100:00:04,000 --> 00:00:11,969the d

1
00:00:04,000 --> 00:00:11,969
the do and Kurt nineties for

2
00:00:11,969 --> 00:00:16,610
RGG EDU now we're going to work on some
brussel sprouts

3
00:00:16,610 --> 00:00:21,510
so rob is given me to captures

4
00:00:21,510 --> 00:00:25,510
a brussel sprouts with a little bit
different lighting

5
00:00:25,510 --> 00:00:30,070
and in his notes he tells me that 173

6
00:00:30,070 --> 00:00:33,930
is the exposure he likes for the brussel
sprouts

7
00:00:33,930 --> 00:00:38,410
and he particularly likes the feel like

8
00:00:38,410 --> 00:00:42,230
inside at the skillet and 175

9
00:00:42,230 --> 00:00:45,600
has more dramatic lighting online this
that

10
00:00:45,600 --> 00:00:48,770
so we're gonna bowl and these to

11
00:00:48,770 --> 00:00:52,410
exposures have the nice

12
00:00:52,410 --> 00:01:00,789
still and light in the brussel sprouts
summer select bout that my

13
00:01:00,789 --> 00:01:04,009
exposures and process them out no open
automatically

14
00:01:04,009 --> 00:01:23,060
in for a shop

15
00:01:23,060 --> 00:01:26,080
so 173 is kinda my hero image %uh

16
00:01:26,080 --> 00:01:30,619
the skillet and the exposure for the
past brussel sprouts

17
00:01:30,619 --> 00:01:34,220
and 175 is the exposure that I

18
00:01:34,220 --> 00:01:38,240
we like the background light and it's
just a lil there's a little

19
00:01:38,240 --> 00:01:44,509
less highlight punch going on someone a
drag this exposure into the other one

20
00:01:44,509 --> 00:01:47,880
holding down my shift key so they'll
line up based on

21
00:01:47,880 --> 00:01:51,649
the outside dimensions and the image
nice cuz then I can

22
00:01:51,649 --> 00:01:55,630
change my opacity and the two plates

23
00:01:55,630 --> 00:02:05,409
line up perfectly

24
00:02:05,409 --> 00:02:08,879
so to start blending these I'm just
gonna do this with a mask

25
00:02:08,879 --> 00:02:14,269
and my paintbrush the kinda pained on
the parts that I want two years from my

26
00:02:14,269 --> 00:02:15,650
second exposure

27
00:02:15,650 --> 00:02:19,140
so the second exposure here the second
layer is

28
00:02:19,140 --> 00:02:22,450
for the inside at the skill at others
more

29
00:02:22,450 --> 00:02:25,920
tail light going on in the brussel
sprouts and

30
00:02:25,920 --> 00:02:30,239
some nice highlights along the back ads
a the skill at

31
00:02:30,239 --> 00:02:34,010
said just kinda remembering where like
that

32
00:02:34,010 --> 00:02:37,260
I'm going to paint in I white

33
00:02:37,260 --> 00:02:40,260
to reveal that exposure in those

34
00:02:40,260 --> 00:02:45,489
local areas so not just painting with
100 percent brash which we just put it

35
00:02:45,489 --> 00:02:46,540
in and one

36
00:02:46,540 --> 00:02:50,420
fell swoop instead I'm painting with the
Lara pasady brush

37
00:02:50,420 --> 00:02:53,930
which allows me just to kinda slowly
build up

38
00:02:53,930 --> 00:02:57,340
the exposure to get it

39
00:02:57,340 --> 00:03:03,190
where I like it which just a right
tically paying attention to the back

40
00:03:03,190 --> 00:03:13,210
and shit this gil et

41
00:03:13,210 --> 00:03:17,820
and anywhere where the brussel sprouts
may start to get just a little too

42
00:03:17,820 --> 00:03:19,400
bright and the highlight I'm

43
00:03:19,400 --> 00:03:23,640
come back in just mask that of just a
little bit just to tell me nance down

