100:00:14,400 --> 00:00:18,670many

1
00:00:14,400 --> 00:00:18,670
many of the waterfalls an Icelander very
easy to access but out of foster

2
00:00:18,670 --> 00:00:32,790
requires a little bit more effort but
it's totally worth

3
00:00:32,790 --> 00:00:38,430
northern Iceland where it out their
fault it's a very very impressive

4
00:00:38,430 --> 00:00:43,330
waterfall you hike down and when you get
to the bottom it reveals this beautiful

5
00:00:43,330 --> 00:00:47,930
chasm and this big pool of water
waterfall shooting water cascading

6
00:00:47,930 --> 00:00:49,090
towards you

7
00:00:49,090 --> 00:00:52,780
we got here in the Sun started to come
up on the right through these beautiful

8
00:00:52,780 --> 00:00:56,090
colors which are still back there now
the colors have been going nuts for the

9
00:00:56,090 --> 00:01:00,300
last hour and a half its amazing this
morning the first thing I did when I

10
00:01:00,300 --> 00:01:04,010
came down here is I scouted different
vantage point I kind of follow this

11
00:01:04,010 --> 00:01:08,180
rocky ridge line around and tried to
figure out the best composition possible

12
00:01:08,180 --> 00:01:12,440
once I established this competition was
my favorite I set the camera up and I

13
00:01:12,440 --> 00:01:16,729
haven't actually moved it for about two
hours the sky is just been transforming

14
00:01:16,729 --> 00:01:20,570
so much that I wanted to capture it it's
very best moment so we take a look at

15
00:01:20,570 --> 00:01:23,280
the images at the beginning of the day
the first thing in the morning when I

16
00:01:23,280 --> 00:01:26,990
first set up the sky was just starting
to let up a little bit but the route

17
00:01:26,990 --> 00:01:29,840
time you can see how progressively
getting better and better and better

18
00:01:29,840 --> 00:01:33,670
talking a little bit about the
composition first what really caught my

19
00:01:33,670 --> 00:01:40,120
attention was the pool of water below I
love how it fills the frame from left to

20
00:01:40,120 --> 00:01:43,979
right and leads into the shape of the
waterfall and then into the incredible

21
00:01:43,979 --> 00:01:48,840
sky so I had a feeling that if I use a
neutral density filter and added a long

22
00:01:48,840 --> 00:01:53,740
exposure fact that since that water is
cascading towards me that it's going to

23
00:01:53,740 --> 00:01:58,400
create streaky lines and tendrils of
detail so there was a point where the

24
00:01:58,400 --> 00:02:03,020
Sun started to come up and we had
incredible colors and it kind of Pete

25
00:02:03,020 --> 00:02:07,520
and once it started to decline so
usually you'll notice of the colors or

26
00:02:07,520 --> 00:02:11,970
get really vivid you'll start to see
really nice reds oranges and yellows and

27
00:02:11,970 --> 00:02:14,780
then as soon as it starts to fade off
you actually visually notice that those

28
00:02:14,780 --> 00:02:18,590
colors become less saturated this time
of year since its winter time the Sun

29
00:02:18,590 --> 00:02:24,350
moves so slow that it's a gradual
transition so it gets hit its peak sits

30
00:02:24,350 --> 00:02:28,209
there for a little while and then it
starts to gradually decline of big piece

31
00:02:28,209 --> 00:02:31,940
of advice that I like to give to all
photographers is to arrive at your

32
00:02:31,940 --> 00:02:38,070
location as early as possible and this
is for a couple reasons one reason is it

33
00:02:38,070 --> 00:02:41,639
gives you enough time to scout out the
location thoroughly and make sure you

34
00:02:41,639 --> 00:02:46,090
settle on your favorite composition
secondly it gives you time to audition

35
00:02:46,090 --> 00:02:50,350
all of the light as it's changing so I
had no idea that the light was gonna

36
00:02:50,350 --> 00:02:54,230
last as long as it did but I was set up
here and ready to capture it just in

37
00:02:54,230 --> 00:02:59,070
case it was a brief moment in time so
right now if I wanted to do one exposure

