23800:15:27,329 --> 00:15:32,130pai

238
00:15:27,329 --> 00:15:32,130
painting around them but not going over
their skin the key to this is using a

239
00:15:32,130 --> 00:15:35,850
brush size that's close to the area that
you're modifying that life has a good

240
00:15:35,850 --> 00:15:39,350
idea of where you're trying to reach and
where you're not gonna go into this

241
00:15:39,350 --> 00:15:46,720
little right here we go over that hair
behind the hair dryers in on this kind

242
00:15:46,720 --> 00:15:50,560
of an image this is really what this
tool was designed for there's gonna be

243
00:15:50,560 --> 00:15:54,100
situations where it doesn't work as well
and we're gonna get to those but we're

244
00:15:54,100 --> 00:15:58,490
going to keep going I'm gonna raise the
brush a little bit from that too big it

245
00:15:58,490 --> 00:16:03,140
was either sorry raised from the small
size from the large size and go down so

246
00:16:03,140 --> 00:16:07,720
I can get into this little crack right
here and we're gonna kind of pain around

247
00:16:07,720 --> 00:16:13,910
the feed ok getting close you can go a
little bit over and it's going to kind

248
00:16:13,910 --> 00:16:17,010
of trying to detect there so

249
00:16:17,010 --> 00:16:23,230
same thing here once we have this all
painted in the big key here is to make

250
00:16:23,230 --> 00:16:26,340
sure that you're not making the
adjustment to powerful because your

251
00:16:26,340 --> 00:16:30,250
edges these are not perfect and it's not
like we did in Photoshop is still going

252
00:16:30,250 --> 00:16:33,340
to have a little bit edge to it and you
can see when we resume in there's a

253
00:16:33,340 --> 00:16:37,840
little bit of kind of blue mixed in and
so it's not a flawless edge over any of

254
00:16:37,840 --> 00:16:40,750
it so you do want to make sure that the
adjustment isn't huge because it will be

255
00:16:40,750 --> 00:16:43,450
noticed this is an area that we're gonna
start to have a little bit of an issue

256
00:16:43,450 --> 00:16:45,010
so check this out

257
00:16:45,010 --> 00:16:47,860
you can see over here we have a little
bit of traumatic aberration from the

258
00:16:47,860 --> 00:16:52,610
lens and that's where you know we have a
lot of contrast there in like it doesn't

259
00:16:52,610 --> 00:16:55,430
really know what to do when you start to
get these weird artifacts or check us

260
00:16:55,430 --> 00:16:59,570
out we get these leg kinda strange
artifacts in this area the horizon where

261
00:16:59,570 --> 00:17:03,370
it doesn't really know where to pain
we're not so I find that when I'm done

262
00:17:03,370 --> 00:17:07,020
painting that edge around the couple
around the area of high contrast I

263
00:17:07,020 --> 00:17:10,160
generally just turn off the auto mask
and for the rest of it I just painted in

264
00:17:10,160 --> 00:17:14,510
and feather it just like I normally
would and the federal itself is going to

265
00:17:14,510 --> 00:17:18,160
make it look more natural ok there's
also areas of the image where this

266
00:17:18,160 --> 00:17:20,900
didn't paint in fully something's gonna
go ahead and go around the image make

267
00:17:20,900 --> 00:17:24,370
sure I got everything and they were
gonna hold alter option and with a very

268
00:17:24,370 --> 00:17:31,130
large brush I'm gonna feather off the
horizon line ok so gradually paying off

269
00:17:31,130 --> 00:17:36,500
a little bit of pain offer me here to
this site to post a very subtle

270
00:17:36,500 --> 00:17:42,160
graduation now let's go ahead and turn
this over layoffs urgency are just meant

271
00:17:42,160 --> 00:17:46,080
and what I'm gonna do here is just a
little bit so we're just gonna bring the

