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here's another picture that you can
download it shows that there are certain
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things this world that you have to be
careful of because if you're not they
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may just turn around and bite you know
the kurds they just showed you don't
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have that particular problem they're
quite usable in a variety of images all
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they need is something like this with
fairly so subtle colors so let me just
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load him up just as we made him for the
last stage just meet later curves load
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the preset the no-brainer curves and
let's see what we got here is a comune Z
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before and after
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once again the colors of really been
brought out fairly nicely and that's
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even without customizing it for this
particular image
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let's take a look at the El channel
first because it's possible these Gators
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not falling in the same range as the
picture that we just did of the Death
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Valley can you call up the curves and
let's measure where the Gator falsies
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little bit lighter in this area so I
would want that area to become a little
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bit steeper like this
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see if an improved things that was
before that was after so I guess that's
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a little bit better not much ok so we
could just call it quits right here but
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now might be a good time to show some of
the other options for one thing we're
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bringing out a lot of color here but
sometimes we might want to bring out
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more if that's the case all we have to
do is increase the angle of the A&B
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curves like this going to be a just
increase the angle little bit same way
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with Abby members still has to cross
over the center point and now we have
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this rather than this just saw see
here's the original then this is with
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the fancy curves and this is what the
first no-brainer curves and again that's
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the original so that's sort of the the
gamut of what we can cover but even if
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we have these big curves here where we
got done
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white yellow we have other options like
back off a little bit it seems to me
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that the water here in this one has
become rather blue I kinda like the
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colors the greens and yellows back here
but I'm bothered by this because I
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figured this would be kind of brackish
and I don't know why it should be as
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blue as it is you can fix that in with
le beakers because very frequently with
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the leb curves in the end the beach you
find areas that are isolated well away
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from anything else that's of interest
like here I go to the beach channel when
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we figure out where this water is it's
more blue than it is yellow so you'd
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expect that it has to be higher than the
center point here this year would would
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be anything that's more in this here is
the neutral area this is something
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that's neither yellow or blue presumably
the Gators like that yes he the Gator
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Liam's right there
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sawgrass back here that's more yellow
than his blue the water is presumably
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more blue than it is yellow and so
that's showing up there what happens if
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I drop a locking point here in the
current just click so that doesn't go
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anywhere and a quick so the grass
doesn't go anywhere either instead I'm
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gonna take this point and pushed more
towards neutrality
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knows what that did take years before
that
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and here's after it change the color of
the water without changing the color of
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anything else to speak of and that shape
of the curves pretty weird you would
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never see an RGB or CMYK color who this
shape but it does show that you can do
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it in the air the beach channel because
they have no details that can be harmful
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in color and seemed to lots of
interesting things you wanted to make it
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more blue you can do that he wanted to
make some other color out of it turned
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that blue area in the yellow with that
curve and its almost hard to see that
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anything's happening I don't really
think that we should be making the swamp
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is yellow but i wanna call it the
history palette just to make a couple of
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points about working with the a/b curves
in leb we went from here quickly to
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their it shows that we can make very
drastic color changes in a natural way
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zoom in on it just so you can see now
there doesn't just look like at the
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bottom of the of the swamp it's hard for
anybody detect if they didn't know that
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we made that drastic change
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second we need to be aware that in A&B
you can do things without selections
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that do require selections when you're
in RGB or CMYK how would you ever get
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that blue to go that yellow without
changing the rest of the picture without
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a selection in one of the other color
spaces ok let's go on to another picture