7300:06:08,440 --> 00:06:11,990just

73
00:06:08,440 --> 00:06:11,990
just go to use commercial find a car you
like I'm sure they will be willing to

74
00:06:11,990 --> 00:06:15,820
help you out one thing that's important
for me in this is that the car get

75
00:06:15,820 --> 00:06:18,960
lifted up in the back end so that we get
a little bit of gravity on the front

76
00:06:18,960 --> 00:06:23,340
wheels for the car just sit there not
turning it in Photoshop will not allow

77
00:06:23,340 --> 00:06:26,700
it to feel like it's tilted forward
sitting down hill into her

78
00:06:26,700 --> 00:06:32,690
over so we have talked to this guy said
the jack up the back for us and we'll

79
00:06:32,690 --> 00:06:36,730
get that sense of gravity it also
helping to have a model sitting on the

80
00:06:36,730 --> 00:06:40,080
hood of the car that's one of the things
I think you know that she to get that

81
00:06:40,080 --> 00:06:44,900
sense of gravity coming I'm leaning back
on the car so that's the second element

82
00:06:44,900 --> 00:06:52,290
for us another important element to this
I saw the pictures as a crew coming to

83
00:06:52,290 --> 00:06:58,300
both locations this year and makeup and
styling we have three assistants to help

84
00:06:58,300 --> 00:07:03,080
out it's important to think about this
stuff I can go so when should I skip on

85
00:07:03,080 --> 00:07:08,280
my own I could go into the landscape in
one person but coming into really like

86
00:07:08,280 --> 00:07:12,000
this where I want to create a really
muted palette and that was fair you

87
00:07:12,000 --> 00:07:16,160
gotten some extra enhance the reason for
these extra handset for this particular

88
00:07:16,160 --> 00:07:22,460
shot is the new that I decided to create
gonna start early in the morning shoot

89
00:07:22,460 --> 00:07:25,720
before the Sun comes up the background
plate but that's little too dark right

90
00:07:25,720 --> 00:07:29,030
for having a woman walking through the
water so when the Sun comes a little

91
00:07:29,030 --> 00:07:34,500
higher start shooting the model now we
don't want on her I don't want this to

92
00:07:34,500 --> 00:07:38,570
feel like a sunny beautiful walk you
know in this along this river this needs

93
00:07:38,570 --> 00:07:43,170
to feel mister call in a little greedy
and it's obviously emotional than

94
00:07:43,170 --> 00:07:46,690
someone else crossing you can walk into
the water maybe the dresses know where

95
00:07:46,690 --> 00:07:52,710
this is a great initiative it so if
we're there and the Sun comes up I wanna

96
00:07:52,710 --> 00:07:57,450
fly this big silks up that will cut the
Sun away and put her into shadow will

97
00:07:57,450 --> 00:08:01,210
allow me to share the backing plate
early on and then continued shooting the

98
00:08:01,210 --> 00:08:05,680
model even if the Sun has come up as I
can always cut them all out there into

99
00:08:05,680 --> 00:08:09,160
its own native landscape won't really be
a composite there's just sort of

100
00:08:09,160 --> 00:08:13,590
blending the two together shadow shot
from role in the morning and shot on the

101
00:08:13,590 --> 00:08:17,010
same place and we blended to obviously
will talk about this when we get to

102
00:08:17,010 --> 00:08:20,860
location I explain that further but we
need to be prepared for the like

103
00:08:20,860 --> 00:08:23,009
qualities that will happen and that's
why we have gone

104
00:08:23,009 --> 00:08:27,749
to have a few extra people for this
particular shot at a few other elements

105
00:08:27,749 --> 00:08:32,209
that's just details to this but it's
important to think of you gonna put a

106
00:08:32,209 --> 00:08:38,159
car into water and i cant bring water to
the car not at the levels that I want it

107
00:08:38,159 --> 00:08:44,019
to be done is to get a card or similar
color to this so I could stick this car

108
00:08:44,019 --> 00:08:48,490
door into the water so then when the
water hits metal and you get sort of