272
00:17:46,080 --> 00:17:50,690
exposure down a bit more ok I don't want
to go too much I just want to get some

273
00:17:50,690 --> 00:17:55,390
of my clouds back a little bit if I go
down here this is when you start to

274
00:17:55,390 --> 00:17:59,030
reveal all of the issues in the image we
can actually use that kind of reveal

275
00:17:59,030 --> 00:18:04,350
areas of this guy that we didn't have
fully selected which is quite nice like

276
00:18:04,350 --> 00:18:10,580
those areas but I think I just started
creating a new oh it was we felt the

277
00:18:10,580 --> 00:18:13,200
bottom area office I can do that with
the bottom area cuz its kind of

278
00:18:13,200 --> 00:18:16,830
feathered ok but if we go with that
began just need to see that we can see

279
00:18:16,830 --> 00:18:20,920
holes all over this mask and that's what
we don't want but if we keep that

280
00:18:20,920 --> 00:18:25,250
adjustment around maybe you have stopped
we get a really nice adjustment here

281
00:18:25,250 --> 00:18:26,190
with with

282
00:18:26,190 --> 00:18:30,200
can bring in the clouds back and getting
a really nice look without without

283
00:18:30,200 --> 00:18:37,389
creating kind of any sense of awkward
mask mask guys I'm gonna go ahead and

284
00:18:37,389 --> 00:18:39,840
bring the highlights down a little bit
too does because I want preserve little

285
00:18:39,840 --> 00:18:43,090
more the cloud highlights contrast is
great I do like a little bit of a boost

286
00:18:43,090 --> 00:18:46,100
in congress going to dial it back a
little bit challenges and really doing

287
00:18:46,100 --> 00:18:48,929
much because there's not really any
shadows in this range here and

288
00:18:48,929 --> 00:18:52,379
highlights the clarity is adding Midtown
condos again there's not a lot of

289
00:18:52,379 --> 00:18:57,990
Midtown contrast saturation is boosting
a little blues that's totally fine this

290
00:18:57,990 --> 00:19:01,830
is certain to look pretty awesome now ok
so what do I do now as just dial up the

291
00:19:01,830 --> 00:19:05,360
contrast a bit gonna make sure that the
skin tones don't get a little bit to

292
00:19:05,360 --> 00:19:08,529
saturate which they are a little over
here so I'm just dial back the

293
00:19:08,529 --> 00:19:14,710
saturation on the image just maybe by go
to their exposure by one little click

294
00:19:14,710 --> 00:19:18,940
and we've done a really nice job of this
image what I am gonna do real quick is

295
00:19:18,940 --> 00:19:24,179
just to make sure all day with a very
large brush and it kind of just suddenly

296
00:19:24,179 --> 00:19:29,029
graduate that edge a little bit more
along the water and along the left side

297
00:19:29,029 --> 00:19:33,049
as the houses I can see a little bit
that fringing going on with the

298
00:19:33,049 --> 00:19:38,730
darkening of that the house area the
house area the house how's the area so

299
00:19:38,730 --> 00:19:44,190
what I meant to see houses houses ok
well we're also going to be spread

300
00:19:44,190 --> 00:19:47,019
throughout this point right here a
little bit I selected the water brush

301
00:19:47,019 --> 00:19:50,269
now I'm kind of spattering off certain
areas that I feel like we're getting a

302
00:19:50,269 --> 00:19:54,480
bit of fringing or halo kind of effect
where it's darkening a little bit too

303
00:19:54,480 --> 00:19:59,610
much is going to pull those off I'll get
a little more of a subtle look to the

304
00:19:59,610 --> 00:20:04,279
image same thing here I'm gonna kind of
fed off the rocks of the rocks don't

305
00:20:04,279 --> 00:20:06,759
darken in the foreground

306
00:20:06,759 --> 00:20:11,739
and this is looking awesome let's do one
last thing one very last thing what's