38
00:02:59,070 --> 00:03:03,530
and I just hit the camera trigger it
would expose for the foreground and my

39
00:03:03,530 --> 00:03:07,700
sky would be blown out I could change
the settings in camera to expose for the

40
00:03:07,700 --> 00:03:12,540
sky but then my foreground is going to
be really really dark so instead I'm

41
00:03:12,540 --> 00:03:16,510
gonna use a feature in camera called
auto exposure bracketing that's going to

42
00:03:16,510 --> 00:03:21,269
allow me to shoot a regular exposure and
then under exposures and over exposures

43
00:03:21,269 --> 00:03:26,690
exposure bracketing is a technique that
I use in more than 90% of my images

44
00:03:26,690 --> 00:03:30,910
because it allows me to capture any
environment that has a great range of

45
00:03:30,910 --> 00:03:35,169
light so let's take a look at the camera
and let's see exactly how auto exposure

46
00:03:35,169 --> 00:03:39,590
bracketing words some of the press the
bracket button and Sunday tennis right

47
00:03:39,590 --> 00:03:43,660
on the side next to the flash but when I
press that it's gonna ask me what I want

48
00:03:43,660 --> 00:03:48,600
to do in AM and FM dial to the right and
it's going to go from three to five so

49
00:03:48,600 --> 00:03:53,290
basically if i sat at three it'll do one
under and one over this camera has the

50
00:03:53,290 --> 00:03:58,880
option to go all the way to nine which
means for under and for over for this

51
00:03:58,880 --> 00:04:03,900
scene we're just gonna use five which is
two-under and two over now the number in

52
00:04:03,900 --> 00:04:08,090
the upper right knee in stocks right now
at five exposures I have two stops under

53
00:04:08,090 --> 00:04:13,260
and two stops over now you can change
this to actually be two stops or even

54
00:04:13,260 --> 00:04:18,209
three stops you can also bring it down
so do a third of a stop so I like for

55
00:04:18,209 --> 00:04:23,290
most of my scenes just use one . so for
this shot we're going to use five

56
00:04:23,290 --> 00:04:28,139
exposure bracket that's to wander into
over and these are at one stop now of

57
00:04:28,139 --> 00:04:32,310
course I can also do this manually by
toggling the settings in between shots

58
00:04:32,310 --> 00:04:36,280
but auto exposure bracketing does this
automatically for you

59
00:04:36,280 --> 00:04:39,500
one of the reasons I love using auto
exposure bracketing as opposed to doing

60
00:04:39,500 --> 00:04:43,340
everything manually is it prevents me
from having to touch the camera too much

61
00:04:43,340 --> 00:04:47,669
and possibly moving the composition so
let's take a look at the camera now the

62
00:04:47,669 --> 00:04:50,440
first thing I'm going to do is show you
a single exposure

63
00:04:50,440 --> 00:04:54,420
and then I'm gonna show you five
bracketed exposures so now my camera is

64
00:04:54,420 --> 00:04:59,430
set to the basic settings that I usually
use at eight ISO 64 so I'm gonna go

65
00:04:59,430 --> 00:05:03,700
ahead and take a single exposure so as
you can see I have a really nice

66
00:05:03,700 --> 00:05:08,310
composition the foreground is pretty
much correctly exposed the water is a

67
00:05:08,310 --> 00:05:11,280
little bit blown out and when I say
blown out I just mean we're losing a

68
00:05:11,280 --> 00:05:15,160
little bit of those highlights getting
lost in white and clearly you can see

69
00:05:15,160 --> 00:05:20,330
that the sky is way way too bright I'm
gonna need to adjust this exposure in

70
00:05:20,330 --> 00:05:24,240
order to compensate for that so I
decided to change my camera settings

71
00:05:24,240 --> 00:05:28,510
just a little bit by default when you
take exposure brackets and automatically

72
00:05:28,510 --> 00:05:33,670
take the neutral media exposure first
and then an under and over so when you

73
00:05:33,670 --> 00:05:36,960
review these files when you click on
your image preview it will show you the

