100:00:00,430 --> 00:00:05,129doubl

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00:00:00,430 --> 00:00:05,129
double subject of sharpening images an
area that is really outside the scope of

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00:00:05,129 --> 00:00:10,470
this course but if you want to educate
yourself about what sharpening is how it

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operates from a technical standpoint
that I would like to refer you to the

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lynda.com course by Chris Orwig entitled
photoshop cs3 for photographers

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sharpening he will explain what
sharpening his and all the different

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ways of doing it went to do it when not
to do it now having said that the issue

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of sharpening is a very subjective
issues so I have my take on it chris has

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is and hopefully between the two of us I
think you'll arrive at least with a full

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understanding of what sharpening his and
when and when not to do it so let's go

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ahead and navigate to capture one and we
have this excellent picture of Kelly and

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I love this image and I'm going to just
go ahead and white balance this cuz it's

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like fingernails on a chalkboard look at
it the way it is okay that's much better

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for now but you can obviously see this
image is not in focus can confirm that

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if we look at a hundred percent
magnification definitely not in focus

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that's what's called camera shake let's
go back to full view now

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sharpening at this point in the process
is really contrary to my theories on the

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sharpening process basically less is
more

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now as you look at an image on a
computer screen and you add sharpening

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when it appears on the computer screen
it looks great when you go to print an

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image that you've applied it that much
sharpening on it looks horrible so you

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always have to strike a balance about
number one win to sharpen number two

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what image to sharpen on alert when
you're wasting your time and when you

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can really improve an image with
sharpening and then we're in the process

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to apply all of those things now I love
this shot of Kelly so I want to try to

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make it work as best I possibly can I
don't think this is going to be a

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subject for a print but for use on the
internet I think that it would work so

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let's go ahead with a two-step
sharpening process and show you how we

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00:02:03,020 --> 00:02:04,979
would improve this image

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gonna go up here to the Details tab on
the tools bar come down to sharpening a

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nurse three sliders here now the top
slider

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is how much sharpening is going to be
done

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the radius slider tells us how many
pixels adjacent to each other this

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effect is going to apply to so in this
case point eight that's the defaults

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saying I'm gonna go ahead and change the
store on because I think that actually

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00:02:31,500 --> 00:02:33,560
works better now

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00:02:33,560 --> 00:02:37,820
a hundred and eighty on one pixel with a
threshold and one that's a weird

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combination of sharpening settings at
least for this image now

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threshold is little bit more difficult
to quantify and explain the drop down

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00:02:46,710 --> 00:02:50,830
explanation on the slider says
sharpening determines the lower

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00:02:50,830 --> 00:02:54,510
threshold or no sharpening his before my
doesn't tell you anything

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00:02:54,510 --> 00:02:59,530
threshold means how many pixels out from
a given brightness level does the effect

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00:02:59,530 --> 00:03:02,780
of sharpening want to apply itself and
again you can get a greater

43
00:03:02,780 --> 00:03:06,750
understanding of these technical issues
of sharpening when you look at Chris or

44
00:03:06,750 --> 00:03:12,470
wigs course in lynda.com but we're gonna
leave the threshold alone because one is

45
00:03:12,470 --> 00:03:14,690
pretty good but on this image

46
00:03:14,690 --> 00:03:19,050
keep in mind this is a high-resolution
very large image and we need a lot of

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00:03:19,050 --> 00:03:22,450
sharpening in other words the settings
need to be higher on this portion of the

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00:03:22,450 --> 00:03:26,120
image that it does when you're finished
with the JPEG so I'm gonna change the

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00:03:26,120 --> 00:03:32,860
radius actually 23 and we don't see very
much a change it again before now the

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00:03:32,860 --> 00:03:36,080
reasons read right there is because the
program is telling you that's a very

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00:03:36,080 --> 00:03:40,269
high member and you do be careful when
you're doing it so it's just kind of a

52
00:03:40,269 --> 00:03:46,220
warning but I don't care what I want to
do so again enter the figure manually or

