100:00:00,020 --> 00:00:15,610I lov

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I love photographing waterfalls there's
something so serene about watching the

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water cascade across a cliff and I see
how it affects the rocks and everything

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below and a mossy green that you can see
an area where I lived in the pacific

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northwest they were so many waterfalls
and I got to see a bunch of them and

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this one in particular

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Steve Creek Falls was right off of the
road is really easy to find because it

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was right off of the road literally
there weren't a lot of opportunities to

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photograph the entire thing I'm actually
standing on a bridge that takes you over

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to the waterfall or where you can park
for the waterfall and I'm photographing

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these shots right here this is probably
one of the best actual photos of the

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waterfall itself I didn't go to wine too
much stuff around and if you see appear

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in the corner there's like these sticks
that are kind of flailing around and

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those kinds of things you don't really
want to shot when you're doing this

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thing so I decided to walk around and
walk to the other side of the road to

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find some other small details of the
water in the runoff water from this

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wonderful and one of the really cool
things about this waterfall was the blue

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eyes like this bright blue water coming
from below and not sure what was causing

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it but it was absolutely gorgeous so I
found this series of rocks and I kind of

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played around with a few of the
different compositions know the initial

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one you can see why I didn't really
notice the stick in the way and

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sometimes you don't catch these things
until it's too late

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there are also a lot of little sticks
over here on the left and so I think I

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saw a little bit better once I got a
clear shot of my long exposure and so I

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00:01:55,200 --> 00:01:58,259
moved in a little bit closer I found
that I really like this composition

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better but one thing I didn't like about
it was that these two rocks right here

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were touching me were actually touching
but in my frame their overlapping and I

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00:02:08,229 --> 00:02:12,360
only like to do that at all possible I'd
like to keep things separated

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so I moved over just a little bit and I
got this scene and this is the frame

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00:02:20,160 --> 00:02:25,080
that I absolutely loved from all of
these shots so this is the shorter

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exposure it's only one-sixth of a second
whereas this is one hundred and

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seventy-one seconds I used in India
filter and very likely 10 stop and you

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to really cut down the light and allow
me to blur the water and have a very

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00:02:38,520 --> 00:02:42,550
long shutter speed so I'm gonna go ahead
and jump into the development of this

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image and we'll see what we can do I'm
gonna cloudy to get over to the

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00:02:47,060 --> 00:02:52,209
development and lost art of the top all
start in the basic panel first I'm going

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00:02:52,209 --> 00:02:57,090
to my temperature warmed up a little bit
it seems a little too cool for my taste

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and that was really really subtle
adjustments do a quick before and after

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00:03:03,050 --> 00:03:06,860
of that and some really really subtle
adjustment was gonna play around with my

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00:03:06,860 --> 00:03:11,270
exposure bring that up quite a bit to
get going dark Symphony photographing

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longexposure

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00:03:12,690 --> 00:03:16,890
seen you know you want to get it as
bright as possible without blowing any

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00:03:16,890 --> 00:03:22,060
other whites and you know making them
pure white and losing detail in them but

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00:03:22,060 --> 00:03:26,310
you also can't anticipate for the light
changes if you're doing a two or three

44
00:03:26,310 --> 00:03:29,860
minute exposure sometimes late changes
and if the light fades away your

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00:03:29,860 --> 00:03:34,180
photograph will be a little under spose
so often times I have to compensate for

46
00:03:34,180 --> 00:03:39,650
that inside of Lightroom I'm also going
to play around with my contrast setting

47
00:03:39,650 --> 00:03:46,660
highlights its gonna do they wanted and
my highlights actually kinda like my

48
00:03:46,660 --> 00:03:50,310
highlights being kind of break I'm gonna
toggle

49
00:03:50,310 --> 00:03:56,660
J to toggle my clipping notifications
and I don't have anything left right now

50
00:03:56,660 --> 00:04:00,519
you can see the histogram nothing is
butting up against that right

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00:04:00,519 --> 00:04:04,260
really that left so i'm good right now
but I'll keep it active just in case

52
00:04:04,260 --> 00:04:07,040
something a little too far down the road

53
00:04:07,040 --> 00:04:13,829
gonna go ahead in deep in the shadows a
little bit again I'm gonna increase the

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00:04:13,829 --> 00:04:18,269
whites now I don't go too far as you can
see if I push us whites too far then it

55
00:04:18,269 --> 00:04:22,780
starts to clip so I really just want to
push I'm just a little bit just a little