307
00:20:11,739 --> 00:20:16,409
this graduate filter wanna go to a
negative point by stop all this is is a

308
00:20:16,409 --> 00:20:20,369
negative point five stop on exposure
case it is down that in we're gonna pull

309
00:20:20,369 --> 00:20:25,019
it up from the bottom holding down shift
to constrain it to the that straight

310
00:20:25,019 --> 00:20:30,469
line going across horizontally and all
gonna do is dark in this little piece

311
00:20:30,469 --> 00:20:34,659
and the goal here is just to kind of
bring attention into the center it makes

312
00:20:34,659 --> 00:20:38,070
it rocks little more dramatic I'm gonna
keep point on the exposure but until I

313
00:20:38,070 --> 00:20:39,679
feel like it looks good

314
00:20:39,679 --> 00:20:44,199
actually point seven is where it doesn't
look like it's doesn't look like it's

315
00:20:44,199 --> 00:20:52,999
just me it just looks like it's okay and
then one last thing I said like Steve

316
00:20:52,999 --> 00:20:58,739
Jobs rested so actually not very nice
man but a genius let's go ahead and

317
00:20:58,739 --> 00:21:06,959
bring the lens been getting in and talk
about the way it is here but he always

318
00:21:06,959 --> 00:21:11,809
used to say just one more thing I'm
saying that now so I tried to steal his

319
00:21:11,809 --> 00:21:16,499
is lying down in a tiny bit of a manual
in banana just because on the edge I

320
00:21:16,499 --> 00:21:19,489
wanted to darken a little bit just a
little bit not a lot

321
00:21:19,489 --> 00:21:23,579
ok so we're gonna bring it down in their
29 or 30 and that gives me a nice subtle

322
00:21:23,579 --> 00:21:28,029
getting that helps to to darken on these
rocks now one of the reasons I'm

323
00:21:28,029 --> 00:21:31,690
darkening these rocks especially on the
edge is remember that we had that nasty

324
00:21:31,690 --> 00:21:35,949
bit of noise on the edge if we can
darken on that area it actually helps to

325
00:21:35,949 --> 00:21:39,659
kind of conceal some of that noise and
that effect from the underexposed image

326
00:21:39,659 --> 00:21:43,919
but we are all done with our image guys
I just clicked on the wrong place but

327
00:21:43,919 --> 00:21:46,559
we're all about now and let's go ahead
and check out the before and the after

328
00:21:46,559 --> 00:21:50,879
its gonna be night and day look at this
can you guys believe how far we have

結果 (中文) 1:

23800:15:27，329--> 00:15:32，130绘画在他们周围，但不是会他们的皮肤的关键就使用23900:15:32，130--> 00:15:35，850刷是近区的大小，您正在修改的生活具有良好24000:15:35，850--> 00:15:39，350在那里你想要达到的想法和在那里你不进去，24100:15:39，350--> 00:15:46，720少少的权利，在这里我们越过那头发吹风机的这种背后24200:15:46，720--> 00:15:50，560图像的这真的是这是什么工具专门为有，是你应该怎么做24300:15:50，560--> 00:15:54，100它也不行在哪里的情况和我们要去那些但我们24400:15:54，100--> 00:15:58，490要坚持下去我要提高刷一点点从那太大它24500:15:58，490--> 00:16:03，140要么对不起从提小吗从大的尺寸大小和下去所以34W00:16:03，140--> 00:16:07，720我能拿到这小小的裂痕正确在这里，我们要去种周围痛24700:16:07，720--> 00:16:13，910饲料的 ok 了接近你可以去在一点和它去种24800:16:13，910--> 00:16:17，010尝试检测存在的所以24900:16:17，010--> 00:16:23，230同样的事情在这里一旦我们有了这一切画中的大的关键是使25000:16:23，230--> 00:16:26，340确保你不在调整到强大因为你25100:16:26，340--> 00:16:30，250边缘这些都不是完美，它不是就像我们 Photoshop 仍在继续25200:16:30，250--> 00:16:33，340有一点点边缘到它和你可以看到，当我们在恢复时有25300:16:33，340--> 00:16:37，840一点点的蓝色混合和所以它不是一个完美的边缘的任何25400:16:37，840--> 00:16:40，750所以你要确保调整不是巨大的因为它将会25500:16:40，750--> 00:16:43，450注意到这是我们要去的地区开始有一点点的问题25600:16:43，450--> 00:16:45，010所以看看这个25700:16:45，010--> 00:16:47，860你可以看到这里我们有点从创伤性畸变位25800:16:47，860--> 00:16:52，610镜头，这就是在那里，你知道我们有大量那里的对比像它不25900:16:52，610--> 00:16:55，430真的知道该怎么办当你开始获取这些怪异的工件或签我们26000:16:55，430--> 00:16:59，570出我们得到这些腿有点奇怪在这一领域的地平线的工件在哪里26100:16:59，570--> 00:17:03，370它真的不知道在哪儿痛我们是不是所以我发现当我完成26200:17:03，370--> 00:17:07，020绘画，这对夫妇周围的边缘高对比度周围我26300:17:07，020--> 00:17:10，160一般只是关闭自动蒙版为其余的我只是画中26400:17:10，160--> 00:17:14，510和通常羽毛它就像我一样会和联邦本身去26500:17:14，510--> 00:17:18，160使它看起来更自然的确定有同样面积的图像在这26600:17:18，160--> 00:17:20，900没有涂料在充分的东西去往前走，四处图像使26700:17:20，900--> 00:17:24，370当然我有的一切和他们要更改选项，非常26800:17:24，370--> 00:17:31，130我要去羽毛掉大画笔天际线好所以逐渐还清26900:17:31，130--> 00:17:36，500一点点的疼痛提供我在这里此站点上发布一个非常微妙的27000:17:36，500--> 00:17:42，160毕业现在让我们向前走然后这在裁员紧迫性只是27100:17:42，160--> 00:17:46，080和怎么办在这里只是一点点所以我们只要让27200:17:46，080--> 00:17:50，690接触下来一点比较好吧，我不想要去太多我只是想要一些27300:17:50，690--> 00:17:55，390我的云回来的去一点点如果在这里，这是当你开始27400:17:55，390--> 00:17:59，030显示所有图像中问题我们实际上可以使用那种揭示27500:17:59，030--> 00:18:04，350我们没有这个家伙的领域充分选择是相当不错喜欢27600:18:04，350--> 00:18:10，580这些领域，但认为我只是开始创建新的哦这是我们感到27700:18:10，580--> 00:18:13，200底部区域办事处与能做到底部区域因为同类的27800:18:13，200--> 00:18:16，830但如果我们去与那好的羽毛开始只是需要去看看，我们可以看到27900:18:16，830--> 00:18:20，920所有在这面具和这是什么孔我们不想但如果我们牢记28000:18:20，920--> 00:18:25，250也许您已经停止周围的调整我们得到一个很好的调整28100:18:25，250--> 00:18:26，190与同28200:18:26，190--> 00:18:30，200可以带回的云越来越真的很好的样子，没有28300:18:30，200--> 