44
00:03:23,640 --> 00:03:28,660
ever so slightly going back to you the
exposure with the less

45
00:03:28,660 --> 00:03:33,710
delighted and doing that particular they
because Rob mentioned

46
00:03:33,710 --> 00:03:36,840
in his notes for me that this

47
00:03:36,840 --> 00:03:41,590
still light might be just a little
bright so I know that he was questioning

48
00:03:41,590 --> 00:03:42,210
that

49
00:03:42,210 --> 00:03:47,130
so I'm questioning that as well and I'm
just going to address that by bringing

50
00:03:47,130 --> 00:03:48,660
just a little bit more time

51
00:03:48,660 --> 00:03:59,060
into those really specular highlights

52
00:03:59,060 --> 00:04:01,600
and so now I have my base level all
composite

53
00:04:01,600 --> 00:04:04,760
done for the two exposures

54
00:04:04,760 --> 00:04:07,820
I can look at any other a reason

55
00:04:07,820 --> 00:04:13,810
image that I might want to bring in I
kinda like some other high like going on

56
00:04:13,810 --> 00:04:15,040
this table surface

57
00:04:15,040 --> 00:04:18,230
over here from our brighter exposure
samina

58
00:04:18,230 --> 00:04:25,930
I mask summit that and as well this to
bring a little

59
00:04:25,930 --> 00:04:29,390
emphasis a little the kids the image a
little direction have light

60
00:04:29,390 --> 00:04:40,090
I think bringing and just below
highlight their may be a long nap plate

61
00:04:40,090 --> 00:04:44,910
next step is in all images is all clean
up some money gambling Claire

62
00:04:44,910 --> 00:04:52,330
nice to name this cleanup so that you
remember what's going on on that layer

63
00:04:52,330 --> 00:04:56,040
I say it's nice to do you know I

64
00:04:56,040 --> 00:05:00,640
that's a good habit to get into but it's
one that I don't necessarily

65
00:05:00,640 --> 00:05:04,420
follow-up it all the time particularly
when I have a bunch

66
00:05:04,420 --> 00:05:08,090
images and I'm trying to get through and

67
00:05:08,090 --> 00:05:11,880
I just kinda create the layers and

68
00:05:11,880 --> 00:05:15,490
it's pretty easy to figure out what
where does well at by turning it off and

69
00:05:15,490 --> 00:05:16,810
on later

70
00:05:16,810 --> 00:05:21,010
by particularly if you're new to working
with a buncha layers in

71
00:05:21,010 --> 00:05:24,130
it's easy to get confused about what
layer does what

72
00:05:24,130 --> 00:05:28,010
and so my best advice for you

73
00:05:28,010 --> 00:05:31,420
is to label now on give them

74
00:05:31,420 --> 00:05:35,900
name and I'll help you keep

75
00:05:35,900 --> 00:05:42,870
what layers doing what straight in your
brain anything that catches the

76
00:05:42,870 --> 00:05:44,640
highlight that shouldn't

77
00:05:44,640 --> 00:05:52,520
just claiming that out a little bit on

78
00:05:52,520 --> 00:05:55,330
as I'm cloning I'm kinda skipping over

79
00:05:55,330 --> 00:05:58,520
the in focus brussel sprouts for the
moment

80
00:05:58,520 --> 00:06:02,310
I like to see sometimes I like to you

81
00:06:02,310 --> 00:06:06,860
do all the cleanup for the backgrounder
the secondary areas

82
00:06:06,860 --> 00:06:09,960
on Sun sure I got all that done

83
00:06:09,960 --> 00:06:23,810
and then move on see the hero portion in
the image

84
00:06:23,810 --> 00:06:27,250
ultimately I just want to be sure that I
i look

85
00:06:27,250 --> 00:06:31,640
at and evaluate every square inch real
estate in the picture