109
00:08:48,490 --> 00:08:53,029
public assistance with the water I could
photograph this and imposed apply that

110
00:08:53,029 --> 00:08:56,410
on top of the car so I get those
transitions between what's in the

111
00:08:56,410 --> 00:09:00,829
background and what's in the foreground
the car went to water rushing against it

112
00:09:00,829 --> 00:09:04,970
but this card or have it and I can
multiply that metal along the edge of

113
00:09:04,970 --> 00:09:10,279
the car and it will feel seem less than
I propose these together you might have

114
00:09:10,279 --> 00:09:13,839
a car wheel there as well so they get
wet rubbery comment up against it again

115
00:09:13,839 --> 00:09:18,050
that what are pushing then dinner on it
they'll still elements are what's going

116
00:09:18,050 --> 00:09:21,880
to make this composite real so I'm
thinking about that have fun making sure

117
00:09:21,880 --> 00:09:27,329
that I captured this on the location
small little thing maybe but when you go

118
00:09:27,329 --> 00:09:31,470
to river don't show up in your small
little jogging shoes they gonna bring

119
00:09:31,470 --> 00:09:35,260
matters that will allow me to stand in
the middle of the river if I want to if

120
00:09:35,260 --> 00:09:36,550
thats my picture

121
00:09:36,550 --> 00:09:40,139
allows me to stand up to here and still
be able to capture the pieces that I

122
00:09:40,139 --> 00:09:43,750
need to so those are the small things I
think about when I head out to location

123
00:09:43,750 --> 00:09:44,699
like this

124
00:09:44,699 --> 00:09:50,220
the very last thing is equipment people
bring strobes and this will be subtle

125
00:09:50,220 --> 00:09:56,339
and like to have a natural sort of muted
palette but naval have a kicker to

126
00:09:56,339 --> 00:10:00,399
highlight the person again I like the
atmosphere that's been created in these

127
00:10:00,399 --> 00:10:04,420
two little too heavy for me on this rope
so are as well be a little bit more

128
00:10:04,420 --> 00:10:10,819
subtle but I plan on using a letter to
to highlight a person in this the camera

129
00:10:10,819 --> 00:10:16,010
will be a Canon no I mentioned you know
for the first picture may be used to

130
00:10:16,010 --> 00:10:19,980
contacts cuz it's quieter here from and
how the woman walking through the water

131
00:10:19,980 --> 00:10:21,980
and this water dripping and stuff

132
00:10:21,980 --> 00:10:25,360
medium format cameras just get too slow
I want to be able to shoot a lot lot

133
00:10:25,360 --> 00:10:31,379
faster also using higher ISO so my
appropriate tool for this will be a can

134
00:10:31,379 --> 00:10:35,829
David just my preference for the thirty
five-millimeter systems so I think that

135
00:10:35,829 --> 00:10:40,220
sets us up for all the things that we
need to make this a successful shoot

136
00:10:40,220 --> 00:10:45,079
they got the car got the location of the
model he got the crew I think we thought

137
00:10:45,079 --> 00:10:49,069
about everything to be well prepared to
head out that kind of beautiful picture

結果 (中文) 1:

