100:00:25,350 --> 00:00:30,520car c

1
00:00:25,350 --> 00:00:30,520
car crash image and it done a little
walk through the approval from the

2
00:00:30,520 --> 00:00:34,390
Ranger on the spots where we wanted to
be that we looked at the other day the

3
00:00:34,390 --> 00:00:38,890
icon of an interesting morning and that
we had some equipment missing I think

4
00:00:38,890 --> 00:00:43,730
their contractors might have taken some
more care but try to rectify that

5
00:00:43,730 --> 00:00:47,220
heading out to get a new generators we
can maybe get that going down here and

6
00:00:47,220 --> 00:00:50,280
popular smoke in there in that
atmosphere that I talked about in the

7
00:00:50,280 --> 00:00:58,339
pre-production to this we have beautiful
overcast foggy morning which will help

8
00:00:58,339 --> 00:01:03,920
us out a lot but I thought we would do
is to come in early before the Sun came

9
00:01:03,920 --> 00:01:08,150
up then if you had to put this silks
across but now we have a silken this guy

10
00:01:08,150 --> 00:01:12,229
in the overcast day so I just got a
little strapped to her and then that's

11
00:01:12,229 --> 00:01:19,100
it also had a quick chat with the hair
and makeup and wardrobe about the story

12
00:01:19,100 --> 00:01:24,090
and what we want the girl to feel like
obviously she's not all just pretty and

13
00:01:24,090 --> 00:01:28,140
dolled up just crashed her car you know
there's gotta be something that shows

14
00:01:28,140 --> 00:01:32,750
that she is disabled distressed you know
common there towards the camera so

15
00:01:32,750 --> 00:01:38,270
they're gonna go up a bit maybe get some
dirt very having several dresses one

16
00:01:38,270 --> 00:01:42,119
option is for this scene right here is
gonna walk through the water then should

17
00:01:42,119 --> 00:01:46,409
the car later today she gonna be sitting
on it so we have different outfits for

18
00:01:46,409 --> 00:01:49,509
this so we're gonna make so much so that
will be using here is address that you

19
00:01:49,509 --> 00:01:55,240
can actually get dirty and you know tear
up a little bit more clarity so that's

20
00:01:55,240 --> 00:01:56,890
our agenda for this morning

21
00:01:56,890 --> 00:02:02,549
think everything is here now is just to
get this thing going and create

22
00:02:02,549 --> 00:02:18,270
something good

23
00:02:18,270 --> 00:02:29,250
and then forwarded behind this in front
of this jury as well

24
00:02:29,250 --> 00:02:41,580
little bit further to the camera right
yeah who hire beautiful thank you sir

25
00:02:41,580 --> 00:02:45,980
so the reason for us putting these white
cardboard behind these trees is that

26
00:02:45,980 --> 00:02:49,410
they want their car to go there and it's
going to be hard to cut a leaf by leaf

27
00:02:49,410 --> 00:02:53,940
if I want to leave the car behind it so
we're putting the white there so I can

28
00:02:53,940 --> 00:02:58,550
make it easy selection and mass the tree
out and then sort of insert a car behind

29
00:02:58,550 --> 00:03:01,720
it that's why we're doing what we're
doing we're going to be doing this

30
00:03:01,720 --> 00:03:05,550
several times today as the light changes
a bit but that's the process of helping

31
00:03:05,550 --> 00:03:09,290
me knowing first by the corresponding
also helping us to place the car

32
00:03:09,290 --> 00:03:31,000
beautifully into the trees

33
00:03:31,000 --> 00:03:39,120
I think I'm ready for some test shots
742 gonna go get a lovely lady and do

34
00:03:39,120 --> 00:03:44,260
some test shots

35
00:03:44,260 --> 00:03:47,810
pretty close all the cruise down here
and get into the part where I really

36
00:03:47,810 --> 00:03:52,310
start crafting the pictures this is the
part I truly truly enjoy and get the

37
00:03:52,310 --> 00:03:56,830
talent on satin be created a backplate
done some parts and pieces and now it's

38
00:03:56,830 --> 00:04:01,720
really getting into the nitty-gritty of
it getting the emotions the tile and all

39
00:04:01,720 --> 00:04:59,849
that stuff they really makes for the
photograph ok let me see

40
00:04:59,849 --> 00:05:12,099
and you know there's a balance their
leave something a little bit I don't go

41
00:05:12,099 --> 00:05:17,659
too long exposure is also on the depth
of field you know holds her as she comes

42
00:05:17,659 --> 00:05:21,979
walking to me the focus is to right at
the water's edge and I wanted to sort of

43
00:05:21,979 --> 00:05:26,199
start mid-way their incomes walking
towards me so that's why I'm not trying

44
00:05:26,199 --> 00:05:31,909
to give myself that depth of field so
that I have some sharp space between