86
00:06:31,640 --> 00:06:35,570
for anything that needs to calm and what
or be simplified

87
00:06:35,570 --> 00:06:39,780
sometimes I approach it like graded

88
00:06:39,780 --> 00:06:43,270
in a really complicated him in certain
the top left corner and work down and

89
00:06:43,270 --> 00:07:05,630
then up and more down than up

90
00:07:05,630 --> 00:07:09,870
and sometimes others little things that
catcher II but you don't want to get

91
00:07:09,870 --> 00:07:13,500
rated them completely like these the
highlights on the back this'll brussel

92
00:07:13,500 --> 00:07:14,250
sprout

93
00:07:14,250 --> 00:07:17,680
something about the shape Obama really
caught my eye

94
00:07:17,680 --> 00:07:22,770
so I want to tone it down but I don't
want to remove them completely cuz it's

95
00:07:22,770 --> 00:07:23,610
nice that

96
00:07:23,610 --> 00:07:28,400
and natural that they have a little
sparkle and highlight some cases like

97
00:07:28,400 --> 00:07:29,050
that and just

98
00:07:29,050 --> 00:07:33,690
cloning amount maybe twenty percent
maybe thirty percent just takin' 'em

99
00:07:33,690 --> 00:07:42,080
out somewhat okay so I have my cleanup
is done

100
00:07:42,080 --> 00:07:45,210
I just want to do a little bit a Curves
work

101
00:07:45,210 --> 00:07:48,640
to maybe look at adding just ahead have
contrast

102
00:07:48,640 --> 00:07:54,730
typically I wanna find a way

103
00:07:54,730 --> 00:07:58,790
Fred to get the back edge in the skillet
to separate from that dark

104
00:07:58,790 --> 00:08:02,210
counter surface only be sure that I see
that

105
00:08:02,210 --> 00:08:05,820
step from

106
00:08:05,820 --> 00:08:09,470
gil et teal background surface

結果 (中文) 1:

