，就4100:03:05，220--> 00:03:10，150在现在的记得把你的脸，我不知道哪里的方式在摄像机4200:03:10，150--> 00:03:21，739在这里惠及是相机特写镜头 ok 了所以把自己的脸的4300:03:21，739--> 00:03:28，120伦勃朗广泛任何人 100 美元账单我我让我们出去看一看4400:03:28，120--> 00:03:35，799协助我们在你面前的每一天那里的家伙名称4500:03:35，799--> 00:03:40，739看看他的脸上照明的调用伦勃朗刺激现在我不去4600:03:40，739--> 00:03:44，420显示你张一美元的钞票，因为照明只是它只下坡4700:03:44，420--> 00:03:49，209$1 狗不要携带那些意志之一你看看照明不是很好4800:03:49，209--> 00:03:54，390这是伦勃朗诈骗然后到你的脸所以你今年主摄像头4900:03:54，390--> 00:04:02，130从右到你朝他的脸，拆分照明你把你的脸，5000:04:02，130--> 00:04:08，180带来了最广泛的照明的方式但保持容光焕发的一部分5100:04:08，180--> 00:04:11，430你的眼睛直，你知道如果你可以穿你的鼻子底下，然后向你5200:04:11，430--> 00:04:17，040面对这种方式继续做下去的带来好的5300:04:17，040--> 00:04:22，110大不了但让我告诉你到底怎样去做最简洁的方法，因为这5400:04:22，110--> 00:04:27，340是的东西花了我 30 年没人告诉我这个股票看着伟大，过来的时候5500:04:27，340--> 00:04:32，020你拆分的照明你的生活可以是向下低，因为那里是没有捷径的5600:04:32，020--> 00:04:39，900要拆分的脸和一半现在你要看你不要黑5700:04:39，900--> 00:04:45，560眼睛在这里，是从像拆分不能在正确的位置，我要去5800:04:45，560--> 00:04:50，180带向前轻尝试清理这个阴影那里你看到了吗5900:04:50，180--> 00:04:55，810将手表多远使它干净吗最好我可以如果光打6000:04:55，810--> 00:04:59，910其他推向了你最大的是你想要做什么6100:04:59，910--> 00:05:03，540推到最高回它有点是像清洁分裂的位6200:05:03，540--> 00:05:09，060你做过什么是最漂亮的你看，这个女孩现在我的事6300:05:09，060--> 00:05:13，230爱的最高的她的嘴唇在俱乐部他们漂亮那就是你看出来6400:05:13，230--> 00:05:21，760你不会看到你比赛再一次让我们去要拆分的背看着她，她已6500:05:21，760--> 00:05:28，340美丽的双唇，每当你移动你们正在展示的脸周围的光线6600:05:28，340--> 00:05:32，680不同的功能现在看这我要只移动的光6700:05:32，680--> 00:05:37，570她的脸看看什么会发生手表如何她打算看的许多不同的方式6800:05:37，570--> 00:05:42，540什么不同的镜头，我可以改变看我做的这件事6900:05:42，540--> 00:05:47，410我只会把你的嘴唇的照明一点我们都开心的小嘴7000:05:47，410--> 00:05:55，260所以你必须通过给动物宠物什么你有吗7100:05:55，260--> 00:06:00，190他叫什么开心的时候你照片的人你怎么说7200:06:00，190--> 00:06:03，140你说说奶酪7300:06:03，140--> 00:06:06，900你把它们带到幸福的时刻她是很多拉里的和我应该甚至7400:06:06，900--> 00:06:10，390虽然我在这里她被铭记完全关闭得到您的图片7500:06:10，390--> 00:06:15，180这就是以艺术你的照片有与人交谈，所以我们学会了7600:06:15，180--> 00:06:19，280那现在就是这样有她是太漂亮荡妇鼓足有点让我们看看7700:06:19，280--> 00:06:25，630如果我们可以纠正这样，把你的左手它在你知道就像像7800:06:25，630--> 00:06:29，360你上有个肿块你的鼻子好在这里她是7900:06:29，360--> 00:06:32，840这里是你的生活中每个工作室永远不会移动有达斯汀从来没有移动

