100:00:00,000 --> 00:00:12,780ok so

1
00:00:00,000 --> 00:00:12,780
ok so welcome back to part three of the

2
00:00:10,679 --> 00:00:15,570
car grading tutorial so let's set move

3
00:00:12,780 --> 00:00:17,699
on with our additional actual coloring

4
00:00:15,570 --> 00:00:19,680
tools and we talked about luminosity for

5
00:00:17,699 --> 00:00:22,140
now let's talk more about the tools that

6
00:00:19,680 --> 00:00:25,080
we can use to adjust color i think the

7
00:00:22,140 --> 00:00:26,400
most basic one you can use is a solid

8
00:00:25,080 --> 00:00:29,490
color adjustment layer so let's start

9
00:00:26,400 --> 00:00:31,950
with that

10
00:00:29,490 --> 00:00:33,570
basically if we want to inject a

11
00:00:31,950 --> 00:00:36,480
particular color into our image we can

12
00:00:33,570 --> 00:00:39,780
just do that by selecting solid color so

13
00:00:36,480 --> 00:00:41,850
obviously that is not looking great

14
00:00:39,780 --> 00:00:43,500
we don't want that when we had a solid

15
00:00:41,850 --> 00:00:45,180
color we have to actually combine it

16
00:00:43,500 --> 00:00:47,910
with some sort of a blinding both let's

17
00:00:45,180 --> 00:00:49,530
start off you know you can really pick

18
00:00:47,910 --> 00:00:51,390
any starting color you want that's the

19
00:00:49,530 --> 00:00:52,590
whole you know beauty of this is that

20
00:00:51,390 --> 00:00:54,989
you can just keep adjusting the color

21
00:00:52,590 --> 00:00:56,010
until we find something we like I'm

22
00:00:54,989 --> 00:00:57,780
going to start off with this sort of

23
00:00:56,010 --> 00:00:59,910
orange eat own let's say we want to try

24
00:00:57,780 --> 00:01:02,879
and get it back to something along the

25
00:00:59,910 --> 00:01:03,839
lines of our original warmer sunset

26
00:01:02,879 --> 00:01:05,640
field

27
00:01:03,839 --> 00:01:07,590
typically when I use the solid color

28
00:01:05,640 --> 00:01:09,600
layers i tend to use them fairly

29
00:01:07,590 --> 00:01:12,090
saturated if you start off kind of over

30
00:01:09,600 --> 00:01:13,110
here doesn't make sense because I you're

31
00:01:12,090 --> 00:01:15,420
just going to have a completely

32
00:01:13,110 --> 00:01:17,220
saturated image and so you're you're not

33
00:01:15,420 --> 00:01:18,720
coloring you're basically adding a

34
00:01:17,220 --> 00:01:20,850
neutral tone to it but you don't want

35
00:01:18,720 --> 00:01:22,650
this is completely saturated so I tend

36
00:01:20,850 --> 00:01:24,840
to start fairly saturated and then we'll

37
00:01:22,650 --> 00:01:26,490
kind of adjust from there I always end

38
00:01:24,840 --> 00:01:28,619
up somewhere on this very edge because

39
00:01:26,490 --> 00:01:30,420
of course this is the most saturated and

40
00:01:28,619 --> 00:01:32,460
then we're going to use the appropriate

41
00:01:30,420 --> 00:01:34,170
luminosity in combination with the

42
00:01:32,460 --> 00:01:35,460
appropriate blending mode i'm going to

43
00:01:34,170 --> 00:01:39,030
start off right in the middle basically

44
00:01:35,460 --> 00:01:41,219
if we start off at 127 that's

45
00:01:39,030 --> 00:01:43,799
essentially a halfway point that's you

46
00:01:41,219 --> 00:01:44,969
know the middle level and the reason i

47
00:01:43,799 --> 00:01:46,829
want to start there because i want to

48
00:01:44,969 --> 00:01:48,359
start with these screen overlay kind of

49
00:01:46,829 --> 00:01:50,189
blending modes which typically operate

50
00:01:48,359 --> 00:01:52,649
on it from a neutral basis onwards so

51
00:01:50,189 --> 00:01:54,210
anything that is lighter than neutral

52
00:01:52,649 --> 00:01:56,460
tends to get brightened and anything

53
00:01:54,210 --> 00:01:59,039
that is darker than neutral tends to get

54
00:01:56,460 --> 00:02:00,630
darkens so if we start neutral than

55
00:01:59,039 --> 00:02:02,520
really what we're doing is we're kind of

56
00:02:00,630 --> 00:02:03,689
just injecting the color itself and not

57
00:02:02,520 --> 00:02:06,270
really playing around with the

58
00:02:03,689 --> 00:02:07,829
luminosities too much so if we click OK

59
00:02:06,270 --> 00:02:10,619
there and then we change our blending

60
00:02:07,829 --> 00:02:12,120
mode to something like soft light we can

61
00:02:10,619 --> 00:02:13,710
see that this is where I leave you know

62
00:02:12,120 --> 00:02:15,540
really warmed up this image

結果 (中文) 1:

100:00:00，000--> 00:00:12，780好吧所以欢迎回到第三部分200:00:10，679--> 00:00:15，570汽车让我们分级教程设置移动300:00:12，780--> 00:00:17，699对与我们额外的实际着色400:00:15，570--> 00:00:19，680工具和我们谈到的亮度500:00:17，699--> 00:00:22，140现在让我们来谈谈工具，600:00:19，680--> 00:00:25，080我们可以使用来调整的颜色我认为700:00:22，140--> 00:00:26，400您可以使用最基本的一个是一种固体800:00:25，080--> 00:00:29，490颜色调整层所以让我们开始900:00:26，400--> 00:00:31，950与那1000:00:29，490--> 00:00:33，570基本上如果我们想要注入1100:00:31，950--> 00:00:36，480我们的形象，我们可以到特定颜色1200:00:33，570--> 00:00:39，780只是，通过选择纯色这样做1300:00:36，480--> 00:00:41，850显然，并不是很大1400:00:39，780--> 00:00:43，500我们不想这样，当我们有坚实的1500:00:41，850--> 00:00:45，180我们必须实际上结合它的颜色1600:00:43，500--> 00:00:47，910用某种令人目眩都让我们1700:00:45，180--> 00:00:49，530开始你知道你真的可以挑1800:00:47，910--> 00:00:51，390你想要的任何起始颜色了1900:00:49，530--> 00:00:52，590整个你知道美的这是2000:00:51，390--> 00:00:54，989你可以只一直在调整颜色2100:00:52，590--> 00:00:56，010直到我们找到一些我们喜欢我2200:00:54，989--> 00:00:57，780要开始这种2300:00:56，010--> 00:00:59，910橘子吃自己吧说我们想要尝试2400:00:57，780--> 00:01:02，879回到了沿的东西2500:00:59，910--> 00:01:03，839行的我们原始的温暖日落2600:01:02，879--> 00:01:05，640字段2700:01:03，839--> 00:01:07，590通常当我使用纯色2800:01:05，640--> 00:01:09，600我倾向于使用他们相当的层2900:01:07，590--> 00:01:12，090如果你开始过，饱和3000:01:09，600--> 00:01:13，110在这里没有任何意义，因为你是我3100:01:12 090--> 00:01:15，420只要完全3200:01:13，110--> 00:01:17，220饱和图像，你就是你不是3300:01:15，420--> 00:01:18，720你基本上要添加的着色3400:01:17，220--> 00:01:20，850轻声地对它，但你不想要3500:01:18，720--> 00:01:22，650这完全被饱和，所以我一般3600:01:20，850--> 00:01:24，840要启动相当饱和，然后我们会3700:01:22，650--> 00:01:26，490种调整从那里我总是结束3800:01:24，840--> 00:01:28，619地方上对此非常的边缘因为3900:01:26，490--> 00:01:30，420当然这是最饱和和4000:01:28，619--> 00:01:32，460然后我们要使用适当的4100:01:30，420--> 00:01:34，170在结合光度4200:01:32，460--> 00:01:35，460我要去的适当混合模式4300:01:34，170--> 00:01:39，030在正中间开始基本上4400:01:35，460--> 00:01:41，219如果我们开始在 127 的4500:01:39，030--> 00:01:43，799基本上就是你的中间点4600:01:41 219--> 00:01:44，969了解中层和原因我4700:01:43，799--> 00:01:46，829想要那里开始，因为我想4800:01:44，969--> 00:01:48，359开始与这些屏幕覆盖种4900:01:46，829--> 00:01:50，189混合模式一般运行5000:01:48，359--> 00:01:52，649它从一个中立的基础上开始所以5100:01:50，189--> 00:01:54，210什么是比中性轻5200:01:52，649--> 00:01:56，460倾向于得到亮和任何东西5300:01:54，210--> 00:01:59，039这就是比中性往往会较暗5400:01:56，460--> 00:02:00，630这样会变暗，如果我们开始比中立5500:01:59，039--> 00:02:02，520真的我们所做的是我们的5600:02:00，630--> 00:02:03，689只注射本身的颜色和不5700:02:02，520--> 00:02:06，270真的玩周围5800:02:03，689--> 00:02:07，829光度太多所以如果我们单击确定5900:02:06，270--> 00:02:10，619当时我们改变我们进行混合6000:02:07，829--> 00:02:12，120模式为柔光，我们可以像6100:02:10，619--> 00:02:13，710看，这是让你知道6200:02:12，120--> 00:02:15，540真回暖了这个形象

