100:00:00,000 --> 00:00:05,720so th

1
00:00:00,000 --> 00:00:05,720
so the first area on this page is our
saturation and color masks to find these

2
00:00:05,720 --> 00:00:12,759
at the top of the tab in the green area
so we thought in here or the the first

3
00:00:12,759 --> 00:00:20,470
the top for our situation environments
masks so virtually they they do the same

4
00:00:20,470 --> 00:00:24,800
thing they just give you different
variations of the mess that provide so

5
00:00:24,800 --> 00:00:30,050
one thing you need to be aware of and
I'm sure a lot of you are is saturation

6
00:00:30,050 --> 00:00:34,950
and barbarous are virtually the same
thing when I slide a saturation slider

7
00:00:34,950 --> 00:00:42,469
what I'm doing is increasing situation
uniformly across the entire image 1 a

8
00:00:42,469 --> 00:00:49,910
slide a vibrant slaughter what I'm doing
is applying saturation to only the areas

9
00:00:49,910 --> 00:00:56,289
that are under saturated so you're not
getting that uniform applications the

10
00:00:56,289 --> 00:01:01,710
real difference between such racial
environments so I've rated the best so

11
00:01:01,710 --> 00:01:08,040
these tools that you can use either one
situation or by burns so what I'm going

12
00:01:08,040 --> 00:01:11,140
to do so I'm just going to run the all
set

13
00:01:11,140 --> 00:01:17,759
situation of vibrance masses in a crate
for mess for us if we take a look at

14
00:01:17,759 --> 00:01:21,790
those for masks will look to starting at
the bottom start with the high

15
00:01:21,790 --> 00:01:27,670
saturation so I'm just gonna hold the
Alt or option be down and click on that

16
00:01:27,670 --> 00:01:34,900
and what you see is an area with the
bright white areas the areas that are

17
00:01:34,900 --> 00:01:43,299
under saturated in the image over
saturated in the image or areas of high

18
00:01:43,299 --> 00:01:49,780
saturation not necessarily oversaturated
the rest of the areas the areas in black

19
00:01:49,780 --> 00:01:54,759
or the areas of low saturation and
everything in between years everything

20
00:01:54,759 --> 00:02:03,020
in between so far want to reduce the
over saturated areas in my image will be

21
00:02:03,020 --> 00:02:08,840
highly saturated areas means reduced
using this mass was only reducing it in

22
00:02:08,840 --> 00:02:12,360
those areas where requires it

23
00:02:12,360 --> 00:02:18,530
to move up to the next mess this is low
saturation so this is areas in the image

24
00:02:18,530 --> 00:02:21,720
where situation isn't

25
00:02:21,720 --> 00:02:27,480
which is quite a bit of this image so
you can push or saturation but in these

26
00:02:27,480 --> 00:02:32,660
areas though worrying about over
saturating those areas but again be

27
00:02:32,660 --> 00:02:36,750
carefully want your image is to look
realistic just because it's an area of

28
00:02:36,750 --> 00:02:41,640
low saturation doesn't mean it shouldn't
be an area closer during so use your

29
00:02:41,640 --> 00:02:48,030
better judgment as you making your
adjustments hi vibrance this is the same

30
00:02:48,030 --> 00:02:52,890
message as high saturation but as I
mentioned before it's using the vibrance

31
00:02:52,890 --> 00:02:57,520
20 rather than the situation to in order
to make its adjustment so it's not

32
00:02:57,520 --> 00:03:03,540
broadly applying it to anything that's
white in these areas it's applying it

33
00:03:03,540 --> 00:03:09,410
where it things or where it believes
such rate is oversaturated her highly

34
00:03:09,410 --> 00:03:14,770
saturated and same with your parents my
preference is to use the vibrance

35
00:03:14,770 --> 00:03:19,650
judgments rather than the situation just
means but you'll develop your own

36
00:03:19,650 --> 00:03:25,700
preferences so let's just take a quick
look at how these work so I created the

37
00:03:25,700 --> 00:03:33,180
to saturation masks on a hue and
saturation adjustment layer and upgraded

38
00:03:33,180 --> 00:03:41,120
the two by Prince masts on a vibrant
slayer so because I've already selected

39
00:03:41,120 --> 00:03:45,430
just because this message is only
selecting the areas that are highly