7300:06:08，440--> 00:06:11，990使用商业的只是去找一辆车你我想他们也会心甘情愿7400:06:11 990--> 00:06:15，820帮你是重要的一件事对于我这是汽车得到7500:06:15，820--> 00:06:18，960在后端举起来，这样我们得到一点点的前面上的重力7600:06:18，960--> 00:06:23，340这辆车的车轮只是坐在那里不把它在 Photoshop 中将不允许7700:06:23，340--> 00:06:26，700它感觉它是向前倾斜坐进她的小山7800:06:26，700--> 00:06:32，690在所以我们跟这家伙说杰克了回来了，我们会7900:06:32，690--> 00:06:36，730得到这种重力的感觉它也帮助有坐在一个模型8000:06:36，730--> 00:06:40，080是的事情之一的那辆车的引擎盖你知道她去那8100:06:40，080--> 00:06:44，900我后仰的重力来的感上了车，所以这就是第二个元素8200:06:44，900--> 00:06:52，290我们对此的另一个重要因素我看见图片作为乘员组来到8300:06:52，290--> 00:06:58，300今年的地点和化妆和我们有三个助手来帮助的造型8400:06:58，300--> 00:07:03，080这是重要考虑一下我可以去的东西所以当应我跳过8500:07:03，080--> 00:07:08，280我可以到山水中去自己一个人，但真的很像8600:07:08，280--> 00:07:12，000这要创建处真的柔和的调色板，那是公平你8700:07:12，000--> 00:07:16，160得到一些额外提高的原因这些额外的手机，为此特别的8800:07:16，160--> 00:07:22，460镜头是新的我决定要创建要开始早在早晨拍摄8900:07:22，460--> 00:07:25，720在太阳升起的时候背景之前板但是那是小太黑暗的权利9000:07:25，720--> 00:07:29，030有一个女人走过当太阳升起的一点的水9100:07:29，030--> 00:07:34，500更高开始射击模型现在我们不想上她，我不想这对9200:07:34，500--> 00:07:38，570你感觉像散步阳光的美丽沿着这条河，这就需要知道在这9300:07:38，570--> 00:07:43，170感受到先生说有点贪心它是显然情绪比9400:07:43，170--> 00:07:46，690有人还穿过马路你可以走进水的衣服也许知道在哪里9500:07:46，690--> 00:07:52，710这是一个伟大的倡议它所以如果我们在那儿和太阳升起的时候我想要9600:07:52，710--> 00:07:57，450飞起来，这个大丝绸将削减太阳走了，把她的影子会9700:07:57，450--> 00:08:01，210请允许我分享在支撑板在早期，然后继续拍摄9800:08:01，210--> 00:08:05，680模型即使太阳出来了和我一样可总是切他们都那里9900:08:05，680--> 00:08:09，160它自己的原生景观真的不会有一种复合材料是只是10000:08:09，160--> 00:08:13，590混合两个在一起的影子射击从在早上和拍摄中的作用10100:08:13，590--> 00:08:17，010相同的地方和我们混合明显当我们到达的时候会谈论这10200:08:17，010--> 00:08:20，860位置我进一步解释，但我们需要对类似准备10300:08:20，860--> 00:08:23，009素质，将会发生的为什么我们已经10400:08:23，009--> 00:08:27，749要有几个额外的人为此特别是在一些其他元素拍摄10500:08:27，749--> 