30900:11:00,910 --> 00:11:03,700we'

309
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we're going to finish off in this

310
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particular lesson even though we've only

311
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covered three

312
00:11:04,899 --> 00:11:09,220
different adjustment layers you can see

313
00:11:07,059 --> 00:11:10,839
just how flexible those are when you

314
00:11:09,220 --> 00:11:12,519
combine them with blending modes I'm

315
00:11:10,839 --> 00:11:14,529
even the hue/saturation we were able to

316
00:11:12,519 --> 00:11:16,569
create something that has like a solid

317
00:11:14,529 --> 00:11:18,639
color layer with gradient map we were

318
00:11:16,569 --> 00:11:20,379
able to create a solid color layer that

319
00:11:18,639 --> 00:11:23,499
is a little more advanced it allows us

320
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to control on more luminosity basis and

321
00:11:23,499 --> 00:11:26,319
obviously in combination with various

322
00:11:24,790 --> 00:11:28,029
blending modes you can do lots of things

323
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with it for something like you

324
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saturation very rarely would you use it

325
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on something other than the normal

326
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blending mode unless you wanted to use

327
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it as a solid color layer with the

328
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colorize option

329
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generally speaking here you kind of want

330
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to just leave it on normal unless you

331
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have a very particular reason why you

332
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want to you know just target a

333
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saturation or Hugh and even then as you

334
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saw in my demonstration it's not really

335
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quite accurate because you know we had

336
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it set the luminosity blending mode and

337
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even though we're changing Hugh

338
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luminosity was still changing our final

339
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image so generally speaking that

340
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particular adjustment layer tends to

341
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stay on

342
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normal so there is those three and we're

343
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going to look at on the next ones are

344
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things like color balance selective

345
00:12:07,029 --> 00:12:11,110
color and then we'll touch on the

346
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channel mixer which personally I don't

347
00:12:11,110 --> 00:12:15,790
tend to use that much but again it's

348
00:12:13,779 --> 00:12:17,829
just another way of doing the same thing

349
00:12:15,790 --> 00:12:19,240
you can do with another tool that's what

350
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we have to look forward to and of course

351
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as promised we're going to look at

352
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framework for you know color grading

353
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what steps do we usually follow the

354
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things we look at first and how it fits

355
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into the context of our entire retouch

356
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so that's will be in the next part and

357
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we'll see you there

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[Music]

結果 (中文) 1:

30900:11:00，910--> 00:11:03，700我们要在这结束31000:11:02，020--> 00:11:04，899特别是课即使我们只31100:11:03，700--> 00:11:07，059包括三项31200:11:04，899--> 00:11:09，220你可以看到不同的调整图层31300:11:07，059--> 00:11:10，839只是如何灵活那些当你31400:11:09，220--> 00:11:12，519结合混合的模式我31500:11:10，839--> 00:11:14，529即使色相/饱和度我们都能31600:11:12，519--> 00:11:16，569创建具有类似固体的东西31700:11:14，529--> 00:11:18，639我们的渐变映射颜色层31800:11:16，569--> 00:11:20，379能够创建一种纯色的那层31900:11:18，639--> 00:11:23，499是有点更先进的信息使得我们32000:11:20，379--> 00:11:24，790在更多的亮度基础上控制和32100:11:23，499--> 00:11:26，319显然在结合各种32200:11:24，790--> 00:11:28，029混合模式您可以做很多事情32300:11:26，319--> 00:11:29，889与它就像你一样32400:11:28，029--> 00:11:31，899饱和度你很少会使用它32500:11:29，889--> 00:11:33，939对不正常的东西32600:11:31，899--> 00:11:35，259除非你想要使用混合模式32700:11:33，939--> 00:11:36，490它作为固体颜色层32800:11:35，259--> 00:11:38，290着色选项32900:11:36，490--> 00:11:40，059一般来说你种在这里33000:11:38，290--> 00:11:41，439要离开它只是在正常的除非你33100:11:40，059--> 00:11:43，449为什么有很特殊的原因你33200:11:41，439--> 00:11:46，600你想知道只是目标33300:11:43，449--> 00:11:48，550饱和或休然后甚至为你33400:11:46，600--> 00:11:50，559看到在这不是真的我示范33500:11:48，550--> 00:11:51，970很准确的因为你知道我们有33600:11:50，559--> 00:11:53，050它设置混合模式的亮度和33700:11:51，970--> 00:11:55，119即使我们改变休33800:11:53，050--> 00:11:56，889光度仍在改变我们的决赛33900:11:55，119--> 00:11:58，600所以一般来说，图像34000:11:56，889--> 00:11:59，470特定的调整图层趋于34100:11:58，600--> 00:12:03，100留在34200:11:59，470--> 00:12:04，569正常是有那些三和我们34300:12:03，100--> 00:12:07，029去看看接下来的是34400:12:04，569--> 00:12:08，529事情像色彩平衡选择性34500:12:07，029--> 00:12:11，110颜色，然后我们就能摸到34600:12:08，529--> 00:12:13，779通道混合器我干什么34700:12:11，110--> 00:12:15，790倾向于使用那么多，但它又是34800:12:13，779--> 00:12:17，829只是另一种方式做同样的事情34900:12:15，790--> 00:12:19，240你可以用另一种工具，它是什么35000:12:17，829--> 00:12:20，470我们要向前看，当然35100:12:19，240--> 00:12:22，809作为承诺我们要看看35200:12:20，470--> 00:12:24，999框架为你知道颜色分级35300:12:22，809--> 00:12:27，370我们通常遵循哪些步骤35400:12:24，999--> 00:12:29，379我们看看第一次和它是如何的事情35500:12:27，370--> 00:12:31，300我们整个的润饰的上下文里，35600:12:29，379--> 00:12:31，880所以这就是将在下一部分中将和35700:12:31，300--> 00:12:43，659我们会看到你那里35800:12:31，880--> 00:12:43，659[音乐]