56
00:04:22,780 --> 00:04:24,160
far

57
00:04:24,160 --> 00:04:27,790
and I'm going to bring those black sound
kind of make it a little bit more

58
00:04:27,790 --> 00:04:34,650
contrast also some vibrance not too much
though because if I push it too far

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00:04:34,650 --> 00:04:43,720
girls so I'll bring it to maybe thirty
five or so I'm gonna bring my situation

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00:04:43,720 --> 00:04:49,680
down means I can push my Vibrant ok I'm
gonna do a quick talk click that

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00:04:49,680 --> 00:04:56,050
backslash key to toggle the before and
after a nice change is happening now

62
00:04:56,050 --> 00:04:59,680
going to have a little bit more contrast
with the tone curve I'm not really gonna

63
00:04:59,680 --> 00:05:04,020
do much other than just change the .
curve to medium contrast a nice little

64
00:05:04,020 --> 00:05:09,080
pop you know deepens those black so I
really like 20 manages an exxon going to

65
00:05:09,080 --> 00:05:21,940
split toning and have a little fun with
this I'm going to do a highlight 30 or

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00:05:21,940 --> 00:05:36,690
so right now doesn't it but it'll change
soon as I am cool shadow occupied there

67
00:05:36,690 --> 00:05:40,900
but I think I'm gonna play on my balance
due

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00:05:40,900 --> 00:05:45,090
alright so the balance is really just
gonna say if I push it to the left it's

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00:05:45,090 --> 00:05:49,240
going to increase those shadows you have
more shadow effect that highlight effect

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00:05:49,240 --> 00:05:50,370
push it to the right

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00:05:50,370 --> 00:05:55,300
vice versa so I'm gonna put it to the
left a little bit talking back and forth

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soon going on i think i like it

73
00:05:58,370 --> 00:06:02,370
I'm gonna go with this and I'm actually
going to take this into Photoshop to do

74
00:06:02,370 --> 00:06:06,580
some finishing touches on the Sun go to
come and eat and it's gonna pop open

75
00:06:06,580 --> 00:06:11,010
inside of Photoshop

76
00:06:11,010 --> 00:06:16,040
the first to just gonna make it full
screen I was like to work with out

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00:06:16,040 --> 00:06:19,220
seeing through to the background I was
kinda like to have a little bit of a

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00:06:19,220 --> 00:06:23,630
minimalistic approach and focus and get
distracted really easily so it's good

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00:06:23,630 --> 00:06:27,520
for me to do that first thing you need
to do is coming out this week you

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00:06:27,520 --> 00:06:32,930
looking stick over here trying to the
Lightroom but that seems like a little

81
00:06:32,930 --> 00:06:35,750
too complicated for Lightroom so I'm
gonna go ahead

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00:06:35,750 --> 00:06:39,320
working in Photoshop I added a brand new
layer I'm gonna go ahead and double

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00:06:39,320 --> 00:06:44,880
click that and just change the name to
clone a human if I welcome an option 0

84
00:06:44,880 --> 00:06:50,010
gonna give me a hundred percent on a PC
you can do control alt 0 do the same

85
00:06:50,010 --> 00:06:54,430
thing and then I'm gonna go over to my
stamp tool on the left so you have your

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00:06:54,430 --> 00:06:59,560
stamp tool don't use the pattern stamp
to make sure you understand tool and I

87
00:06:59,560 --> 00:07:03,940
think I'm gonna go ahead and risk a
hundred percent opacity oftentimes I'm

88
00:07:03,940 --> 00:07:08,110
cloning I will clone at a lower porosity
but I don't have a lot of crazy things

89
00:07:08,110 --> 00:07:11,740
happening it's really a lot of straight
lines should be able to accomplish this

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00:07:11,740 --> 00:07:18,050
just with one or two different samples
so I'm gonna go ahead and reduce the

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00:07:18,050 --> 00:07:21,360
size little that I don't leave it too
big don't go too much bigger than the

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actual thing that I'm cloning holy
option cue to sample area click over

結果 (中文) 1:

100:00:00，020--> 00:00:15，610我爱摄影有的瀑布关于看如此宁静的东西200:00:15，610--> 00:00:21，190水梯级跨越悬崖，我看看它是如何影响岩石和一切300:00:21，190--> 00:00:25，200下面和长满苔藓的绿色，你可以看到我住在太平洋地区400:00:25，200--> 00:00:29，660西北他们是这么多的瀑布还有，看着他们一群和500:00:29，660--> 00:00:31，170特别是这一600:00:31，170--> 00:00:36，030Steve 溪瀑布完全不正确的路是很容易找到，因为它700:00:36，030--> 00:00:40，600简直就像马上路的没有很多机会800:00:40，600--> 00:00:46，660照片我其实整件事站在一座桥，你接管900:00:46，660--> 00:00:51，870瀑布或可以停车的地方吗为拍摄瀑布和我1000:00:51，870--> 00:00:59，920这些正确的镜头在这里这是可能最实际的照片之一1100:00:59，920--> 00:01:04，829瀑布本身没太去酒多周围的东西，如果你看到出现1200:01:04，829--> 00:01:08，359角落里有的是像这些棍子那是种周围挥舞和1300:01:08，359--> 00:01:11，079这种事情你不会真的想要拍摄时你要这样做1400:01:11 079--> 00:01:16，810所以走来走去的东西，走到路的另一边1500:01:16，810--> 00:01:22，659找到的一些其他小细节水从这径流水中1600:01:22，659--> 00:01:27，429很棒真的很酷之一这瀑布的事情是蓝色1700:01:27，429--> 00:01:31，770眼睛像这明亮的蓝色水来从下面和不确定什么导致1800:01:31，770--> 00:01:36，469它绝对华丽，却使我发现这一系列岩石与种1900:01:36，469--> 00:01:40，420周围几个玩过不同成分知道初始2000:01:40，420--> 00:01:43，240你可以看到为什么我没有真正的那个通知的方式坚持和2100:01:43，240--> 00:01:45，319有时你不抓住这些东西直到为时太晚2200:01:45，319--> 00:01:49，380也有大量的小棍子在左边，所以这里我想我2300:01:49，380--> 00:01:55，200看到还是稍微好些，一旦我得到了清晰拍摄我长时间的曝光，所以2400:01:55，200--> 00:01:58，259搬到一点点更接近，我找到了我真的很喜欢这篇作文2500:01:58，259--> 00:02:03，340好但我不喜欢的一件事这是这两个岩石就在这里2600:02:03，340--> 00:02:08，229被触摸我实际上被触摸在我的框架，但其重叠和我2700:02:08，229--> 00:02:12，360我只喜欢做那在所有可能会喜欢使事情分隔2800:02:12，360--> 00:02:20，160所以挪一点点位和我得到了这一幕，这是的框架2900:02:20，160--> 00:02:25，080我绝对从所有的爱这些镜头，所以这是短3000:02:25，080--> 00:02:29，860它是只有六分之一的第二次曝光而这却是一百年，3100:02:29，860--> 00:02:34，370我在印度使用的七十一秒筛选器和很可能 10 停止你3200:02:34，370--> 00:02:38，520真的砍光，并允许我模糊的水，并有非常3300:02:38，520--> 00:02:42，550所以我要继续下去的长快门速度和跳进企业发展之本3400:02:42，550--> 00:02:47，060图像和我们会看到我们能做什么我将以多云到3500:02:47，060--> 00:02:52，209发展和失落的顶部所有艺术开始在基本面板我先3600:02:52，209--> 00:02:57，090到我的体温温暖一点点它似乎是有点太酷适合我的口味3700:02:57，090--> 00:03:03，050那是真的真的很微妙调整做一个快速之前和之后3800:03:03，050--> 00:03:06，860这和一些真的真的很微妙调整要玩弄我3900:03:06，860--> 00:03:11，270暴露带，很有点到走黑暗交响乐拍摄4000:03:11，270--> 00:03:12，690longexposure4100:03:12，690--> 00:03:16，890见到你知道你想要它作为尽可能没有吹任何明亮4200:03:16，890--> 00:03:22，060其他白人，你知道使它们纯白色和丢失其中的细节，但4300:03:22，060--> 00:03:26，310你也不能预测的光如果你做两个或三个，更改4400:03:26，310--> 00:03:29，860分钟的曝光度有时晚的变化如果光消失了你4500:03:29，860--> 00:03:34，180照片会有一点点下外遇所以很多时候我必须赔偿4600:03:34，180--> 00:03:39，650那在 Lightroom 也要玩玩我的对比度设置4700:03:39，650--> 