00:08:32，209这就是这只是细节，但它是重要的是想要把你10600:08:32，209--> 00:08:38，159汽车入水，水不能使不在希望它的级别的车10700:08:38，159--> 00:08:44，019要做就是为了找一张卡或者类似所以我可以坚持这辆车颜色对此10800:08:44，019--> 00:08:48，490那么当门入水水碰到金属和你得到的10900:08:48，490--> 00:08:53，029我可以用水的公共援助拍摄这和强加适用，11000:08:53，029--> 00:08:56，410让那些轿顶什么是之间的转换11100:08:56，410--> 00:09:00，829背景和前景中的是什么这辆车去反对它冲水11200:09:00，829--> 00:09:04，970但这卡或有它，我可以乘以该金属的边缘11300:09:04，970--> 00:09:10，279那辆车，它会觉得似乎小于提出了这些在一起你可能有11400:09:10，279--> 00:09:13，839一辆车，以及那里轮所以他们得到再湿起来反对它的橡胶评论11500:09:13，839--> 00:09:18，050那什么推它然后晚餐他们仍将元素是什么11600:09:18，050--> 00:09:21，880要使这种复合材料真实所以我思考，玩得开心确保11700:09:21，880--> 00:09:27，329我捕捉到了这个位置上很小的东西也许但当你走11800:09:27，329--> 00:09:31，470河不会显示在你的小小跑步鞋他们打算带11900:09:31，470--> 00:09:35，260会让我站的事项如果我想如果这条河的中间12000:09:35，260--> 00:09:36，550这就是我的照片12100:09:36，550--> 00:09:40，139允许我达站在这里，并且仍然能够捕获的片断，我12200:09:40，139--> 00:09:43，750所以这些都是小事情需要我想想当去她的位置12300:09:43，750--> 00:09:44，699喜欢这个12400:09:44，699--> 00:09:50，220最后一件事是设备的人带频闪灯，这将是微妙12500:09:50，220--> 00:09:56，339想要柔和的自然排序但海军调色板有对喷射器12600:09:56，339--> 00:10:00，399我喜欢的人再一次突出显示在这些被创建的气氛12700:10:00，399--> 00:10:04，420两个小太重，我在这根绳子上所以也是多一点点12800:10:04，420--> 00:10:10，819微妙，但我计划上使用飞信以突出显示一个人在这相机12900:10:10，819--> 00:10:16，010将佳能没有刚才你知道第一幅画可能习惯13000:10:16，010--> 00:10:19，980因为它是安静的在这里从接触和如何在水中行走的女人13100:10:19，980--> 00:10:21，980这滴水和的东西13200:10:21，980--> 00:10:25，360中画幅相机只需获得太慢我想要能拍很多很多13300:10:25，360--> 00:10:31，379快也使用高 ISO 所以我合适的工具，这将成为一家可以13400:10:31，379--> 00:10:35，829只是我偏爱三十 David所以我认为五毫米波系统13500:10:35，829--> 00:10:40，220让我们所有的东西，我们要把这一成功的拍摄13600:10:40，220--> 00:10:45，079他们得到这辆车的位置他得到了我们认为的船员的模型13700:10:45，079--> 00:10:49，069关于一切要做好充足准备到那种美丽的图画的头