74
00:05:36,960 --> 00:05:41,660
media exposure and the negative one and
+1 and so on and so on I don't really

75
00:05:41,660 --> 00:05:47,400
like that I change the order so that
it'll take and show me negative 10 and

76
00:05:47,400 --> 00:05:52,140
positive ones so in this case it's gonna
show me negative to negative 10 positive

77
00:05:52,140 --> 00:05:55,080
one and positive to say that I can see
them in order and this is something that

78
00:05:55,080 --> 00:05:58,820
you can change easily in the cameraman
you if you want to change the order of

79
00:05:58,820 --> 00:06:04,060
your exposure brackets you can go into
your menu go down to the custom settings

80
00:06:04,060 --> 00:06:10,130
menu down to bracketing and flash and
then down to bracketing order in this

81
00:06:10,130 --> 00:06:17,460
section you can say under and TR and
over the default is NTR under over now

82
00:06:17,460 --> 00:06:20,890
this is great because we look at our
Lightroom catalog we're gonna have all

結果 (中文) 1:

100:00:14，400--> 00:00:18，670许多瀑布冰岛非常易于访问，但出的培养200:00:18，670--> 00:00:32，790需要多一点点的努力，但它是完全值得300:00:32，790--> 00:00:38，430冰岛北部地方出来他们它是非常非常令人印象深刻的故障400:00:38，430--> 00:00:43，330瀑布你加息下来，当你到底部，它揭示了这个美丽的500:00:43，330--> 00:00:47，930鸿沟和水这大游泳池瀑布拍摄水级联600:00:47，930--> 00:00:49，090向你700:00:49，090--> 00:00:52，780我们在阳光下开始来这儿把右边通过这些美丽800:00:52，780--> 00:00:56，090仍然存在回现在的颜色颜色有被疯了的900:00:56，090--> 00:01:00，300最后一个半小时，其惊人的这早上第一件事时我1000:01:00，300--> 00:01:04，010下来这里是我踅摸了不同我跟随这的制高点1100:01:04，010--> 00:01:08，180岩石的山脊线周围，并试图找出可能的最佳组成1200:01:08，180--> 00:01:12，440一旦这场比赛我和我最喜欢的相机设置1300:01:12，440--> 00:01:16，729其实都没动它约 2小时天空只是被转型1400:01:16，729--> 00:01:20，570它有这么多我想要抓住它非常最好的时刻，让我们看看1500:01:20，570--> 00:01:23，280图像在一天的开始早上第一件事时我1600:01:23，280--> 00:01:26，990第一集起一片天空才刚刚开始让一点点但路线1700:01:26，990--> 00:01:29，840你可以看到如何逐步的时间和更好的越来越好1800:01:29，840--> 00:01:33，670谈了一会儿一下作文第一次真正引起我1900:01:33，670--> 00:01:40，120注意是水的水池下面我爱它如何填充从左到框架2000:01:40，120--> 00:01:43，979右，通向的形状瀑布，然后进入令人难以置信2100:01:43，979--> 00:01:48，840天空让我有种感觉，如果我使用中性密度滤镜和添加长2200:01:48，840--> 00:01:53，740曝光以来，水是事实对我就级联2300:01:53，740--> 00:01:58，400创建五花肉线条和卷须的详细说明所以没有点在哪里2400:01:58，400--> 00:02:03，020太阳来了，我们令人难以置信的颜色和它的皮特2500:02:03，020--> 00:02:07，520一旦它开始下降这样通常，您会注意到的颜色或2600:02:07，520--> 00:02:11，970得到真正生动，你会开始看到真的很好红军橘子和黄色和2700:02:11，970--> 00:02:14，780然后尽快开始褪色你实际上视觉注意到这些2800:02:14，780--> 00:02:18，590颜色变得不那么饱和这一次年以来其冬季时间太阳2900:02:18，590--> 00:02:24，350动作太慢了，它是一个渐进转型期，所以它获取击中其峰值坐3000:02:24，350--> 00:02:28，209有一小会儿，然后它开始逐渐下降的大块3100:02:28，209--> 00:02:31，940我想给所有的建议摄影师是到达你3200:02:31，940--> 00:02:38，070这并尽可能早的位置原因之一是它的几个原因3300:02:38，070--> 