100:00:04，000--> 00:00:11，969做和库尔特九十年代为200:00:11，969--> 00:00:16，610现在我们来研究一些即捷步达康 EDU甘蓝300:00:16，610--> 00:00:21，510所以抢给我以捕获400:00:21，510--> 00:00:25，510甘蓝小包菜与一点点不同的照明500:00:25，510--> 00:00:30，070和在他的笔记中他告诉我，173600:00:30，070--> 00:00:33，930是他喜欢的布鲁塞尔的曝光豆芽700:00:33，930--> 00:00:38，410他特别喜欢感觉像800:00:38，410--> 00:00:42，230里面在锅和 175900:00:42，230--> 00:00:45，600具有更富戏剧性的光影在线这那1000:00:45，600--> 00:00:48，770所以我们要去碗和这些1100:00:48，770--> 00:00:52，410曝光有好1200:00:52，410--> 00:01:00，789仍与光在甘蓝夏季选择回合，我1300:01:00，789--> 00:01:04，009曝光和处理它们出没有打开的自动1400:01:04，009--> 00:01:23，060在为一家商店1500:01:23，060--> 00:01:26，080所以 173 感觉我心中的英雄形象 %呃1600:01:26 080--> 00:01:30，619锅和暴露过去甘蓝小包菜1700:01:30，619--> 00:01:34，220175 是曝光，我1800:01:34，220--> 00:01:38，240我们喜欢背景光和它的只是有一点点是有点1900:01:38，240--> 00:01:44，509少亮点冲下去的人将这种接触拖入另一个2000:01:44，509--> 00:01:47，880按住我的 shift 键，所以他们会排队的基础2100:01:47，880--> 00:01:51，649外部尺寸和图像很好因为然后我可以2200:01:51，649--> 00:01:55，630改变我不透明度和两个板块2300:01:55，630--> 00:02:05，409很好地对齐2400:02:05，409--> 00:02:08，879所以开始混合这些我只是要带着面具2500:02:08，879--> 00:02:14，269和我的画笔上的痛苦，有点儿我想从两年的部分我2600:02:14，269--> 00:02:15，650二次曝光2700:02:15，650--> 00:02:19，140所以这里第二次曝光第二层是2800:02:19，140--> 00:02:22，450为别人的技巧在里面更多2900:02:22，450--> 00:02:25，920尾巴轻下去在布鲁塞尔豆芽和3000:02:25，920--> 00:02:30，239一些不错的亮点，沿背广告在技能3100:02:30，239--> 00:02:34，010说只是有点儿记住哪里像那3200:02:34，010--> 00:02:37，260我要去画在我白色3300:02:37，260--> 00:02:40，260揭示，在那些暴露3400:02:40，260--> 00:02:45，489所以不只用绘画的地方100%的傲慢，我们只是把它放3500:02:45，489--> 00:02:46，540在和一个3600:02:46，540--> 00:02:50，420一举而我画的Lara pasady 刷3700:02:50，420--> 00:02:53，930这允许我只是有点慢建立3800:02:53，930--> 00:02:57，340曝光要得到它3900:02:57，340--> 00:03:03，190在那里我喜欢它，只是一种权利隔爆注意后面4000:03:03，190--> 00:03:13，210拉屎这 gil et4100:03:13，210--> 00:03:17，820和任何地方在甘蓝小包菜可能开始只是有点太4200:03:17，820--> 00:03:19，400光明和我的亮点4300:03:19，400--> 00:03:23，640在公正的面具，只是回来一点点，只是为了告诉我南下来4400:03:23，640--> 00:03:28，660稍稍回到你的与少曝光4500:03:28，660--> 00:03:33，710很高兴和做，尤其他们因为罗伯提到的4600:03:33，710--> 00:03:36，840在他的笔记对我来说，这4700:03:36，840--> 00:03:41，590仍光可能只是有点明亮的所以他被质疑4800:03:41，590--> 00:03:42，210那4900:03:42，210--> 00:03:47，130所以我怀疑，以及和我刚要讲话，带来5000:03:47，130--> 00:03:48，660只是多一点点的时间5100:03:48，660--> 00:03:59，060到那些真正的高光5200:03:59，060--> 00:04:01，600所以现在有了我所有的基础水平复合材料5300:04:01，600--> 00:04:04，760进行二次曝光5400:04:04，760--> 