45
00:05:31,909 --> 00:05:35,389
foreground and background I could put
her in this will be a little bit more

46
00:05:35,389 --> 00:05:38,839
fluid when it comes to the composite she
won't be static she'll be walking so

47
00:05:38,839 --> 00:05:42,689
it's important for me to have some depth
of field so as I say this might actually

48
00:05:42,689 --> 00:05:48,089
do a little sharper frames here will go
down to maybe a second of the Leafs will

49
00:05:48,089 --> 00:05:55,360
be still enough and we go at 16 and with
a wide lens that should give me enough

50
00:05:55,360 --> 00:06:04,219
depth of field appeared beautifully in
there also do a composite plate so I

51
00:06:04,219 --> 00:06:09,369
wanna measured on a measure this and
then I wanna go down there to make sure

52
00:06:09,369 --> 00:06:22,460
we thought it in the water to get to
call it is now

53
00:06:22,460 --> 00:06:36,400
you want sandals right in there so that
the shallow sand bar that's here just

54
00:06:36,400 --> 00:06:42,530
start sixth seventh eighth in and then
you can walk into before you step in on

55
00:06:42,530 --> 00:06:50,800
let's do a light test we can just get to
know the exposures and other stuff

56
00:06:50,800 --> 00:07:03,110
before you get in and I'll probably go
hand held on this to be honest I don't

57
00:07:03,110 --> 00:07:21,169
follow her so

58
00:07:21,169 --> 00:07:33,300
that ok so try to further in that way
and see what happens

59
00:07:33,300 --> 00:07:38,379
Andy Mackay Anamika that's better

60
00:07:38,379 --> 00:07:57,060
Anamika alright get nail polish and the
toes for me to say right keep on going

61
00:07:57,060 --> 00:08:09,660
out there

62
00:08:09,660 --> 00:08:23,790
I was painful and just try to channel it
into the expressions right of the car

63
00:08:23,790 --> 00:08:34,030
crash so you can use that in a way that
you act this out to be like the jacket

64
00:08:34,030 --> 00:08:51,210
and ok and I would shoot it up a bit
just held it up a little bit from

65
00:08:51,210 --> 00:09:03,060
everywhere so I wouldn't look in the
camera just look after this is a small

66
00:09:03,060 --> 00:09:06,330
step that way and then you walked all
the way towards fans here she said

67
00:09:06,330 --> 00:09:12,340
target and you gotta try to put your
mind to it yes or the body Lang yes body

68
00:09:12,340 --> 00:09:18,590
language and everything is behind you so
you the story is that you live in the

69
00:09:18,590 --> 00:09:21,790
car getting out of it right you coming
this way

70
00:09:21,790 --> 00:09:37,200
beautiful just crashed anything that you
can do to sort of put your mind to the

71
00:09:37,200 --> 00:09:42,530
car crash and to give you the broader
picture it's kind of a love story

72
00:09:42,530 --> 00:09:46,520
because another picture with people like
talking together in the next scene is

73
00:09:46,520 --> 00:09:52,830
this where you sort of taken office gave
crashed another car you can bring all

74
00:09:52,830 --> 00:09:56,490
that to think about some heartbreaker
something right on top of being car

75
00:09:56,490 --> 00:09:58,640
crashed and see if we could just

結果 (中文) 1:

100:00:25，350--> 00:00:30，520汽车碰撞图像和它做了一些走过的批准200:00:30，520--> 00:00:34，390游侠的地点，我们想去的地方是我们望其他天300:00:34，390--> 00:00:38，890图标的一个有趣的早晨，我们有一些设备，缺少我认为400:00:38，890--> 00:00:43，730他们承建商可能采取了一些更多的照顾，而试图纠正，500:00:43，730--> 00:00:47，220驶出，得到新的发电机我们也许可以在这里的一切，600:00:47，220--> 00:00:50，280在那里，流行烟我在谈的气氛700:00:50，280--> 00:00:58，339生产前，对此我们有美丽阴云密布的早晨有雾，这将有助于800:00:58，339--> 00:01:03，920我们出了很多，但我想我们会做是早来在天亮之前900:01:03，920--> 00:01:08，150然后如果你不得不把这丝绸跨越，但现在我们有丝绸这家伙1000:01:08，150--> 00:01:12，229在阴暗的一天，所以我刚小绑在她和那的1100:01:12，229--> 00:01:19，100它也有头发快速聊天化妆和衣柜的故事1200:01:19，100--> 00:01:24，090和什么我们想要一个女孩感觉像显然她并不只是漂亮，1300:01:24，090--> 00:01:28，140打扮最多只是撞了她的车你知道一定有东西表明1400:01:28，140--> 00:01:32，750她禁用心疼你知道常见那里对着镜头所以1500:01:32，750--> 00:01:38，270他们去了有点也许得到一些污垢很有几个穿着一1600:01:38，270--> 00:01:42，119选项是对这里是这场戏要穿过水然后应1700:01:42，119--> 00:01:46，409这辆车今天晚些时候她打算坐在上，所以我们有不同的服装，为1800:01:46，409--> 00:01:49，509此所以我们要去做这么多，以至于将使用这里是解决那你1900:01:49，509--> 00:01:55，240其实可以弄脏，你知道撕裂所以起来多一点点清晰的2000:01:55，240--> 00:01:56，890我们今天上午的议程2100:01:56，890--> 00:02:02，549觉得一切都是在这里现在是只是为了那么这件事去和创建2200:02:02，549--> 00:02:18，270一些好的东西2300:02:18，270--> 00:02:29，250然后在前面转发这背后这陪审员以及2400:02:29，250--> 00:02:41，580有点进一步相机的右边是的美丽的谢谢你，先生雇用谁呢2500:02:41，580--> 00:02:45，980所以我们的理由把这些白色在这些树后面纸板是2600:02:45，980--> 00:02:49，410他们想要他们的车去那里，要大力削减叶一叶2700:02:49，410--> 00:02:53，940如果我想要离开它后面的车也我们把白色那里这样我就可以2800:02:53，940--> 00:02:58，550使它容易选择和大众树出去，然后有点插入后面一辆车2900:02:58，550--> 00:03:01，720它那就是为什么我们做什么我们我们要这样做3000:03:01，720--> 00:03:05，550几次今天随着光线的改变有点但即帮助的过程3100:03:05，550--> 00:03:09，290我知道第一次由相应的此外帮助我们把这辆车3200:03:09，290--> 00:03:31，000精美到树3300:03:31，000--> 00:03:39，120我认为我已经准备一些测试镜头742 要去拿个可爱的女人，做3400:03:39，120--> 00:03:44，260一些测试镜头3500:03:44，260--> 00:03:47，810几乎是在这里的所有邮轮和进入的部分在哪里我真的3600:03:47，810--> 00:03:52，310在开始起草这是图片我真正享受和得到的部分3700:03:52，310--> 00:03:56，830人才在缎被创建后挡板做一些零件和碎片和现在它的3800:03:56，830--> 00:04:01，720真正进入的本质它得到情感的瓷砖和所有3900:04:01，720--> 00:04:59，849他们真的很向往那种东西照片好让我看看4000:04:59，849--> 00:05:12，099你知道有一种平衡和他们留下一些东西有点我不去4100:05:12，099--> 00:05:17，659太长时间接触也是对深度你知道的字段的认为她随着她的到来4200:05:17，659--> 00:05:21，979走向我的焦点是在右边水的边缘和我想要的排序4300:05:21，979--> 00:05:26，199开始中途走他们收入朝我这就是为什么不是4400:05:26，199--> 00:05:31，909所以给自己那景深我有一些尖锐的间距4500:05:31，909--> 00:05:35，389前景色和背景就可以她在这会多一点点4600:05:35，389--> 00:05:38，839当它来到复合，她的流体不会静她就要走这样4700:05:38，839--> 00:05:42，689它对我很重要，有一些深度所以我说这实际上可能是字段的4800:05:42，689--> 00:05:48，089做小的尖锐帧将去也许那一秒的叶子到会4900:05:48，089--> 00:05:55，360仍然不够，我们在 16 和与应该给我足够的宽镜头5000:05:55，360--> 00:06:04，219景深的精美出现在那里也这样做，复合板我5100:06:04，219--> 00:06:09，369想要到测量在测量这和然后我想要去那里请确保5200:06:09，369--> 00:06:22，460我们认为它在水去它是现在的呼叫5300:06:22，460--> 00:06:36，400你想要凉鞋就在那里等，只是这里的浅沙栏5400:06:36，400--> 00:06:42，530在启动第六第七第八，然后你可以走进之前你踩5500:06:42，530--> 00:06:50，800让我们做我们就能到达光测试知道的曝光和其他的东西5600:06:50，800--> 00:07:03，110之前你进去和可能会握着这老实说我不5700:07:03，110--> 00:07:21，169所以跟着她5800:07:21，169--> 00:07:33，300那好吧所以试着进一步用那种方式看看会发生什么5900:07:33，300--> 00:07:38，379是更好的 Andy Mackay Anamika6000:07:38，379--> 00:07:57，060Anamika 好吧拿给指甲油和我很难说正确保持下去的脚趾6100:07:57，060--> 00:08:09，660在那里6200:08:09，660--> 00:08:23，790我很痛苦，只是试着把它到车右的表达式6300:08:23，790--> 00:08:34，030崩溃所以你可以用它的方式，你表演这要像这件夹克6400:08:34，030--> 00:08:51，210和确定，我会射出一点只是将它举起一点点从6500:08:51，210--> 00:09:03，060无处不在所以我不会看相机只是看后这是一个小6600:09:03，060--> 00:09:06，330一步这样，然后你一路走来她说，球迷们在这里走向6700:09:06，330--> 00:09:12，340目标，你要试着把你注意它是或身体郎是身体6800:09:12，340--> 00:09:18，590语言和一切所以就在你身后你的故事是你生活6900:09:18，590--> 00:09:21，790车走出它右你来这种方式7000:09:21，790--> 00:09:37，200美丽只是撞了什么，你能做的把你的头脑7100:09:37，200--> 00:09:42，530车毁人亡，给你的更广泛它是什么样的一个爱情故事的图片7200:09:42，530--> 00:09:46，520因为另一张照片与人喜欢在接下来的场景一起聊天是7300:09:46，520--> 00:09:52，830这在哪里你排序的采取的办公室给了撞了另一辆车，你可以把这一切7400:09:52，830--> 00:09:56，490想着一些人动心东西放在最顶端的车7500:09:56，490--> 00:09:58，640撞坏了，看看是否我们可以只是