00:02:41，639给你足够的时间来侦察位置彻底并确保你3400:02:41，639--> 00:02:46，090解决你最喜欢的作文其次，它给你时间去试镜3500:02:46，090--> 00:02:50，350全部作为它的光改变所以我没想到，光去3600:02:50，350--> 00:02:54，230过去，只要它却建立了在这里，准备捕捉到它只是在3700:02:54，230--> 00:02:59，070情况正是如此短暂的时间现在如果我想要做一次曝光3800:02:59，070--> 00:03:03，530我刚打相机触发它将揭露的前景和我3900:03:03，530--> 00:03:07，700天空会吹我能改变设置在相机以公开为4000:03:07，700--> 00:03:12，540天空，但后来我的前景去是真的很黑，所以我4100:03:12 540--> 00:03:16，510要在相机使用功能要求自动曝光，去4200:03:16，510--> 00:03:21，269请允许我拍摄经常接触和然后根据风险敞口和过度曝光4300:03:21，269--> 00:03:26，690曝光是一种技术，我用在我的图片的 90%以上4400:03:26，690--> 00:03:30，910因为它让我捕获任何有的大范围的环境4500:03:30，910--> 00:03:35，169光让我们看看相机让我们看看究竟如何自动曝光4600:03:35，169--> 00:03:39，590包围曝光词语一些新闻支架按钮和星期天网球正确4700:03:39，590--> 00:03:43，660但是当闪光灯的一侧上我新闻，就要问我想要的什么4800:03:43，660--> 00:03:48，600做在 AM 和 FM 拨向右和它要去三至五所以4900:03:48，600--> 00:03:53，290基本上如果我坐在三个会做一个下一结束这台相机，5000:03:53，290--> 00:03:58，880去到九个，其中的选项手段下，在为此5100:03:58，880--> 00:04:03，900我们只要使用五这是一幕两-下及两个以上在现在的号码5200:04:03，900--> 00:04:08，090股票现在上部的右膝盖在五个曝光我有两个站下5300:04:08，090--> 00:04:13，260和两站，现在你可以改变这实际上是两个停止或甚至5400:04:13，260--> 00:04:18，209您也可以降低它的三个站所以做三分之一的停止，所以我喜欢的5500:04:18，209--> 00:04:23，290大多数我的场景只是使用一个。所以对于这张照片我们要使用五5600:04:23，290--> 00:04:28，139就是游进的曝光支架过去，这些都是在现在的一站式5700:04:28，139--> 00:04:32，310当然也可以通过此手动切换镜头之间设置5800:04:32，310--> 00:04:36，280但自动曝光就是这样自动为你5900:04:36，280--> 00:04:39，500我喜欢使用汽车的原因之一而不做曝光6000:04:39，500--> 00:04:43，340一切都手动是它却阻止了我无需太多触摸相机6100:04:43，340--> 00:04:47，669和可能因此移动组成现在让我们来看看相机6200:04:47，669--> 00:04:50，440我要去做的第一件事是向你展示单一曝光6300:04:50，440--> 00:04:54，420再向您展示五所以，现在我的相机是包围的曝光6400:04:54，420--> 00:04:59，430设置的基本设置，我通常在八个 ISO 64 使用，所以要去6500:04:59，430--> 00:05:03，700前方，并采取单一曝光如此作为你可以看到我真的很好6600:05:03，700--> 00:05:08，310作文的前景很漂亮更正确地被暴露的水是6700:05:08，310--> 00:05:11，280一点点吹灭了，当我说吹灭了我的意思是我们失去了6800:05:11，280--> 00:05:15，160一点点的得到这些亮点在白失去了，你可以清楚地看到6900:05:15，160--> 00:05:20，330天空是方式方法太亮我要调整此曝光中7000:05:20，330--> 00:05:24，240为了弥补这样我决定改变我的相机设置7100:05:24，240--> 00:05:28，510只是一点点，默认情况下当你采取曝光括号和自动7200:05:28，510--> 00:05:33，670采取中立的媒体曝光率第一然后下及以上所以当你7300:05:33，670--> 00:05:36，960当你点击查看这些文件您的图像预览它会告诉你7400:05:36，960--> 00:05:41，660媒体曝光和负一和+ 1 和等等等等我真的不7500:05:41，660--> 00:05:47，400像这样更改顺序以便它会采取和显示我负 10 和7600:05:47，400--> 00:05:52，140积极的所以在这种情况下它去显示我的否定 10 积极7700:05:52，140--> 00:05:55，080一、 积极进取，说，我可以看到他们在秩序和这是什么，7800:05:55，080--> 00:05:58，820您可以轻松地更改中摄影师你如果你想要更改的顺序7900:05:58，820--> 00:06:04，060你可以进入你曝光括号你的菜单往下看的自定义设置8000:06:04，060--> 00:06:10，130包围曝光和 flash 菜单和然后到包围在这个顺序8100:06:10，130--> 00:06:17，460你可以说，在下一节和 TR 和在默认设置下的延续现在已经结束了8200:06:17，460--> 00:06:20，890这是伟大的因为我们看看我们我们要让所有的 Lightroom 目录