結果 (中文) 3:

三百零九00:11:00910 --> 00:11:03700我们将在这结束三百一十00:11:02020 --> 00:11:04899特别的教训，即使我们只三百一十一00:11:03700 --> 00:11:07059覆盖三三百一十二00:11:04899 --> 00:11:09220不同的调整层，你可以看到三百一十三00:11:07059 --> 00:11:10839当你的时候是多么的灵活三百一十四00:11:09220 --> 00:11:12519结合他们与混合模式我三百一十五00:11:10839 --> 00:11:14529即使是色调/饱和度，我们能够三百一十六00:11:12519 --> 00:11:16569创造一种有如固体的东西三百一十七00:11:14529 --> 00:11:18639彩色层与梯度图我们是三百一十八00:11:16569 --> 00:11:20379能够创建一个坚实的颜色层三百一十九00:11:18639 --> 00:11:23499是有点更先进，它允许我们三百二十00:11:20379 --> 00:11:24790要控制更多的亮度的基础和三百二十一00:11:23499 --> 00:11:26319明显结合各种三百二十二00:11:24790 --> 00:11:28029混合模式，你可以做很多事情三百二十三00:11:26319 --> 00:11:29889有了你这样的东西三百二十四00:11:28029 --> 00:11:31899饱和度非常少，你会用它吗三百二十五00:11:29889 --> 00:11:33939在其他的东西比正常三百二十六00:11:31899 --> 00:11:35259混合模式，除非你想使用三百二十七00:11:33939 --> 00:11:36490它作为一个坚实的颜色层三百二十八00:11:35259 --> 00:11:38290着色选项三百二十九00:11:36490 --> 00:11:40059一般来说在这里你有一种想要的三百三十00:11:38290 --> 00:11:41439只是离开它在正常，除非你三百三十一00:11:40059 --> 00:11:43449有一个非常特别的原因，为什么你三百三十二00:11:41439 --> 00:11:46600想你知道只是目标三百三十三00:11:43449 --> 00:11:48550饱和度或休米，甚至像你一样三百三十四00:11:46600 --> 00:11:50559在我的演示中看到它不是真的三百三十五00:11:48550 --> 00:11:51970很准确，因为你知道我们有三百三十六00:11:50559 --> 00:11:53050它设置光度混合模式和三百三十七00:11:51970 --> 00:11:55119即使我们正在改变休米三百三十八00:11:53050 --> 00:11:56889光度仍然在改变我们的最终三百三十九00:11:55119 --> 00:11:58600图像，所以一般来说三百四十00:11:56889 --> 00:11:59470特别调整层倾向于三百四十一00:11:58600 --> 00:12:03100停留在三百四十二00:11:59470 --> 00:12:04569正常，所以有这三个和我们三百四十三00:12:03100 --> 00:12:07029要看下一个是三百四十四00:12:04569 --> 00:12:08529颜色平衡的选择三百四十五00:12:07029 --> 00:12:11110颜色，然后我们将触摸三百四十六00:12:08529 --> 00:12:13779我个人我不的频道混合器三百四十七00:12:11110 --> 00:12:15790倾向于使用那么多，但它的三百四十八00:12:13779 --> 00:12:17829只是另一种方式做同样的事情三百四十九00:12:15790 --> 00:12:19240你可以用另一个工具来做三百五十00:12:17829 --> 00:12:20470我们必须期待和当然三百五十一00:12:19240 --> 00:12:22809正如所承诺的，我们要去看三百五十二00:12:20470 --> 00:12:24999你知道颜色分级的框架三百五十三00:12:22809 --> 00:12:27370我们通常遵循什么步骤三百五十四00:12:24999 --> 00:12:29379我们首先看的东西和它是如何适合的三百五十五00:12:27370 --> 00:12:31300在我们的整个上下文润饰三百五十六00:12:29379 --> 00:12:31880因此，这将是在下一部分和三百五十七00:12:31300 --> 00:12:43659我们会在那里看到你三百五十八00:12:31880 --> 00:12:43659[音乐]