00:04:07，820我可以看看其他任何原因5500:04:07，820--> 00:04:13，810我可能想要在我的图像有点像去一些其他高5600:04:13，810--> 00:04:15，040此表表面5700:04:15，040--> 00:04:18，230在这里我们光明的照射萨米纳5800:04:18，230--> 00:04:25，930我掩盖了首脑会议，以及这对带进一点点来5900:04:25，930--> 00:04:29，390强调一点孩子的图像小方向有光6000:04:29，390--> 00:04:40，090我想带和正下方突出显示他们也许是长时间的小睡板6100:04:40 090--> 00:04:44，910下一步是在所有图像都是所有清洁一些钱赌博克莱尔6200:04:44，910--> 00:04:52，330所以命名此清理很高兴，你记得在该图层上6300:04:52，330--> 00:04:56，040这是很好做到你知道我6400:04:56，040--> 00:05:00，640这是一个好的习惯进入，但它是我不是一定的那个6500:05:00，640--> 00:05:04，420后续行动它所有的时间尤其是当我有一串6600:05:04，420--> 00:05:08，090图像，我想要和6700:05:08，090--> 00:05:11，880我只是有点创建图层和6800:05:11，880--> 00:05:15，490它是很容易找出什么在那里做了把它关掉，6900:05:15，490--> 00:05:16，810在晚些时候7000:05:16，810--> 00:05:21，010由特别是如果你新工作中邦查层7100:05:21，010--> 00:05:24，130很容易会对什么感到困惑层做什么7200:05:24，130--> 00:05:28，010等我给你的最好的忠告7300:05:28，010--> 00:05:31，420是上的标签现在给他们7400:05:31，420--> 00:05:35，900名字，我会帮助你保持7500:05:35，900--> 00:05:42，870做什么什么层直在你脑抓到的任何东西7600:05:42，870--> 00:05:44，640不应该的亮点7700:05:44，640--> 00:05:52，520只有点声称出来咬了7800:05:52，520--> 00:05:55，330因为我克隆我有点跳过7900:05:55，330--> 00:05:58，520在焦点甘蓝小包菜为时刻8000:05:58，520--> 00:06:02，310我想看看有时我想你8100:06:02，310--> 00:06:06，860为背景做所有的清理工作二级地区8200:06:06，860--> 00:06:09，960在太阳肯定得到了所有做8300:06:09，960--> 00:06:23，810然后继续前进看到英雄部分在图像8400:06:23，810--> 00:06:27，250最终我只是想可以肯定的我我看看8500:06:27，250--> 00:06:31，640在和评价每平方英寸真实图片中的房地产8600:06:31，640--> 00:06:35，570任何需要冷静和什么或将简化8700:06:35，570--> 00:06:39，780有时我接近它像分级8800:06:39，780--> 00:06:43，270在一个真正复杂他在某些左上角和工作下来，8900:06:43，270--> 00:07:05，630然后最多和多了下来比起来9000:07:05，630--> 00:07:09，870和有时其他的小事情，麦田守望者 》 第二，但你不想要9100:07:09，870--> 00:07:13，500额定他们完全像这些突出的背这会布鲁塞尔9200:07:13 500--> 00:07:14，250新芽9300:07:14，250--> 00:07:17，680一些关于形状奧巴馬真的吸引我的眼球9400:07:17，680--> 00:07:22，770所以我想低调一点，但我不想要删除它们完全因为它是9500:07:22，770--> 00:07:23，610很好，9600:07:23，610--> 00:07:28，400和他们有了些许的自然闪光的并突出显示某些情况下像9700:07:28，400--> 00:07:29，050，只是9800:07:29，050--> 00:07:33，690克隆数量也许 20%也许只是带他们的 30%9900:07:33，690--> 00:07:42，080有些好的所以我有我清理出是做10000:07:42，080--> 00:07:45，210我只是想做得有点曲线工作10100:07:45，210--> 00:07:48，640或许，看看就在前面添加有对比10200:07:48，640--> 00:07:54，730通常，我想要找到一种方法10300:07:54，730--> 00:07:58，790Fred 在油锅里得到的后缘分开那么黑10400:07:58，790--> 00:08:02，210计数器表面唯一可以肯定的是，我看到那10500:08:02，210--> 00:08:05，820从一步10600:08:05，820--> 00:08:09，470gil et 青色背景表面