53
00:03:46,220 --> 00:03:53,480
we can use the slider to do the radius
and then the amount watch what happens

54
00:03:53,480 --> 00:03:59,010
when I really crank this amount now the
images looking sharper on the computer

55
00:03:59,010 --> 00:04:04,500
screen but when you print this is gonna
look bad so I would say go to radio 2 in

56
00:04:04,500 --> 00:04:11,690
the amount would be normally not more
than 200 100 to 200 as we're gonna be

57
00:04:11,690 --> 00:04:15,770
almost images on this one that severely
out

58
00:04:15,770 --> 00:04:20,690
not afraid to come up to like 430
shoulders worn out when your threshold

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00:04:20,690 --> 00:04:25,500
is one or two that eliminates sharpening
the noise if your threshold is zero

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00:04:25,500 --> 00:04:28,580
point zero you going to sharpen the
image but you're also going to sharpen

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00:04:28,580 --> 00:04:32,560
the noise which is what you don't want
to do it so let's go into a hundred

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00:04:32,560 --> 00:04:36,800
percent magnification on this and look
at her eyes that we can see better what

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00:04:36,800 --> 00:04:41,600
we're doing so if we go all the way back
to nothing

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00:04:41,600 --> 00:04:47,720
this is how the image looks through
gonna go to a radius of to watch what

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00:04:47,720 --> 00:04:53,750
happens when we slide this amount if we
go all the way here that's degrading the

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00:04:53,750 --> 00:04:58,520
image thing you have to do is kinda
decide for yourself and against all this

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00:04:58,520 --> 00:05:03,590
is subjective decide for yourself where
the image looks best and go from there

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00:05:03,590 --> 00:05:07,320
now you're not looking for perfection at
this point this is the first of a two

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00:05:07,320 --> 00:05:09,870
stage process and sharpening this image

70
00:05:09,870 --> 00:05:13,730
normally the rule of thumb is you never
sharpened until you get to the very last

71
00:05:13,730 --> 00:05:18,690
step in your process meaning you've
resized a new crop the image it's ready

72
00:05:18,690 --> 00:05:21,870
to go on the internet the last thing you
do before you send it on the internet is

73
00:05:21,870 --> 00:05:26,760
to sharpen the image so we're going to
sharpen it once here and let's go back

74
00:05:26,760 --> 00:05:32,310
to full view and that is a definite
improvement then when we resize the

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00:05:32,310 --> 00:05:36,260
image for the internet we're going to
sharpen it again and I think at that

76
00:05:36,260 --> 00:05:40,530
point if you do it very very carefully
you'll see that you'll end up with a

77
00:05:40,530 --> 00:05:45,620
very usable image for the internet again
you're not going to print this very easy

78
00:05:45,620 --> 00:05:50,650
to use for the internet so sharpening in
capture one should be viewed as the

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00:05:50,650 --> 00:05:55,220
beginning of a two-step process actually
sharpening isn't done at the high

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00:05:55,220 --> 00:06:00,560
resolution to earth level it's always
done as the finished product now I

81
00:06:00,560 --> 00:06:06,560
strongly believe that you don't sharpen
your image until the very very in you

82
00:06:06,560 --> 00:06:11,470
never sharpened high resolution image
and then resize it up and then again in

83
00:06:11,470 --> 00:06:15,169
most cases where you have a properly
focused image you gonna do nothing but

84
00:06:15,169 --> 00:06:19,550
destroy the image and you never sharpen
an image that you're going to print

85
00:06:19,550 --> 00:06:24,210
again are you gonna do is destroy the
image trust me this is the voice of

86
00:06:24,210 --> 00:06:29,009
experience speaking the best frame of
mind again anytime you approach this

87
00:06:29,009 --> 00:06:34,259
sharpening is less is more to keep that
in mind you'll never do damage to your

88
00:06:34,259 --> 00:06:38,210
image so although sharpening is not one
of the primary functions its you want to

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00:06:38,210 --> 00:06:42,689
use within capture one it can help you
recover a marginal image very quickly