結果 (中文) 3:

1
00:00:25350——> 00:00:30520
车祸图像和它做了一个小小的
走过批准从

2
00:00:30520——> 00:00:34390
游侠在我们想
是我们看着一天的

3
00:00:34390——> 00:00:38890
图标的一个有趣的早晨，
我们有一些设备丢失我想

4
00:00:38890——> 00:00:43730
承包商可能已经采取了一些
斑点更多的关心而试图纠正

5
00:00:43730——> 00:00:47220
去得到一个新的发电机，我们
也许可以得到去这里

6
00:00:47220——> 00:00:50280
流行的烟在那
气氛，我谈到了在

7
00:00:50280——> 00:00:58339
生产前我们有美丽的
阴雾蒙蒙的早晨，这将有助于

8
00:00:58339——> 00:01:03920
我们出了很多但我认为我们会做
是来得很早，太阳就

9
00:01:03920之前——> 00:01:08150
然后如果你要把这个丝绸
过但是现在我们有一个柔软的这家伙

10
00:01:08150——> 00:01:12229
在阴天所以我只是有一个小
绑在自己和那

11
00:01:12229——> 00:01:19100
也与头发
快速的聊了化妆和服装有关的故事

12
00:01:19100——> 00:01:24090
和我们想要的女孩觉得
显然她不只是漂亮，

13
00:01:24090——> 00:01:28140
打扮只是撞坏了她的车，你知道
总会显示

14
00:01:28140——> 00:01:32750
她残疾的心疼你知道
普遍对相机所以

15
00:01:32750——> 00：01:38270
他们去一点，也许得到一些
污垢很有几个穿着一

16
00:01:38270——> 00:01:42119
选项，这个场景就在这里
要趟水就

17
00:01:42119——> 00:01:46409
车今天晚些时候，她会坐在它
所以我们有18


00:01:46409不同的服装——> 00:01:49509
这样我们会如此
将在这里使用的是地址，你

19
00:01:49509——> 00:01:55240
实际上可以脏，你知道眼泪
一点更清楚这样的

20
00:01:55240——> 00:01:56890
议程今天上午

21
00:01:56890——> 00:02:02549
认为这里的一切都是现在只是
让创造

22
00:02:02549——> 00:02:18270
好事

23
00:02:18270——> 00:02：29250
然后转发在这前面
这个陪审团以及

24
00:02:29250——> 00:02:41580
点进一步向镜头
是谁雇佣漂亮谢谢先生

25
00:02:41580——> 00:02:45980
这样的理由让我们把这些白
纸板这些树的后面是

26
00:02:45980——> 00:02:49410
他们希望他们的车去那里，这是
很难去剪叶叶

27
00:02:49410——> 00:02:53940
如果我想让后面的车就这么
我们把白色有这样我就可以

28
00:02:53940——> 00:02:58550
可以很容易的选择和质量树
出来然后点插入后面的车

29
00:02:58550——> 00:03:01720
它这就是我们为什么要做我们
做我们要做这

30
00:03:01720——> 00：03:05550
几次今天随着光线的变化
一点但那是帮助

31
00:03:05550过程——> 00:03:09290
我知道首先由相应的
还帮助我们把车

32
00:03:09290——> 00:03:31000
漂亮的树

33
00:03:31000——> 00:03:39120
我想我已经准备好一些测试截图
742去一个可爱的女士做

34
00:03:39120——> 00:03:44，260
一些测试截图

35
00:03:44260——> 00:03:47810
几乎所有邮轮下来
进入的部分，我真的

36
00:03:47810——> 00:03:52310
开始制作图片，这是
部分我真的真的享受得到

37
00:03:52310——> 00:03:56830
人才在缎被创建背板
做了一些零件，现在

38
00:03:56830——> 00:04:01720