00:18:37，389创建类的任何意义上的尴尬面具面具伙计们我要去往前走，28400:18:37，389--> 00:18:39，840把亮点一点也因为我想保护小28500:18:39，840--> 00:18:43，090更多云亮点对比我很喜欢一点点的提高28600:18:43 090--> 00:18:46，100在国会要拨回一点点挑战和真的做28700:18:46，100--> 00:18:48，929因为是不真的任何在这个范围内这里的阴影和28800:18:48，929--> 00:18:52，379突出显示清晰度添加中城公寓又不是很多28900:18:52，379--> 00:18:57，990提高中城对比度饱和度完全很好，这的小蓝调29000:18:57，990--> 00:19:01，830是一定要看起来很酷，你现在可以所以我现在做什么作为只需拨29100:19:01，830--> 00:19:05，360对比位要确保肤色不得到一点点到29200:19:05，360--> 00:19:08，529饱和，他们多一点在这里，所以我只是回拨29300:19:08，529--> 00:19:14，710只是也许由转到图像的饱和度通过一个小单击他们暴露29400:19:14，710--> 00:19:18，940我们做了非常好的工作，这图像我要做真正快是29500:19:18，940--> 00:19:24，179只是为了确保一天，但是非常大的笔刷和这种只是突然29600:19:24，179--> 00:19:29，029毕业那边缘多一点点沿水和沿左侧29700:19:29，029--> 00:19:33，049作为房子总要看一点点那边缘进行到底29800:19:33，049--> 00:19:38，730变暗，房屋面积房屋面积的房子如何是该地区所以29900:19:38，730--> 00:19:44，190我的意思是，看到好房子房子好，我们也要传播30000:19:44，190--> 00:19:47，019整个这点就在这里我选择水刷一点点30100:19:47，019--> 00:19:50，269现在我有点飞溅关闭某些我觉得我们得到的领域30200:19:50，269--> 00:19:54，480多的边缘或晕种效应在哪里它也黯淡了那么一点点30300:19:54，480--> 00:19:59，610很多正在摘去那些钱吧更多的微妙的期待30400:19:59，610--> 00:20:04，279图像同样的事情在这里我要去种美联储的岩石中的暗礁不30500:20:04，279--> 00:20:06，759在前景变暗30600:20:06，759--> 00:20:11，739和这看起来真棒让我们做一个最后一件事很最后一件事什么的30700:20:11，739--> 00:20:16，409该研究生的筛选器想要去通过停止所有的负点这是30800:20:16，409--> 00:20:20，369接触消极点五站它的下降，在我们的案例要去拉30900:20:20，369--> 00:20:25，019它从底部按住 shift 键要限制对该直31000:20:25，019--> 00:20:30，469线穿过水平和所有要做的是黑暗中这一小段31100:20:30，469--> 00:20:34，659和这里的目标是只是为了种注意把它使中心31200:20:34，659--> 00:20:38，070它的岩石稍微地更加生动，我要去保持点上曝光，但直到我31300:20:38，070--> 00:20:39，679觉得它看起来不错31400:20:39，679--> 00:20:44，199其实点七是不是在哪里看起来像它看起来不像是31500:20:44，199--> 00:20:52，999只是我它只是看起来像是好和然后最后一件事，我说像 Steve31600:20:52，999--> 00:20:58，739工作休息所以其实并不是很好男人但天才吧，31700:20:58，739--> 00:21:06，959带镜头一直在和谈方法它是在这里但他总是31800:21:06，959--> 00:21:11，809曾经说过我的一件事现在说，所以我试图偷他31900:21:11，809--> 00:21:16，499躺在小小的手册在香蕉只是因为在边缘上我32000:21:16，499--> 00:21:19，489想要一点点只是变暗一点不是很多32100:21:19，489--> 00:21:23，579好了我们要将它降落在他们29 或 30，这给了我一个很好微妙32200:21:23，579--> 00:21:28，029获取到，有助于对这些变暗现在岩石我的原因之一32300:21:28，029--> 00:21:31，690尤其是变暗这些岩石边缘是记得我们曾就那些肮脏32400:21:31，690--> 00:21:35，949一些噪声的边缘，如果我们可以在这一领域它实际上有助于变暗32500:21:35，949--> 00:21:39，659种掩盖一些那种噪音和这种效果从曝光不足的图像12t00:21:39，659--> 00:21:43，919但我们都做了我们的形象人我只是点击错了地方，但32700:21:43，919--> 00:21:46，559我们所有关于现在，让我们继续并检查了之前和之后32800:21:46，559--> 00:21:50，879要将黑夜和白天看看这个你们能相信我们有多远吗