結果 (中文) 1:

100:00:00，430--> 00:00:05，129双主体的锐化图像真的是范围以外的地区200:00:05，129--> 00:00:10，470这门课，但如果你想要教育别为我操心什么锐化是如何它300:00:10，470--> 00:00:14，230从技术的角度看经营我想你转介给400:00:14，230--> 00:00:18，690Chris Orwig 窍门视频教程课程题为photoshop cs3 的摄影师500:00:18，690--> 00:00:23，130锐化他会解释什么锐化他和所有不同600:00:23，130--> 00:00:27，170做这件事的方式去做它时不做它现在已经说了，这一问题700:00:27，170--> 00:00:32，599锐化是非常主观的问题，所以我有我拿它克里斯已800:00:32，599--> 00:00:36，730是和希望之间我们两个我认为你会到达至少与一个充满900:00:36，730--> 00:00:40，000了解什么锐化他和时候，什么时候不去做，所以让我们去1000:00:40，000--> 00:00:45，050前方和导航来捕获一个和我们凯利优秀照片中有和1100:00:45，050--> 00:00:51，010我爱这个形象，我只要去去前面和白平衡这因为它了1200:00:51，010--> 00:00:54，079像在看黑板上的指甲它是好的方式，要好得多1300:00:54，079--> 00:01:00，550但你现在可以明显看到这图像不是在焦点可以确认1400:01:00，550--> 00:01:04，350如果我们看看百分百绝对不是在焦点放大1500:01:04，350--> 00:01:09，270这就是我们所谓的相机抖动现在返回到完整视图1600:01:09，270--> 00:01:16，360在此过程中的点锐化是不是真的与我的理论相反1700:01:16，360--> 00:01:20，920磨刀的过程基本上较少更多1800:01:20，920--> 00:01:24，689现在当你看一张图片电脑屏幕和你添加锐化1900:01:24，689--> 00:01:29，049当它出现在计算机屏幕上当你去打印的时候看起来很帅。2000:01:29，049--> 00:01:33，380你申请了它的形象那么多锐化上它看起来可怕所以你2100:01:33，380--> 00:01:37，369总是要平衡有关第一赢来锐化二号2200:01:37，369--> 00:01:41，080要锐化的图像上时的报警你在浪费你的时间，当你2300:01:41，080--> 00:01:44，299真的可以改善的形象锐化然后我们就在过程中2400:01:44，299--> 00:01:49，939要应用所有这些东西现在对我的爱所以我想要尝试对凯利这个镜头2500:01:49，939--> 00:01:54，320使它工作尽我所能我不要认为这要2600:01:54，320--> 00:01:59，409主题用于打印，而是用于我认为它会工作这样的互联网2700:01:59，409--> 00:02:03，020与两步吧磨刀的过程和为您展示我们2800:02:03，020--> 00:02:04，979将改善这个形象2900:02:04，979--> 00:02:09，679去这里详细信息选项卡下来到锐化工具栏3000:02:09，679--> 00:02:13，830护士有三个滑块在这里现在顶部滑块3100:02:13，830--> 00:02:18，010是多少锐化要完成3200:02:18，010--> 00:02:23，660半径滑块告诉我们多少向对方这相邻的像素3300:02:23，660--> 00:02:28，340申请去影响到所以在这案例点八是默认值3400:02:28，340--> 00:02:31，500说我要去继续并且改变因为我认为，实际上在上存储3500:02:31，500--> 00:02:33，560现在更好的作品3600:02:33，560--> 00:02:37，820八百八十名上与一个像素阈值和一种怪异3700:02:37，820--> 00:02:41，730在锐化设置的组合至少现在这个图像3800:02:41，730--> 00:02:46，710阈值是一点点更难量化和解释滴下来3900:02:46，710--> 00:02:50，830在滑块上的解释说锐化确定低4000:02:50，830--> 00:02:54，510阈值或没有锐化他之前我不会告诉你任何东西4100:02:54，510--> 00:02:59，530阈值是指从出多少像素一个给定的亮度水平有没有效果4200:02:59，530--> 00:03:02，780锐化想应用本身的和再次，你可以得到更多4300:03:02，780--> 00:03:06，750理解这些技术的问题锐化时你看看 Chris 或4400:03:06，750--> 00:03:12，470假发当然在窍门视频教程，但我们要去孤独的因为一个是离开阈值4500:03:12，470--> 00:03:14，690很好，但在这个图像上4600:03:14，690--> 