結果 (中文) 3:

1
00:00:04230——> 00:00:09309
让我们研究一些光的
模式和什么是真正酷的是

2
00:00:09309——> 00:00:14389
一旦你学会这个你去的地方，
脸需要

3
00:00:14389——> 00:00:18100
蝴蝶光的脸这些
bromborough白知道他们需要

4
00:00:18100——> 00:00:23179
分裂像你知道你会你会
我们不是要这样做我不想

5
00:00:23179——> 00:00:26640
说我最好的摄影师，我有
没有想法有一些早上我去哪里

6
00:00:26640——> 00:00:28919
嘿我马上回来，我喜欢把
的

7
00:00:28919——> 00:00:32540
花几图片光
四处移动，我会像神一样，我不

8
00:00:32540——> 00:00:37789
知道今天最大的帮助我
我回过头去看我的相机

9
00:00:37789——> 00:00:41789
和所有的帕塔普斯科分喜欢
过去你知道如果我睡着了没做

10
00:00:41789——> 00:00:48020
足够的咖啡，你知道你有危险了
上他们都是一样的好，对

11
00:00:48020——> 00:00:54649
现在这叫做蝴蝶喜欢但
没人告诉你什么是

12
00:00:54649——> 00:00:59760
蝴蝶灯多远，
她就下来多少影子做

13
00:00:59760——> 00:01:03480
你需要好的如果你看到
阴影在她腿上

14
00:01:03480——> 00:01:08370
那不是我光阴影部分
八成员阴影高度的事情她

15
00:01:08370——> 00:01:12840
有美丽的嘴唇，你为什么要隐瞒那些
嘴唇让我们这样做，是一个完美的

16
00:01:12840——> 00:01:16390
阴影这些年最
人民蝴蝶喜欢这期间不

17
00:01:16390——> 00:01:20820
突出没有夏德所以你必须
确保你在

18
00:01:20820——> 00:01:28490
高度合适正确的距离现在她的
光眼睛没有像一

19
00:01:28490——> 00:01:32170
专业摄影师会寻找
削减灯的眼睛

20
00:01:32170——> 00:01:37050
嘿，如果他们有大眼镜不会
发生现在他们双拨他的你

21
00:01:37050——> 00:01:40760
永远去见辅导员，但她
没有寿司虽然我得到的

22
00:01:40760——> 00:01:44720
削减轻所以看出来我会告诉
下巴往下一点点你现在的

23
00:01:44720——> 00:01:49030
眼睛看高一点的名义
在这直到我看到闪耀在

24
00:01:49030——> 00:01:50310
有眼睛是

25
00:01:50310——> 00:01:55430
可以把照明脸上却
没有猫的光永远不会看

26
00:01:55430——> 00:02:00650
锋利的它永远不会流行的猫
光是冰的全部秘密，所以

27
00:02:00650——> 00:02:04620
记住你不知道正确的
高度你研究得到削减

28
00:02:04620——> 00:02:07900
喜欢表现没有抓住光
吗所以我要放低

29
00:02:07900——> 00:02:12489
有赶下车了望更大的
看起来这是什么如果我喜欢

30
00:02:12489——> 00:02:13420
现在

31
00:02:13420——> 00:02:18510
我们花蝴蝶光和你
修改它，这意味着移动到一边

32
00:02:18510——> 00:02:24270
现在看到影子前知道是
阴影到哪里去完成

33
00:02:24270——> 00:02:29959
线边缘的唇是完成
所以如果你这是卢克照明和

34
00:02:29959——> 00:02:34700
如果你接近的比赛了，在
记住像伦勃朗

35
00:02:34700——> 00:02:40120
没有你没有窗口，
看起来像他在

36
00:02:40120有陷阱门——> 00:02:42550
吸这就是为什么光是如此
高

37
00:02:42550——> 00:02:47680
伦勃朗照明你不告诉
人微笑微笑照亮了那么

38
00:02:47680——> 00:02:52510
高你可以创建包进他们的眼睛
你将永远不会看到一个画

39
00:02:52510——> 00:02:57920
伦勃朗照明一个大大的微笑，你
不要那样做的当你把一个

40
00:02:57920——> 00:03:05220