00:03:46，660突出显示要做他们想要和我的亮点其实挺喜欢我4800:03:46，660--> 00:03:50，310突出显示被善良的我要去休息切换4900:03:50，310--> 00:03:56，660J 切换我剪辑的通知并没有现在就离开5000:03:56，660--> 00:04:00，519你可以看到什么是直方图面对这一权利对接5100:04:00，519--> 00:04:04，260真的，离开了所以我现在很好但我会保持积极以防万一5200:04:04，260--> 00:04:07，040东西有点太远在路上5300:04:07，040--> 00:04:13，829去前面在深藏在阴影里一点点再一次我要去增加5400:04:13，829--> 00:04:18，269白人现在我不要走得太远，你可以看看是否我推我们白人太远那么它5500:04:18，269--> 00:04:22，780开始剪辑所以真的只是想我只是一点点只是一点点的推5600:04:22，780--> 00:04:24，160远5700:04:24，160--> 00:04:27，790和我要去把那些黑色的声音让它多一点点5800:04:27，790--> 00:04:34，650没有太多对比也是一些自然饱和度虽然因为如果我把它推得太远5900:04:34，650--> 00:04:43，720女孩，所以我会带它去也许三十五个左右我要去把我的情况6000:04:43，720--> 00:04:49，680下跌意味着我可以推我充满活力的好，我是要做讲座时快速单击，6100:04:49，680--> 00:04:56，050反斜杠键来切换前和一个不错的改变正在发生后6200:04:56，050--> 00:04:59，680要有多一点点的对比与色调曲线，我不是真的要6300:04:59，680--> 00:05:04，020做很多不公正的变化。对介质曲线对比一个可爱的小6400:05:04，020--> 00:05:09，080你知道的流行深化那些黑所以我真的像 20 管理去埃克森6500:05:09，080--> 00:05:21，940拆分色调和有一个小的乐趣这我要去做一个亮点 30 或6600:05:21，940--> 00:05:36，690所以权利现在不是，但它会改变只要我是酷的影子有占领6700:05:36，690--> 00:05:40，900不过我要去玩我的余额到期6800:05:40，900--> 00:05:45，090好吧所以平衡是真的只是要说是否我把它推到左边是6900:05:45，090--> 00:05:49，240要增加你有那些阴影更多突出效果的阴影效果7000:05:49，240--> 00:05:50，370把它推到右7100:05:50，370--> 00:05:55，300反之亦然所以我要把它放来来回回离开有点说话7200:05:55，300--> 00:05:58，370很快就会对我想我喜欢它7300:05:58，370--> 00:06:02，370我要走了，我实际上要带着它进用 Photoshop 来做7400:06:02，370--> 00:06:06，580在太阳上一些最后的润色去过来吃又打开7500:06:06，580--> 00:06:11，010Photoshop 的里面7600:06:11，010--> 00:06:16，040第一次只是去要充分屏幕就像上班与出7700:06:16 040--> 00:06:19，220我是看到背景有一点点的都很喜欢7800:06:19，220--> 00:06:23，630简约的方式，集中注意力保持真的很容易分心，所以它是好7900:06:23，630--> 00:06:27，520我要做的第一件事你需要做出来这周你8000:06:27，520--> 00:06:32，930在这里试图寻找棍子Lightroom 但这似乎有点像8100:06:32，930--> 00:06:35，750Lightroom 所以我来说太复杂了还要继续下去8200:06:35，750--> 00:06:39，320我工作在 Photoshop 中添加了新的品牌我要去走，双的层8300:06:39，320--> 00:06:44，880单击，并只将名称更改为克隆人类，如果我欢迎选项 08400:06:44，880--> 00:06:50，010要给我百分百的 PC 上你可以控制 alt 0 做相同8500:06:50，010--> 00:06:54，430事情，然后我要去我图章工具在左边，所以你有你8600:06:54，430--> 00:06:59，560图章工具不使用图案图章若要确保您了解工具并8700:06:59，560--> 00:07:03，940想我要去走一步，风险百 %不透明度通常情况下我8800:07:03，940--> 00:07:08，110克隆我会克隆在较低的孔隙率但我没有很多疯狂的事情8900:07:08，110--> 00:07:11，740它发生的事情确实是直的很大行应该能够做到这一点9000:07:11，740--> 00:07:18，050只是与一个或两个不同的样本所以我要去走一步，减少9100:07:18，050--> 00:07:21，360尺寸小，不要太大别去太多比9200:07:21，360--> 00:07:26，930实际的东西，我克隆圣对样本地区选项提示单击结束