結果 (中文) 3:

1
00:00:14400——> 00:00:18670
许多瀑布冰岛人很
容易但福斯特

2
00:00:18670——> 00:00:32790
需要更多一点的努力，但
是完全值得

3
00:00:32790——> 00:00:38430
冰岛北部，他们的
故障很非常令人印象深刻的

4
00:00:38430——> 00:00:43330
瀑布你远足下来，当你
到底它揭示了这个美丽的

5
00:00:43330——> 00:00:47930
鸿沟这个大水池
瀑布拍摄水级联

6
00:00:47930——> 00:00:49090
向你

7
00:00:49090——> 00:00:52780
我们在太阳开始
上过这些美丽的

8
00:00:52780——> 00:00:56090
颜色仍然现在
色彩一直为

9
00:00:56090疯了——> 00:01:00300
最后半小时其惊人的这
早上第一件事，我

10
00:01:00300——> 00:01:04010
来到这里是我在不同的
制高点我种遵循这11


00:01:04010——> 00:01:08180
岩石山脊线四周，试图找出最佳的组合可能


12
00:01:08180——> 00:01:12，440
一旦我建立这个竞争
我最喜欢我的相机，我

13
00:01:12440——> 00:01:16729
实际上没有移动约两
小时天空只是被转化

14
00:01:16729——> 00:01:20570
这么多，我想抓住它的
非常最好的时刻，所以我们要在

15
00:01:20570——> 00:01:23280
在一天的开始
图像看早上第一件事当我

16
00:01:23280——> 00:01:26990
先设置天空才刚刚开始
让一点点，但路线

17
00:01:26990——> 00:01:29840
时间你可以看到如何逐步
越来越好，更好的

18
00:01:29840——> 00:01:33670
谈一点关于
组成第一个真正让我

19
00:01:33670——> 00:01:40120
注意的是水下游泳池我
爱如何填充框从左到

20
00:01:40120——> 00:01:43979
权和引入的
瀑布的形状然后变成不可思议的

21
00:01:43979——> 00:01:48840
天空让我有一种感觉，如果我用
中性密度滤波和增加一个

22
00:01:48840——> 00:01:53740
暴露事实，因为水是
级联对我这将

23
00:01:53740——> 00:01:58400
创建五花线和
细节卷须还有一点，

24
00:01:58400——> 00:02:03020
太阳开始升起来了，我们有
难以置信的颜色，这种皮特

25
00:02:03020——> 00:02:07520
一旦它开始下降，所以
通常你会注意到颜色或

26
00:02:07520——> 00:02:11970
很生动，你会开始看到
非常好的红色橙色和黄色和

27
00:02:11970——> 00:02:14780
然后就开始褪色了
实际上你视觉注意那些

28
00:02:14780——> 00:02:18590
颜色变得不饱和这一次
由于冬季太阳

29
00:02:18590——> 00:02:24350
动作这么慢，这是一个渐进的
年