40
00:03:45,430 --> 00:03:50,870
saturated is known no need necessarily
to go into the individual color channels

41
00:03:50,870 --> 00:03:56,620
you can if you like but you can just
know certain adjusting your vibrance

42
00:03:56,620 --> 00:04:03,769
loader and see how it's only adjusting
it in the areas which are white with in

43
00:04:03,769 --> 00:04:12,750
this image or the transition so I'm
almost removed all color space that

44
00:04:12,750 --> 00:04:16,390
right to the bottom basically turning
those areas virtually black-and-white

45
00:04:16,390 --> 00:04:19,739
you still see there's lots of color in
the image just because not everything is

46
00:04:19,739 --> 00:04:29,700
pure white in this image so you can
adjust as you see fit their back 20 come

47
00:04:29,700 --> 00:04:35,849
up the low saturation area again at used
you win situation mask you can just

48
00:04:35,849 --> 00:04:43,500
slowly move that up and that's moving
saturation up in all of the areas that

49
00:04:43,500 --> 00:04:51,099
weren't that are white still love my
histogram per second here and I hope all

50
00:04:51,099 --> 00:04:56,880
of you noted region histograms so you
got your red green and blue channels

51
00:04:56,880 --> 00:05:03,030
these will tell you basically tell you
where you got situation or over

52
00:05:03,030 --> 00:05:10,200
situations of ambushing a red off the
edge of oversight rating by Reds

53
00:05:10,200 --> 00:05:15,380
looking ridiculous but one thing you
should be doing well you're adjusting

54
00:05:15,380 --> 00:05:22,280
situations keeping an eye on your color
channels so just turned that one off and

55
00:05:22,280 --> 00:05:27,430
vibrance works virtually the same way up
to be a little bit more subtle and the

56
00:05:27,430 --> 00:05:31,539
way it goes about its all reduce
vibrations in these areas of our push

57
00:05:31,539 --> 00:05:35,229
that right to the left look at it
situation she also hasn't earned it

58
00:05:35,229 --> 00:05:41,120
quite as great black and white is
because our parents work slightly

59
00:05:41,120 --> 00:05:46,659
differently it doesn't just do a large
global application based on a number it

60
00:05:46,659 --> 00:05:53,810
it actually has some smart Senate and
reads the images of its saturation and

61
00:05:53,810 --> 00:05:59,669
vibrant area so I would encourage you to
have a play with these like I said I

62
00:05:59,669 --> 00:06:05,340
typically work with the barbarous mess
but it's all gonna be your personal

63
00:06:05,340 --> 00:06:06,010
preference

結果 (中文) 1:

100:00:00，000--> 00:00:05，720所以在此页上的第一个领域是我们饱和度和颜色的面具，可以找到这些200:00:05，720--> 00:00:12，759顶部的绿色区域中的选项卡所以我们想在这里还是第一次300:00:12，759--> 00:00:20，470对情况的环境顶部所以几乎掩盖了他们他们这样做400:00:20，470--> 00:00:24，800他们只是给你不同的事情提供这样的变化所造成的混乱500:00:24，800--> 00:00:30，050你需要注意的一件事，我敢肯定你们中的很多都是饱和600:00:30，050--> 00:00:34，950和野蛮几乎都是一样事情时，我滑饱和度滑块700:00:34，950--> 00:00:42，469我在做什么增加情况均匀地跨整个图像 1800:00:42，469--> 00:00:49，910幻灯片充满活力的屠杀自己在做什么适用于只有地区饱和900:00:49，910--> 00:00:56，289这是根据饱和所以你不是让统一应用程序1000:00:56，289--> 00:01:01，710这种种族之间的真正区别所以我已经如此评为最好的环境1100:01:01，710--> 00:01:08，040这些工具你可以使用任何一个人情况或烧伤，所以我要1200:01:08，040--> 00:01:11，140要做到这一点只要运行所有设置1300:01:11，140--> 00:01:17，759自然饱和度群众放在箱子里的情况如果我们看看我们的混乱1400:01:17，759--> 00:01:21，790那些为面具会期待起价底部开始与高1500:01:21，790--> 00:01:27，670饱和，所以我只打算举行Alt 键或 option 就下来，点击那1600:01:27，670--> 00:01:34，900你看到了什么是面积明亮的白色区域的领域1700:01:34，900--> 00:01:43，299根据饱和图像中结束在图像或地区的高饱和1800:01:43，299--> 00:01:49，780不一定过饱和的饱和度其余的黑色领域1900:01:49，780--> 00:01:54，759或地区的低饱和度和在年之间的一切一切2000:01:54，759--> 00:02:03，020在这两者之间目前为止想要减少在我的形象的饱和地区上空将2100:02:03，020--> 00:02:08，840高饱和的领域意味着降低使用这一大堆，只减少它在2200:02:08，840--> 00:02:12，360这些领域在哪里需要它2300:02:12，360--> 00:02:18，530将上移到下一场混乱这是低所以这是图像中的区域的饱和度2400:02:18，530--> 00:02:21，720在那里的情况不是2500:02:21，720--> 00:02:27，480这是相当多的这幅图像呢您可以将推送或饱和，但在这些2600:02:27，480--> 00:02:32，660虽然担心过的地区但再饱和这些领域是2700:02:32，660--> 00:02:36，750仔细地想要你的形象就是看看现实，只是因为它的面积2800:02:36，750--> 00:02:41，640低饱和度并不意味着它不应该在如此使用面积接近你2900:02:41，640--> 00:02:48，030更好的判断为您制作您调整嗨，变奏，这是相同3000:02:48，030--> 00:02:52，890作为高饱和而是作为我的消息以前它使用自然饱和度提到3100:02:52，890--> 00:02:57，52020，而不是按顺序的情况它不是使其调整3200:02:57，520--> 00:03:03，540广泛应用于任何东西的白色在这些领域它把它应用到3300:03:03，540--> 00:03:09，410在那里它事物或它认为在哪里这种速率是高度过饱和她3400:03:09，410--> 00:03:14，770饱和和同你的父母我首选项是使用自然饱和度3500:03:14，770--> 00:03:19，650判断，而不是这种情况只是手段，但你会培养你自己3600:03:19，650--> 00:03:25，700首选项让我们只是采取快速看看这些是如何工作的我创建了3700:03:25，700--> 00:03:33，180对色彩的饱和度面具和饱和度调整图层和升级3800:03:33，180--> 00:03:41，120两个王子桅杆上充满活力屠宰者如此，因为我已经选择3900:03:41，120--> 00:03:45，430只是因为此消息只是选择的领域性很强4000:03:45，430--> 00:03:50，870饱和一定知道没有必要走进单个颜色通道4100:03:50，870--> 00:03:56，620如果你喜欢，但你可以只是，你可以知道某些调整你的活力4200:03:56，620--> 00:04:03，769加载程序，看看如何仅适当调整它在区域的有白色和在4300:04:03，769--> 00:04:12，750此图像或过渡所以我几乎去除所有的彩色空间4400:04:12，750--> 00:04:16，390到底部基本上右转这些领域几乎黑白4500:04:16，390--> 00:04:19，739你还看到有大量的彩色只是因为不是所有都是图像4600:04:19，739--> 00:04:29，700在这张图片，所以你可以纯白色根据你看适合他们回到 20 来调整4700:04:29，700--> 00:04:35，849低饱和区在再次使用你赢局面面具你可以只4800:04:35，849--> 00:04:43，500慢慢地，上下移动，移动饱和度，在所有的领域，4900:04:43，500--> 00:04:51，099不是，是白色的还是爱我直方图每秒在这里，我希望所有5000:04:51，099--> 00:04:56，880你注意到区域直方图等你得到你红色的绿色和蓝色通道5100:04:56，880--> 00:05:03，030这些会告诉你基本上对你说从哪里你得到情况或以上5200:05:03，030--> 00:05:10，200情况下的埋伏红了边缘的监督评级由红军5300:05:10，200--> 00:05:15，380看起来荒谬，但一件事你应该也可以的做您调整好5400:05:15，380--> 00:05:22，280看着你的颜色的情况下渠道所以关掉了那个和5500:05:22，280--> 00:05:27，430自然饱和度方式几乎相同了要有点更微妙和5600:05:27，430--> 00:05:31，539关于它的一切这样减少在这些领域的我们推的振动5700:05:31，539--> 00:05:35，229那右向左看看它她还没有赢得了它的情况5800:05:35，229--> 00:05:41，120那样巨大的黑色和白色是因为我们的父母工作略5900:05:41，120--> 00:05:46，659以不同的方式，它并不是做大全球化应用程序基于数它6000:05:46，659--> 00:05:53，810它实际上有一些智能的参议院和读取图像的饱和度和6100:05:53，810--> 00:05:59，669充满活力的地区，所以我会鼓励你去有玩这些，就像我说的我6200:05:59，669--> 00:06:05，340通常使用野蛮混乱但这都是要将您的个人6300:06:05，340--> 00:06:06，010偏好