結果 (中文) 3:

238
00:15:27329——> 00:15:32130
画身边但不会对
皮肤关键在于使用

239
00:15:32130——> 00:15:35850
笔刷大小，靠近地区，
你改变生活有一个好的

240
00:15:35850——> 00:15:39350
知道你在哪里正在试图达到
哪里你不会进入这个

241
00:15:39350——> 00:15:46720
点这里我们去发
背后的吹风机对这类

242
00:15:46720——> 00:15:50560
图像的这真的是这
工具被设计为会有

243
00:15:50560——> 00:15:54100
情况下它的效果并不好，我们
去那些我们

244
00:15:54100——> 00:15:58490
要继续下去，我要提高
刷一点点，太大

245
00:15:58490——> 00:16:03140
要么对不起了小
大小尺寸大，这样下去

246
00:16:03140——> 00:16:07720
我能进入这个小裂纹对
这里我们要种痛苦

247
00:16:07720——> 00:16:13910
饲料好接近，你可以去一个
点过来，就要种248


00:16:13，910——> 00:16:17010
试图发现有这么

249
00:16:17010——> 00:16:23230
相同的事情一旦我们有这一切
画在大这里的关键是让

250
00:16:23230——> 00:16:26340
确保你不让
调整强大因为你的

251
00:16:26340——> 00:16:30250
边缘，这些都是不完美的，这不是
像我们一样在PS图象处理软件仍

252
00:16:30，250——> 00:16:33340
有一点点边，你可以看到当我们
简历中有一个

253
00:16:33340——> 00:16:37840
点点蓝色混合，
种所以它不是在任何

254
00:16:37840——> 00:16:40750
它完美的边缘所以你要确保
调整不是巨大的因为它会

255
00:16:40750——> 00:16:43450
注意到这是一个方面，我们要
开始有一点点问题

256
00:16:43450——> 00:16:45010
所以看看这个

257
00:16:45010——> 00:16:47860
你可以看到我们这里有一个小
位外伤性畸变的

258
00:16:47860——> 00:16:52610
镜头，你知道我们有一个
很多对比有它不喜欢

259
00:16:52610——> 00:16:55430
真的知道做什么，当你开始
得到这些奇怪的文物或检查我们

260
00:16:55430——> 00:16:59570
我们得到这些腿有点奇怪
文物在这地区的地平线上

261
00:16:59570——> 00:17:03370
这真的不知道哪里痛
我们不是我发现当我做

262
00:17:03370——> 00:17:07020
画在几
边缘在高对比度的我

263
00:17:07020地区——> 00:17:10160
一般只是关闭自动屏蔽
和其他的我只是画在

264
00:17:10160——> 00:17:14510
羽毛就像我通常
会和联邦本身就是要

265
00:17:14510——> 00:17:18160
使它看起来更自然有好的
同样面积的图像，这

266
00:17:18160——> 00:17:20，900
没有画完全的东西会
继续围绕图像进行

267
00:17:20900——> 00:17:24370
肯定我得到的一切，他们
会改变选择，具有很

268
00:17:24370——> 00:17:31130
大刷我的羽毛掉
地平线好吧，逐步还清

269
00:17:31130——> 00:17:36500
一点点痛苦给我来
本网站发布一个非常微妙的

270
00:17:36500——> 00:17:42160
毕业现在让我们先把
这种紧迫性只是意味着裁员

271
00:17:42160——> 00:17:46080
和我要做的只是一个
点所以我们就要把

272
00:17:46080——> 00:17:50690
暴露了一点我不想
去太多，我只是想得到一些

273
00:17:50，690——> 00:17:55390
我云退一点如果我去
下来这是当你开始

274
00:17:55390——> 00:17:59030
揭示所有的问题在我们的形象
实际上可以使用这种揭示

275
00:17:59030——>这家伙00:18:04350