00:03:19，050保持在心目中，这是高分辨率非常大的图像，我们需要很多的4700:03:19，050--> 00:03:22，450换句话说锐化设置必须要对这部分的更高4800:03:22，450--> 00:03:26，120这样当你完成的图像与 JPEG 所以我要去改变4900:03:26，120--> 00:03:32，860其实 23 半径，我们没有看到很多改变它之前现在再次5000:03:32，860--> 00:03:36，080原因读对了还有因为程序告诉你这就是非常5100:03:36，080--> 00:03:40，269高成员和你做时要小心你正在做它，所以它只是种5200:03:40，269--> 00:03:46，220警告，但是不在乎我想去所以再次手动输入数字或5300:03:46，220--> 00:03:53，480我们可以使用滑块来做半径然后量看看会发生什么5400:03:53，480--> 00:03:59，010当我真的曲柄这一数额现在看起来更清晰的计算机上的图像5500:03:59，010--> 00:04:04，500屏幕，但这在打印时去所以我想说不好看去电台 25600:04:04，500--> 00:04:11，690数额通常不会是更多比 200 100 到 200 作为我们要5700:04:11，690--> 00:04:15，770几乎映像这一严重出5800:04:15 770--> 00:04:20，690不敢拿出来像 430肩膀筋疲力尽时您的阈值5900:04:20，690--> 00:04:25，500是一个或两个，消除了锐化如果您的门槛是零噪音6000:04:25，500--> 00:04:28，580点零你要锐化图像，但你也要锐化6100:04:28，580--> 00:04:32，560噪声是你不想要什么这样做，让我们进入百6200:04:32，560--> 00:04:36，800对此百分比放大和看在她的眼睛，我们可以看得更清楚什么6300:04:36，800--> 00:04:41，600我们这样做，如果我们回去的路上无关6400:04:41，600--> 00:04:47，720这是图像的外观要到半径的去看什么6500:04:47，720--> 00:04:53，750当我们滑这一数额，如果我们去那有辱人格的方式6600:04:53，750--> 00:04:58，520图像你要做的事情是有点决定为自己及反对所有这6700:04:58，520--> 00:05:03，590是主观决定自己在哪里图像看起来最好从那里6800:05:03，590--> 00:05:07，320现在你不看在完美这一点，这是两个第一6900:05:07，320--> 00:05:09，870阶段的过程和锐化这幅图像7000:05:09，870--> 00:05:13，730通常的经验法则是你永远不会削尖一直走到最后7100:05:13，730--> 00:05:18，690你意思你的过程中的步骤调整大小新作物的映像，它已准备就绪7200:05:18，690--> 00:05:21，870去网上的最后一件事你做之前你发送它在互联网上是7300:05:21，870--> 00:05:26，760来锐化图像，所以我们要去磨它一旦在这里和我们回去吧7400:05:26，760--> 00:05:32，310全视图和即明确改进，然后当我们调整大小7500:05:32，310--> 00:05:36，260我们要去上网图像再磨它，我认为在那7600:05:36，260--> 00:05:40，530如果你非常非常认真地做它的点你会看到，到头来你会与7700:05:40，530--> 00:05:45，620非常有用的图像再次上网你不会打印这很容易7800:05:45，620--> 00:05:50，650使用互联网，所以在锐化捕获一个应被看作是7900:05:50，650--> 00:05:55，220其实开始的一个两步过程锐化不是做在高8000:05:55，220--> 00:06:00，560决议对地球水平总是作为成品现在做我8100:06:00，560--> 00:06:06，560坚信你不锐化直到你的形象非常非常的你8200:06:06，560--> 00:06:11，470永远不会削尖的高分辨率图像然后调整其大小，然后再在8300:06:11，470--> 00:06:15，169大多数情况下，有的地方正确聚焦图像你要什么都不做，但8400:06:15，169--> 00:06:19，550破坏公司的形象和你永远不会提高你要打印的图像8500:06:19，550--> 00:06:24，210再次是你会怎么做摧毁图像相信我这是的声音8600:06:24，210--> 00:06:29，009发言的最佳帧的经验每当你走近这再介意8700:06:29，009--> 00:06:34，259锐化是少即是多得记住在介意你再也不会伤害到你8800:06:34，259--> 00:06:38，210图像这样虽然锐化不是主要功能是你想要8900:06:38，210--> 00:06:42，689使用内捕获一个它可以帮助你很快恢复边际的映像