結果 (中文) 3:

1
00:00:04000——> 00:00:11969
做和库尔特九十年代

2
00:00:11969——> 00:00:16610
RGG EDU现在我们将工作在一些
甘蓝

3
00:00:16610——> 00:00:21510
所以Rob是给我捕获

4
00:00:21510——一点点
不同照明

5
00:00:25510——> 00:00:30070
和在他的笔记，他告诉我，173

6
00:00:30070——> 00:00
> 00:00:25510布鲁塞尔豆芽一：33930
曝光他喜欢布鲁塞尔
豆芽


00:00:33930——> 00:00:38410
和，他特别喜欢感觉8


00:00:38410——> 00:00:42230
内锅和175

9
00:00:42230——
> 00:00:45600更戏剧性的照明在线这


10
00:00:45600——> 00:00:48770
所以我们要碗，这些

11
00:00:48770——> 00:00:52410
暴露12


不错00:00:52410——> 00:01:00789
仍然和光在的甘蓝夏季
选择回合，我

13
00:01:00789——> 00:01:04009
暴露过程中他们没有公开
自动

14
00:01:04009——> 00:01:23060
在商店

15
00:01:23060——> 00:01:26080
所以173挺我的英雄形象%呃16


00:01:26080——> 00:01:30619
锅和曝光
过去甘蓝

17
00：01:30619——> 00:01:34220
和175是曝光，我

18
00:01:34220——> 00:01:38240
我们喜欢的背景光和
只是一个LIL有一点

19
00:01:38240——> 00:01:44509
不突出冲去对别人
这曝光拖到另一个

20
00:01:44509——>
00:01:47880按住我的Shift键，所以他们会
排队基于

21
00:01:47880——
> 00:01:51649外形尺寸和图像
不错因为然后我可以

22
00:01:51649——> 00:01:55630
改变我的不透明度和的两个板块

23
00:01:55630——> 00:02:05409
排队完美

24
00:02:05409——> 00:02:08879
所以开始融合这些我只是
会做这一个25面膜


00:02:08879——> 00:02:14269
和我的画笔还挺心疼
的部分，我想两年我

26
00:02：14269——> 00:02:15650
二曝光

27
00:02:15650——> 00:02:19140
所以二次曝光在这里第二层
是

28
00:02:19140——> 00:02:22450
内部技能在别人更多

29
00:02:22450
——> 00:02:25920
尾灯在布鲁塞尔豆芽


3
00:02:25920——> 00:02:30239
一些好集锦沿背部广告


31
00:02:30239——> 00:02:34的技能，010
说只是有点儿回忆，喜欢


32
00:02:34010——> 00:02:37260
我要画我白

33
00:02:37260——> 00:02:40260
揭示，暴露在那些

34
00:02:40260——> 00:02:45489
地方，不只是绘画
100%傲慢，我们只是把它

35
00:02:45489——> 00:02:46540
1

36
00:02:46540——
> 00:02:50420一举而不是我画的
劳拉pasady刷

37
00:02:50420——> 00:02:53930
允许我只是有点儿
慢慢建立

38
00:02:53930——> 00:02:57340
曝光得到它

39
00:02:57340——> 00:03:03190
，我喜欢它，只需右
微电脑支付注意后面

40
00:03:03190——> 00:03:13210
和狗屎吉尔ET

41
00:03:13210——
> 00:03:17820和任何地方甘蓝
可能开始得到只是一个小太

42
00:03:17820——> 00:03:19400
明亮和我

43
00:03:19400——> 00:03:23640
回来的只是面具，只是一个
点只是告诉我唐Nance

44
00:03:23640——> 00:03:28660
曾经如此稍微会回到你的少

45
00:03:28660——
> 00:03:33710
暴露的突出高兴做，特别是他们
因为罗伯提到

46
00:03:33710——> 00:03:36840
在他的笔记我这

47
00:03:36840——可能只是一点
如此明亮，我知道他是提问

48
00:03:41590——> 00:03:42210
，

49
00:03:42210——> 00:03:47130
所以我提问，我是
只会解决，通过将

50
00:03 > 00:03:41590
还是光：47130——> 00:03:48660
只是一个小点更多时间

51
00:03:48660——> 00:03:59060
到那些真的镜面集锦

52
00:03:59060——> 00:04:01600
，所以现在我有我的基地水平
复合

53
00:04:01600——> 00:04:04760
做两次曝光

54
00:04:04760——> 00:04:07820