結果 (中文) 3:

1
00:00:00020——> 00:00:15610
我爱拍摄瀑布有
如此安详看着

2
00:00:15610——> 00:00:21190
水级联在悬崖边，我看到
如何影响岩石和一切

3
00:00:21190——> 00:00:25200
下面长满青苔的绿色，你可以看到
一个地方我住在太平洋

4
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西北有很多瀑布
我看到一群人和

5
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这在一个特定的

6
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史提夫溪瀑布是正确的
路是很容易找到它

7
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正从公路上
没有很多机会

8
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拍摄整个事情我真的
站在桥上，你

9
00:00:46660——> 00:00:51870
的瀑布或你可以在公园
的瀑布和我拍照，

10
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这些镜头吧，这可能是一个最好的实际照片
该

11
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瀑布本身，我没有去太
酒太多的东西，如果你看到出现

12
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角落里有像这些棍子
是种四处挥舞，

13
00:01:08359——> 00:01:11079
这些东西你真的不
想拍的时候，你这样做

14
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的事所以我决定出去走走，
走到

15
00:01:16810——> 00:01路的另一边：22659
找到其他的一些小的细节
水在地表水从这

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00:01:22659——> 00:01:27429
精彩的一个很酷的
东西这个瀑布是蓝色的

17
00:01:27429——> 00:01:31770
眼睛这样明亮的蓝色的水来
从下面不知道造成

18
00:01:31770——> 00:01:36469
它但它是绝对华丽，所以我
发现这一系列的岩石和我种

19
00:01:36469——> 00:01:40420
玩了一些不同成分的
知道初始

20
00:01:40420——> 00:01:43240
你能明白为什么我真的不
通知贴在方式和

21
00:01:43240——> 00:01:45319
有时你不抓住这些东西
直到为时已晚

22
00:01:45319——> 00:01:49380
也有很多的小木棍
在左边，所以我想我

23
00:01:49380——> 00:01:55200
看到的更好一点，我曾经有一个
摆脱我的长时间曝光拍摄，所以我

24
00:01:55200——> 00:01:58259
搬到靠近一点我发现我真的很喜欢这
组成

25
00:01:58259——> 00:02:03340
更好，但有一件事我不喜欢
这是这两种岩石在这里

26
00:02:03340——> 00:02:08229
触摸我真的感动
但我框重叠和我

27
00:02:08229——> 00:02:12360
只要在所有可能的我
喜欢保存东西分开

28
00:02:12360——> 00:02:20160
所以我搬了一点点，我
得到这个场景，这是框架

29
00:02:20160——> 00:02:25，080
我喜欢所有
这些镜头所以这是短

30
00:02:25080——> 00:02:29860
曝光只有六分之一秒
而这是一百和31


00:02:29860——> 00:02:34370
七十一秒我在印度
过滤器很可能10阻止你

32
00:02:34370——> 00:02:38520
真正降低光让
我模糊的水，有一个很

33
00:02:38520——> 00:02:42550
快门速度太慢，所以我要继续前进
和进入本

34
00:02:42550发展——> 00:02:47060
图像，我们会看看我们能做些什么我
会多云到的

35
00:02:47060——> 00:02:52209
发展失去了艺术上都
开始在基本面板首先我要

36
00:02:52209——> 00:02：57090
我温暖和一点
似乎有点太酷了我的味道

37
00:02:57090——> 00:03:03050
，真的是很微妙的
调整做一个快速的前后38


00:03:03050——> 00:03:06860
，一些真的很微妙
调整要玩在我的

39
00:03:06860——> 00:03:11270
曝光带来了相当多的
去黑暗的交响曲摄影

40
00:03:11270——> 00:03:12690
longexposure

41
00:03:12690——> 00:03:16890
看到你知道你想把它作为
亮尽量没有吹任何

42
00:03:16890——> 00:03:22060
其他白人，你知道他们
纯白色，在他们失去细节但

43
00:03:22060——> 00:03:26310
你也不能预见的光
如果你在变化一二或三

44