轻稀照明现在她
能微笑，不要高好

41
00:03:05220——> 00:03:10150
，记得在现在把你的脸，
我不知道相机在

42
00:03:10150——> 00:03:21739
的好处是这里的相机
特写好吧，把你的脸那

43
00:03:21739——> 00:03:28120
伦勃朗广人100美元的账单我
出去让我们看看

44
00:03:28120——> 00:03:35799
帮助我们在你面前的每一天
有如雷贯耳的名字

45
00:03:35799——> 00:03:40739
看他脸上的
叫伦勃朗督促照明现在我不会

46
00:03:40739——> 00:03:44420
给你一美元的账单因为
照明只是它只是走了下坡路在

47
00:03:44420——> 00:03:49209
1美元的狗不携带这些将
你看看采光不好

48
00：03:49209——> 00:03:54390
是伦勃朗诈骗然后你的脸
所以你今年主相机

49
00:03:54390——> 00:04:02130
权你的脸转向他，
分裂照明你把你的脸，

50
00:04:02130——> 00:04:08180
方式带来的照明广泛
部分脸被点燃，但保持

51
00:04:08180——> 00:04:11430
眼睛直，你知道如果你
可以穿你的鼻子，然后把你的

52
00:04:11430——> 00:04:17040
面对这样坚持做下去，
带来好

53
00:04:17040——> 00:04:22110
大事，但是让我告诉你如何
做最干净的方式因为这

54
00:04:22110——> 00:04:27340
是的东西，我花了30年没有人告诉我
这股票看起来杰出的那来的时候

55
00:04:27340——> 00:04:32020
你分裂照明你的生活可以
低是因为没有把

56
00:04:32020——> 00:04:39900
会分裂的脸，半现在你
必须注意不要让黑色

57
00:04:39900——> 00:04:45560
眼在这里是从分裂像
不我在合适的地方会

58
00:04:45560——> 00:04:50180
带来光正试图清理
那个影子，在那里你们看到

59
00:04:50180——> 00:04:55810
会看多远，把它干净，
上尽我所能，如果光打

60
00:04:55810——> 00:04:59910
其他我推给你的最大的
你想做

61
00:04:59910——> 00:05:03540
推到最大背起来一点
点那是最干净的分裂像

62
00:05:03540——> 00:05:09060
什么你所要做的最美丽的东西在这
女孩就看你现在我

63
00:05:09060——> 00:05:13230
爱顶她的嘴唇在
他们美丽的俱乐部，我看到你，

64
00:05:13230——> 00:05:21760
你比赛你永远也看不到了吧去
回到分裂在她

65
00:05:21760——> 00:05:28340
美丽的嘴唇你的每一次移动
看光在脸上表现你的

66
00:05:28340——> 00:05:32680
不同的特点，现在看我
要光只是在

67
00:05:32680——> 00:05:37570
她的脸看发生什么事怎么
许多不同的方式，她一定会很

68
00:05:37570——> 00:05:42540
我有什么不同的镜头我可以改变
看我做

69
00:05:42540——> 00:05:47410
照明，我就把你的嘴唇
点我们都是快乐的小嘴

70
00:05:47410——> 00:05:55260
所以你给动物宠物什么
你有

71
00:05:55260——> 00:06:00190
那个快乐的时候，你
拍照的人你怎么说

72
00:06:00190——> 00:06:03140
你说奶酪

73
00:06:03140——> 00:06:06900
你带给他们的快乐时光
她是一个我和拉里甚至应该

74
00:06:06900——> 00:06:10390
虽然我这里她考虑
完全关闭开始拍照

75
00:06:10390——> 00:06:15180
，拍照你
不得不说话的人所以我们学会了

76
00:06:15180——> 00:06:19280
，现在的她太漂亮了
荡妇鼓起一点让我们看到

77
00:06:19280——> 00:06:25艺术，630
如果我们能正确的，你的左手放
上面你知道就像

78
00:06:25630——> 00:06:29360
你对你的鼻子好一碰她
是

79
00:06:29360——> 00:06:32840
这是你生活中的每一个工作室不
举动得到了达斯廷没有移动