結果 (中文) 3:

1
00:00: 00000——> 00:00:05720
所以此页上的第一个地区是我
饱和度和色彩的面具，找到这些

2
00:00:05720——> 00:00:12759
顶部的标签在绿色区域
所以我们认为在这里还是第一

3
00:00:12759——> 00:00:20470
为我们的情况下
面具上，实际上他们做同样的

4
00:00:20470——> 00:00:24800
的事情，他们只是给你不同的
变化的混乱，提供

5
00:00:24800——> 00:00:30050
一件事你需要了解和
我相信你们中的很多人都是饱和

6
00:00:30050——> 00:00:34950
和野蛮的几乎是相同的事情时，我
滑动饱和度滑块

7
00:00:34950——> 00:00:42469
我所做的是增加的情况
均匀地分布在整个图像的1个

8
00:00:42469——> 00:00:49910
滑充满活力的屠杀我所做的
应用饱和度只有地区

9
00:00:49910——> 00:00:56289
正在饱和，所以你不
得到统一的应用

10
00:00:56289——> 00:01:01710
真正的不同种族
环境所以我评为最佳，

11
00:01:01710——> 00:01：08040
这些工具，你可以使用一个
情况或烧伤，所以我什么都

12
00:01:08040——> 00:01:11140
这么做我要运行的所有
集

13
00:01:11140——> 00:01:17759
情况获得群众在机箱
混乱，我们如果我们看看

14
00:01:17759——> 00:01:21790
那些面具会从底部开始
高

15
00:01:21，790——> 00:01:27670
饱和，所以我要抓住
ALT或选择关闭，点击

16
00:01:27670——> 00:01:34900
和你看到的是与
明亮的白色区域，

17
00:01:34900——> 00:01:43299
下饱和的图像中
饱和高

18
00:01:43299图像或地区——> 00:01:49780
饱和不饱和的领域
其余的区域，黑色

19
00:01:49780——> 00:01:54759
或地区低饱和度和
之间的一切的一切
20年

00:01:54759——> 00:02:03020
之间到目前为止想减少我的图像饱和区
将

21
00:02:03020——> 00:02:08840
高度饱和的区域意味着降低
使用这种质量是降低它在

22
00:02:08840——> 00:02：12360
那些地方需要

23
00:02:12360——> 00:02:18530
移动到下一个烂摊子这是低
饱和，这是地区的形象

24
00:02:18530——> 00:02:21720
那里情况不

25
00:02:21720——> 00:02:27480
颇为这一点图像
可以推或饱和但在这些

26
00:02:27480——> 00:02:32660
地区虽然担心过
这些地区又是饱和

27
00:02:32660——> 00:02:36750
仔细想你的图像看起来
现实只是因为它是

28
00:02:36750区——> 00:02:41640
低饱和并不意味着它不应该是一个面积近
在使用你的

29
00:02:41640——> 00:02:48030
更好的判断你的
调整高活力这是相同的

30
00:02:48030——> 00:02:52，890
消息为高饱和但我
之前提到的它的使用频率

31
00:02:52890——> 00:02:57520
20比情况为
做出调整，这不是

32
00:02:57520——> 00:03:03540
广泛应用到这些领域的
白它的应用

33
00:03:03540——> 00:03:09410
那里的东西或在它认为
这样的速度过她的高度

34
00:03:09410——> 00:03:14770
饱和同你的父母我
偏好用振动

35
00:03:14770——> 00:03:19650
判断而不是刚才
意味着但你会开发自己的

36
00:03:19650——> 00:03:25700
偏好让只是如何把这些工作快速
看所以我创造了

37
00:03:25700——> 00:03:33，