00:03:26310——> 00:03:29860
分钟曝光有时迟到的变化
如果光消失你

45
00:03:29860——> 00:03:34180
照片会有一点下
spose所以我常要赔偿46


00:03:34180——> 00:03:39650
在Lightroom中我也会
玩我的对比度设置

47
00:03:39650——> 00：03:46660
集锦会做他们想要和我
集锦其实有点像我的

48
00:03:46660——> 00:03:50310
集锦种打破我要
切换

49
00:03:50310——> 00:03:56660
J拨动我裁剪通知
我也没有现在

50
00:03:56660——> 00:04:00519
可以看到直方图没有
南下，右

51
00:04:00，519——> 00:04:04260
真的让我好
但我会把它以防万一

52
00:04:04260——> 00:04:07040
一些远方的路

53
00:04:07040——> 00:04:13829
要继续在深的阴影
点了我要提高

54
00:04:13829——> 00:04:18269
白人现在我不要走得太远，你可以主动
看我把我们白人太远，然后

55
00:04:18269——> 00:04:22780
开始剪辑，所以我真的只想
推我只是一点点一点点

56
00:04:22780——> 00:04:24160
远

57
00:04:24160——> 00:04:27790
我要带那些黑色的声音
种让一点点

58
00:04:27790——> 00:04:34650
对比也有活力并没有太多的
因为如果我推得太远

59
00:04:34650——> 00:04:43720
女孩所以我会把它带到大概三十
五所以我要把我的情况

60
00:04:43720——> 00:04:49680
下来意味着我可以把我的充满活力的好我
要做个快速点击
说话
61
00:04:49680——> 00:04:56050
回车键切换前、后
好现在正在发生的改变

62
00:04:56050——> 00:04:59，680
要有更多一点的对比
与色调曲线我不是真的要

63
00:04:59680——> 00:05:04020
做得不仅仅是变化的。
曲线中比较好一点

64
00:05:04020——> 00:05:09080
流行你知道那些黑色的所以我真的
加深20经营埃克森将

65
00:05:09080——> 00:05:21940
分裂色调和一点乐趣与
我要做一个亮点30或66


00:05:21940——> 00:05:36690
现在不但会改变
我酷影占有

67
00:05:36690——> 00:05:40900
但我想我会打我的平衡
由于

68
00:05:40900——> 00:05:45090
好所以平衡真的只是
说如果我把它推到离开它的

69
00:05:45090——> 00:05:49240
要提高这些阴影你
更多阴影效果突出的效果

70
00:05:49240——> 00:05:50370
推到正确的

71
00:05:50370——> 00:05:55300
亦然，所以我要把它的
左一点点说话来回

72
00:05:55300——> 00:05:58370
快要去我喜欢

73
00:05:58370——> 00:06:02370
我要走，我真的
要考虑到这一PS图象处理软件做

74
00:06:02370——> 00:06:06580
一些收尾的太阳去
来吃，它会弹出

75
00:06:06580——>的PS图象处理软件

76
00:06:11010里面00:06:11010
——> 00:06:16040
只会让它充满
屏幕我想工作了

77
00:06:16040——> 00:06:19220
看穿的背景，我是第一
好像有了一点点的

78
00:06:19220——> 00:06:23630
简约的方法，集中精力
分心真的很容易，所以这是很好的

79
00:06:23630——> 00:06:27520
我做的第一件事你需要
做出来这周你

80
00:06:27520——> 00:06:32930
看贴在这里试图
Lightroom但似乎像一个小

81
00:06:32930——> 00:06:35，750
太复杂，所以我
Lightroom会在

82
00:06:35750——> 00:06:39320
工作在PS图象处理软件我增加了一个全新的
层我要去双

83
00:06:39320——> 00:06:44880
点击，只是改变了名称，
克隆人类如果我欢迎选择0

84
00:06:44880——> 00:06:50010
会给我百分之一百的PC上
你可以控制ALT 0做同样的

85
00：06:50010——> 00:06:54430
的事，然后我会去我的
图章工具在左边你

86
00:06:54430——> 00:06:59560
图章工具不使用邮票的图案
确保你理解的工具，我

87
00:06:59560——> 00:07:03940
认为我会去冒险
百分百不透明度通常我

88
00:07:03940——> 00:07:08110
我会在一个较低的孔隙率的克隆
克隆但我不有很多疯狂的事情

89
00:07:08110——> 00:07:11740
发生真的很直
线应该能够完成这

90
00:07:11740——> 00:07:18050
只是一个或两个不同的样本
所以我要继续减少

91
00:07:18050——> 00:07:21360
尺寸小，我不能离开它太
大别比

92
00:07:21360——> 00:07:26930
实际的东西，我神圣的
选项提示克隆样区点击过大的太多了