結果 (中文) 3:

1
00:00:00430——> 00:00:05129
锐化图像的
地区双主体，是真的在

2
00:00:05129范围——> 00:00:10470
本课程如果你想教育
自己什么锐化是如何

3
00:00:10470——> 00:00:14230
操作从技术的角度来看，我
想把你的

4
00:00:14230——> 00:00:18690
琳达。COM由克里斯Orwig权
PS图象处理软件CS3摄影师

5
00:00:18690——> 00:00:23130
锐化他将解释什么
削和所有不同的

6
00:00:23130——>做00:00:27170
方式去做时，不
做现在说的问题

7
00:00:27170——> 00:00:32599
锐化是一个非常主观的问题，所以我有我
看克里斯

8
00：00:32599——> 00:00:36730
是希望我们两个我
之间想你会到达至少满9


00:00:36730——> 00:00:40000
了解削和
什么时候做，让我们去

10
00:00:40000——> 00:00:45050
继续浏览捕获一个我们
拥有出色的画面和
凯利
11
00:00:45050——> 00:00:51010
我爱这个形象，我只想
去白平衡这个因为它

12
00:00:51010——> 00:00:54079
像指甲在黑板上看
这样是好的，是很好的

13
00:00:54079——> 00:01:00550
现在但你可以明显看到这个
图像不够清晰可以确认

14
00:01:00550——> 00:01:04350
如果我们看百分之一百
放大绝对不是重点

15
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这就是相机的抖动让我们
回到全视图现在

16
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锐化过程中在这一点上
真是出乎我的
理论
17
00:01:16360——> 00:01:20920
锐化过程基本上不
更

18
00:01:20920——> 00:01:24689
现在你看看一个
图像电脑屏幕和你添加锐化

19
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当它出现在电脑屏幕
看起来伟大的当你去打印

20
00:01:29049——> 00:01:33380
图像，你申请那么多
锐化看起来可怕所以你

21
00:01:33380——> 00:01:37369
总是走一
头号平衡赢得磨二号

22
00:01:37369——> 00:01：41080
什么图像锐化
警报当你浪费你的时间和你

23
00:01:41080——> 00:01:44299
真的可以提高图像
锐化然后我们在过程

24
00:01:44299——> 00:01:49939
将所有这些东西，现在我爱
这个镜头凯莉所以我想尝试

25
00:01:49939——> 00:01:54320
使它工作，尽我所能
不要以为这会是一个

26
00:01:54320——> 00:01:59409
主题打印但用在
互联网我认为它会工作，

27
00:01:59409——> 00:02:03020
咱们走两步
锐化过程，向您展示我们如何

28
00:02:03020——> 00:02:04979
会改善这一形象

29
00:02:04979——> 00:02:09679
会到这里来
详细信息选项卡工具条来削

30
00:02:09679——> 00:02:13830
护士三个滑块在这里顶
滑块

31
00:02:13830——> 00:02:18010
多少锐化会
做

32
00:02:18010——> 00:02:23660
半径滑块，告诉我们有多少
相邻像素对方这

33
00:02:23660——> 00:02:28340
效果是要适用于这样的