結果 (中文) 3:

一00:00: 00000 --> 00:00:12780好的，欢迎回到的第三部分二00:00:10679 --> 00:00:15570汽车分级教程，让我们的设置三00:00:12780 --> 00:00:17699关于我们的额外的实际着色四00:00:15570 --> 00:00:19680工具和我们谈论的亮度五00:00:17699 --> 00:00:22140现在让我们来谈谈更多的工具六00:00:19680 --> 00:00:25080我们可以用调整颜色我想七00:00:22140 --> 00:00:26400最基本的一个你可以使用是一个坚实的八00:00:25080 --> 00:00:29490颜色调整层，让我们开始九00:00:26400 --> 00:00:31950与十00:00:29490 --> 00:00:33570基本上如果我们想注入一个十一00:00:31950 --> 00:00:36480特别的颜色进入我们的形象，我们可以十二00:00:33570 --> 00:00:39780只要这样做，通过选择坚实的颜色十三00:00:36480 --> 00:00:41850显然，这不是寻找伟大的十四00:00:39780 --> 00:00:43500我们不想当我们有了一个坚实的十五00:00:41850 --> 00:00:45180颜色，我们必须真正结合起来十六00:00:43500 --> 00:00:47910有了一些排序，让我们的盲目十七00:00:45180 --> 00:00:49530从你开始就知道你真的可以选择十八00:00:47910 --> 00:00:51390任何你想要的开始颜色都是十九00:00:49530 --> 00:00:52590你知道的美丽是，这是二十00:00:51390 --> 00:00:54989你可以继续调整颜色二十一00:00:52590 --> 00:00:56010直到我们找到我们喜欢的东西二十二00:00:54989 --> 00:00:57780要开始这种类型的二十三00:00:56010 --> 00:00:59910橙色吃自己的让我们说，我们想尝试二十四00:00:57780 --> 00:01:02879并把它带回一些东西二十五00:00:59910 --> 00:01:03839我们原来温暖的夕阳的线条二十六00:01:02879 --> 00:01:05640领域二十七00:01:03839 --> 00:01:07590通常当我使用固体颜色二十八00:01:05640 --> 00:01:09600我倾向于使用他们相当二十九00:01:07590 --> 00:01:12090饱和的，如果你开始了一种三十00:01:09600 --> 00:01:13110这里没有意义，因为我你三十一00:01:12090 --> 00:01:15420只会有一个完全三十二00:01:13110 --> 00:01:17220饱和的图像，所以你不是你的三十三00:01:15420 --> 00:01:18720着色，你基本上是添加一个三十四00:01:17220 --> 00:01:20850中性的语气，但你不想三十五00:01:18720 --> 00:01:22650这是完全饱和，所以我倾向三十六00:01:20850 --> 00:01:24840开始相当饱和，然后我们会三十七00:01:22650 --> 00:01:26490一种调整从那里我总是结束三十八00:01:24840 --> 00:01:28619在这个非常边缘的地方，因为三十九00:01:26490 --> 00:01:30420当然，这是最饱和的和四十00:01:28619 --> 00:01:32460然后我们将使用适当的四十一00:01:30420 --> 00:01:34170光度组合与四十二00:01:32460 --> 00:01:35460适当的混合模式，我要四十三00:01:34170 --> 00:01:39030基本在中间开始四十四00:01:35460 --> 00:01:41219如果我们开始在127，这是四十五00:01:39030 --> 00:01:43799本质上是你的中间点四十六00:01:41219 --> 00:01:44969了解中间层的原因和我四十七00:01:43799 --> 00:01:46829要从那里开始，因为我想四十八00:01:44969 --> 00:01:48359从这些屏幕覆盖类开始四十九00:01:46829 --> 00:01:50189混合模式，通常操作五十00:01:48359 --> 00:01:52649从一个中立的基础上起五十一00:01:50189 --> 00:01:54210任何比中性更轻的东西五十二00:01:52649 --> 00:01:56460往往会使事情五十三00:01:54210 --> 00:01:59039这比中性的倾向于得到五十四00:01:56460 --> 00:02:00630所以，如果我们开始比中性变暗五十五00:01:59039 --> 00:02:02520真的，我们正在做的是什么样的五十六00:02:00630 --> 00:02:03689只注射颜色本身而不是五十七00:02:02520 --> 00:02:06270真的玩的五十八00:02:03689 --> 00:02:07829光度太多，所以如果我们点击OK五十九00:02:06270 --> 00:02:10619然后我们改变我们的混合六十00:02:07829 --> 00:02:12120模式的东西，如柔和的光，我们可以六十一00:02:10619 --> 00:02:13710看到这是我离开你知道的地方六十二00:02:12120 --> 00:02:15540真的温暖了这个形象