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when working on photos the Commons
things that people are doing is they're
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adjusting exposure contrast color things
like that but they're sometimes elements
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within an image that you really just
don't want their and that's the case
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with our example right here we've got
Jeremy who's playing his guitar in the
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Park in San Francisco San Diego now that
I think about but anyways not a bad
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image but let's say we wanted to remove
a couple of elements that allowed us to
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focus more so on
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jeremy is a look at the image I see that
we've got some kind of cop right over
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here on the side and maybe even this
frisbee well I'm gonna go ahead and do
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so using the closed down to let me give
you a couple of techniques as to you how
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you can clone or get rid of an element
more efficiently
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now a lot of times when you are removing
an element you have your your borrowing
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from one portion of an image to another
and that's where you kind of sometimes
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have to you take your photographers had
often put your illustrators had on now
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in this case what I wanna do I want to
get rid of this cop right down here and
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you see this little strong right here in
the cop and the frisbee and honestly
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these are going to be a little forgiving
but there's a couple things you need to
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be aware of and I say forgiving because
we could we've got this great open area
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right over here that we can clone from
but here's a couple of ways in which you
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can get rid of unwanted elements I'm
gonna create a new layer by clicking on
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the new layer icon within the Layers
panel I've got my selection of the
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closed after all and you'll notice that
if I have my cursor over here in this
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green area you see it got this kind of
soft at one of the key things you want
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to do when you're cloning from one
portion of the image to another if you
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want to match the match the depth of
field where the softness of the area
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that you're cloning so right now the
background is fairly odd focuses of pre
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shallow depth of field but to clean up
this cop right over here you'll see that
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the depth of field where this guitar
strap and the edge of his jeans is
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fairly sharp so what you want to do is
you want to adjust the hardness of your
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brush to match where you're cloning so
here's what I mean right now I've got a
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very large soft round brush I'm gonna
hold down my option or alt button key on
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my keyboard I'm going to tap over here
in this clean area and then let's come
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right over here
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zoom in and you can see I've got this
really nice feature
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what version of Photoshop this is
introduced but this is visibility at the
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cursor you can kind of see where I'm
going to start cloning once I touch my
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pen to the talent as you can see it's a
fairly soft fairly soft edge so if I
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started climbing over here like this
with this brush obviously I'm going to
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paint over the guitar strap machines
that's not good I wanna get a smaller
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brush so I'm going to click on the icon
right here at the top this is going to
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allow me to adjust the size of my brush
based on pen pressure but at the same
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time I still need a softer brush some
hold the Shift key down in a min use my
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left or right bracket keys to increase
or decrease their hardness of the brush
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in 25 per cent increments if we look at
the brush Hill for a moment and if I had
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a brush if I had brush tip shape
selected you can see that we've got this
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hardness sitting right here as I hold
the Shift key down and click left or
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right you can see a movie this out the
way you can see that the hardness of the
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brush is bumping up or down in 25 per
cent increments you could of course dial
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it in exactly or more precisely by going
in here and dragging down but typically
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I find that going in 25 per cent
increments works pretty well so hard
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edge brush and I'm going back off and
make it about 75% I'm gonna get a
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smaller brush using the touch ring on my
tablet and I'm just going to tap right
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up here and I'ma start to paint and draw
right around the edge now again
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lot of times people would make some
complex selections here but that's the
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beauty of being able to take advantage
of pressure sensitivity what I'm doing
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is I'm adjusting the size of that
brushed based on how hard I press my pen
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to the tablet so as I get close to the
edges I'm gonna lighten up the touch of
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my pen and i got a really fine line as I
press a little bit harder it's going to
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get it going to expand to the with the
maxim with that brush which in this case
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is a fairly large you can see that the
circle around the cursor there we go
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I'm just gonna paint that out again this
is fairly forgiving because the we have
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a really nice big patch really nice big
patch of grass over on the left so let's
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see here we can just get a little bit
there and I could go over this entire
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image but I'm actually gonna use a cup
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different techniques here I'm going to
assume back out you can see the part of
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the cup right there and we need to clean
this area operate overseer just like
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that we could probably go right about
there and then I might lighten up or
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lessen the hardness of the brush so it's
a little more forgiving and again
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because it's a fairly shallow depth of
field it'll work all rights and now that
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we've got that i'm gonna switch tools
I'm gonna jump over to the healing
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brushed and hit the J key on the
keyboard that's going to select d this
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case it was a spot Healing Brush
incidentally I've been using the spot
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Healing Brush the Healing Brush very
similar to the spot Healing Brush but
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what the Healing Brush does it requires
you to select a source point and we
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could do so let's just do so for the
sake of argument I'm gonna hold on my
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option all key and I'm going to happen
this kind of clear open area of grass
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and now I'm just going to paint over the
straw and just see how well that does I
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did a pretty good job again when you're
healing and grass it's pretty forgiving
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but now we've got rid of that cop and
it's not a distraction it really focuses
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more so on Jeremy right here for the
sake of time spent a whole lot of time
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on this
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frisbee right here I think you kind of
get the point but I'm just going to