結果 (中文) 3:

73
00:06:08440——> 00:06:11990
去使用商业找到一辆车你
像我相信他们会愿意

74
00:06:11990——> 00:06:15820
帮助你的一件事是在我重要的
是汽车得到

75
00:06:15820——> 00:06:18960
举起在后端，我们得到
一点点重力在前

76
00:06:18960——> 00:06:23340
轮车只是坐在那里不
把它PS图象处理软件不会允许

77
00:06:23340——> 00:06:26700
它感觉像是向前倾斜
坐山为她

78
00:06:26700——> 00:06:32690
过所以我们跟这家伙说
的提高后我们会

79
00:06:32690——> 00:06:36730
得到重力的感觉也
帮助有一个模型在

80
00:06:36730——> 00:06:40080
罩的车，这一次的事情，
我想你知道她要

81
00:06:40080——> 00:06:44900
重力的感觉来了我靠
在汽车这样的二元

82
00:06:44900——> 00:06:52290
我们另一个重要的元素，这
我看到的图片作为一个船员来

83
00:06:52290——> 00:06:58300
这两处今年和化妆和
造型我们有三个助理帮

84
00:06:58300——> 00:07:03080
重要的是思考这个
的东西我可以去我应该当跳过

85
00:07:03080——> 00:07:08280
我自己我可以去
一个人的风景但到真的喜欢

86
00:07:08280——> 00:07:12000
这哪里我想创建一个真正
柔和的调色板，这是公平的你

87
00:07:12000——> 00:07:16160
得到一些额外的增强的原因
这些额外的手机这个特殊的

88
00:07:16160——> 00:07:22460
镜头是新的，我决定创建
会在早上开始拍摄

89
00:07:22460早期——> 00:07:25720
太阳升起的背景
板之前，但那太黑，右

90
00:07:25，720——> 00:07:29030
有一个女人走在
水所以当太阳来了一个小

91
00:07:29030——> 00:07:34500
高开始拍摄模式现在我们
不想她我不想

92
00:07:34500——> 00:07:38570
感觉像一个阳光明媚的走你知道在这
沿着这条河需要

93
00:07:38570——> 00:07:43170
觉得老总叫贪心一点
这是很显然的情绪比

94
00:07:43170——> 00:07:46690
别人穿越你可以走进
也许水的衣服知道

95
00:07:46690——> 00:07:52710
这是一个杰出的倡议它所以如果
我们那里，太阳升起的时候我想

96
00:07:52710——> 00:07:57450
飞这个大的丝绸，将
太阳离开并把她的影子会

97
00:07:57450——>效益：01210
允许我分享的垫板
早期然后继续拍摄

98
00:08:01210——> 00:08:05680
模型即使太阳出来了我
可以随时把他们都出去到

99
00:08:05680——> 00:08:09160
自己的原生景观，不会真的是一个
复合材料有你

100
00:08:09160排序——> 00:08:13590
混合在一起的两个影子射
从早上拍摄的作用在

101
00:08:13590——> 00:08:17010
相同的地方和我们混明显
将谈这个，当我们到

102
00:08:17010——> 00:08:20860
位置我解释，但我们需要进一步
准备像

103
00:08:20860——> 00:08:23009
品质将会发生，
为什么我们已经

104
00:08:23009——> 00:08:27749
有几人对这
特别拍摄一些其他的元素

105
00:08:27749——> 00:08:32209
只是细节，这可是
重要想到你会把

106
00:08:32209——> 00:08:38159
汽车入水时，我不能把水
车不，我想它在水平

107
00:08:38159——> 00:08:44019
要做的是把一个卡或类似的
颜色这样我可以把这辆车

108
00:08:44019——> 00:08:48490
门入水，所以当
水击中金属和你得到的

109
00:08:48490排序——> 00:08:53029
公共援助的水我能
照片这和实施应用

110
00:08:53029——> 00:08:56410
在汽车顶上，我把那些
之间在

111
00:08:56410——> 00:09:00就是转换，829
背景和前景中的是什么
车去水冲反对

112
00:09:00829——> 00:09:04970
但这卡或有它我可以
乘金属沿

113
00:09:04970边缘——> 00:09:10279
车，感觉好像不太
我提出这些你可能

114
00:09:10279——> 00:09:13839
车轮也让他们得到
湿橡胶评论对它又

115
00:09:13839——> 00:09:18050
什么正在晚餐上
他们仍将元素是什么

116
00:09:18050——> 00:09:21880
使该复合房所以我
思考的乐趣让

117
00:09:21880——> 00:09:27329
，我捕捉到了这个位置上
小东西但你
118
00:09:27去
时，329——> 00:09:31470
河不显示在你的小
小慢跑鞋他们会带来

119
00:09:31470——> 00:09:35260
事项，会让我站在
河中间的如果我想如果

120
00:09:35260——> 00:09:36550
那我的照片

121
00:09:36550——> 00:09:40139
让我站到这里，还
能够捕捉我

122
00:09:40139——> 00件：09:43750
需要这样的小事情我
想想当我把头伸出位置

123
00:09:43750——> 00:09:44699
这样

124
00:09:44699——> 00:09:50220
的最后一件事是
带闪光灯和设备的人这将是微妙的

125
00:09:50220——> 00:09:56339
要有柔和的
调色板但海军有起脚

126
00:09:56339——> 00:10:00399
自然排序突出的人我又喜欢
气氛被创造出来的这些

127
00:10:00399——> 00:10:04420
两太重我
所以绳子以及一点点的

128
00:10:04420——> 00:10:10819
微妙但我打算用信
突出一个人在这相机

129
00:10:10819——> 00:10:16010
将佳能没有我提到你知道
的第一张照片可以用来

130
00:10:16010——> 00:10:19980
接触，因为这里更安静，
妇女怎样穿过水

131
00:10:19980——> 00:10:21980
这滴水的东西

132
00:10:21980——> 00:10:25360
中等格式相机只是太慢
我希望能够拍很多很多

133
00:10:25360——> 00:10:31379
所以我也要使用高ISO
适当的工具，这将是一个可以

134
00:10:31379——> 00:10:35829
戴维只是我喜欢的三十
五毫米系统，所以我认为

135
00:10:35829——> 00:10:40220
集我们为我们所有的
需要使这一成功拍

136
00:10:40220——> 00:10:45079
他们有车的
位置的东西他把船员模型，我认为我们的思想

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00:10:45079——> 00:10:49069
一切准备好
头出来的那种美丽的画面