我可以看任何其他一个原因55


00:04:07820——
> 00:04:13810图像，我可能想把我
有点儿像其他一些高喜欢

56
00:04:13810——
> 00:04:15040这张桌子表面

57
00:04:15040——> 00:04:18230
在这里从我们光明曝光
萨米纳

58
00:04:18230——> 00:04:25930
我掩盖峰会，这
带来一点

59
00:04:25930——> 00:04:29390
强调一点的孩子形象
小方向光

60
00:04:29390——> 00:04:40090
，我想带下方
突出他们可能是一个长盹板

61
00:04:40090——> 00:04:44910
下一步是在所有的图像是清洁所有
了一些赌资克莱尔

62
00:04:44910——> 00:04:52330
好这个名字清理，你
记得发生了什么事，层

63
00:04:52330——> 00:04:56040
我说很高兴你知道我

64
00:04：56040——> 00:05:00640
，是一个好习惯进入但
，我也不一定

65
00:05:00640——> 00:05:04420
后续它所有的时间特别
当我有一堆

66
00:05:04420——> 00:05:08090
的图像，我试图打通，

67
00:05:08090——> 00:05:11880
我只是有点儿创建层和68


00:05:11880——
> 00:05:15490它的很容易到找出什么
，做得很好的把它关掉

69
00:05:15490——> 00:05:16810后来

70
00:05:16810——> 00:05:21010
的，特别是如果你是新一批层

71
00:05:21010——> 00:05:24130
很容易感到困惑什么层
做什么

72
00:05:24130——> 00:05:28010
，所以我最好的建议你

73
00:05:28010——> 0点05分，当时列车停靠工作

：31420
是标签现在给他们

74
00:05:31420——> 00:05:35900
的名字，我会帮助你保持

75
00:05:35900——> 00:05:42870
什么层做直你
大脑任何捕捉

76
00:05:42870——> 00:05:44640
强调，应该不

77
00:05:44640——> 00:05:52520
只是声称，一点点

78
00:05:52520——
> 00:05:55330作为我的克隆我有点儿跳跃在

79
00:05:55330——
> 00:05:58520焦点甘蓝
刻

80
00:05:58520——> 00:06:02310
我喜欢到看到有时我喜欢到你

81
00:06:02310——> 00:06:06860
做所有清理后台
的次级地区

82
00:06:06860——> 00:06:09960
在太阳肯定我所有做

83
00:06:09960——
> 00:06:23810然后将看到英雄部分、图像

84
00:06:23810——> 00:06:27250
最终我只想确保我
我看

85
00:06:27250——> 00:06:31640
和评估每平方英寸的房、地产86图片


00:06:31640——> 00:06:35570任何需要冷静，什么
或简化

87
00:06:35570——
有时> 00:06:39780我接近它像分级

88 00

：06:39780——> 00:06:43270
在一个非常复杂的他一定
左上角和工作下来，

89
00:06:43270——> 00:07:05630
然后下更多的比起来

90
00:07:05630——> 00:07:09870
，有时候一些小事情
捕手II，但你不想得到

91
00:07:09870——> 00:07:13500
额定他们完全喜欢这些
集锦在后面这将布鲁塞尔

92
00:07：13500——> 00:07:14250
萌芽

93
00:07:14250——> 00:07:17680
一些形状奥巴马真
抓住我的眼睛

94
00:07:17680——> 00:07:22770
所以我希望缓和下来，但我不
不想删除它们完全因为它的

95
00:07:22770——> 00:07:23610
好

96
00:07:23610——> 00:07:28400
和自然，他们有一点
闪耀，突出某些情况下，像

97
00:07:28，400——> 00:07:29050
，只是

98
00:07:29050——>
00:07:33690克隆量也许百分之二十
也许百分之三十只羚牛' EM

99
00:07:33690——> 00:07:42080
有些好所以我清理


1
00:07:42080——> 00:07:45210
，我只是想做一点点曲线


101
00:07:45210——> 00:07:48640
也许看起来在添加正前方有
对比

102
00:07：48640——找到
> 00:07:54730通常我想办法

103
00:07:54730——> 00:07:58790
弗雷德在煎锅里
分开，黑暗

104
00:07:58790——> 00:08:02210
计数器的表面只能相信我看到


105
00:08:02210——> 00:08:05820
步从

106
00:08:05820——> 00:08:09470
吉尔ET水鸭背景表面得到后缘