地区我们没有
充分选择很好喜欢

276
00:18:04350——> 00:18:10580
那些地区，但我想我刚开始
创建一个新的哦，这是我们感到

277
00:18:10580——> 00:18:13200
底部区域办公室，我可以用
底部区域因为

278
00:18:13200同类——> 00:18:16830
羽毛的好，但是如果我们去那
开始只需要看，我们可以看到

279
00:18:16830——>在这面具00:18:20920
孔，如果我们保持这种

280
00:18:20920——> 00:18:25250
就是
我们不想要但可能你已经停止
调整我们得到一个很好的调整在这里

281
00:18:25250——> 00:18:26190
与

282
00:18:26190——> 00:18:30200
可以带云回来，让
真看不

283
00:18:30200——> 00:18:37389
创造任何意义上的尴尬
面膜的家伙，我要去

284
00:18:37389——> 00:18:39840
种把集锦下来一点
也没有因为我想保留点

285
00:18:39840——> 00:18:43090
更云集锦对比
杰出的我喜欢一点点刺激

286
00:18:43090——> 00:18:46100
国会要拨回去一
点点挑战，真的做

287
00:18:46100——> 00:18:48929
多因为没有任何
阴影在这个范围，

288
00:18:48929——> 00:18:52379
集锦清晰度增加市中心
公寓又没有太多的

289
00:18:52379——> 00:18:57990
市中心对比饱和度提高
一点点蓝调，完全没这

290
00:18:57990——> 00:19:01830
是一定的看起来很可怕现在好
那么我现在做的只是拨号

291
00:19:01830——> 00：19:05360
对比点要确保
肤色没有得到一点点

292
00:19:05360——> 00:19:08529
饱和，他们在这里过
我回拨

293
00:19:08529——> 00:19:14710
饱和度对图像可能只是去
来他们接触很少的一

点击294
00:19:14710——> 00:19:18940
和我们做了很好的工作，这
图像我要做真正的快是

295
00:19:18940——> 00:19:24179
只是肯定很
大刷，这种突然

296
00:19:24179——> 00:19:29029
毕业的边缘一点点的
沿水沿左侧

297
00:19:29029——> 00:19:33049
的房子我能看到一点点
，边缘上的

298
00:19:33049——> 07-08 00:19让所有天：38730
暗淡，房屋面积
房屋面积的房子如何的区

299
00:19:38730——> 00:19:44190
我想看房子房子好
我们也会传播

300
00:19:44190——> 00:19:47019
贯穿这一点就在这里
点我选择水刷

301
00:19:47019——> 00:19:50269
现在我泼掉某些
种领域，我觉得我们要

302
00:19:50269——> 00:19:54480
点边缘或晕样的效果
那里的暗一点

303
00:19:54480——> 00:19:59610
会把那些我会
一点微妙的期待

304
00:19:59610——> 00:20:04279
图像相同的事情我会种
靠岩的岩石不

305
00:20:04，279——> 00:20:06759
暗的前景

306
00:20:06759——> 00:20:11739
这看起来可怕的让我们做一个
最后一最后一件事，什么

307
00:20:11739——> 00:20:16409
本毕业过滤器想去
负点停止这一切是一个

308
00:20:16409——> 00:20:20369
负五点停止暴露
案例是下来，我们会拉

309
00:20:20，369——> 00:20:25019
它从底部向上按住Shift键
约束它，直

310
00:20:25019——> 00:20:30469
线穿过水平和所有
会暗在这张小

311
00:20:30469——> 00:20:34659
和这里的目标只是一种
注意到中心进行

312
00:20:34659——> 00:20:38070
岩石更戏剧性的我要
保持在接触点，但是直到我

313
00:20:38070——> 00:20:39679
觉得看起来不错

314
00:20:39679——> 00:20:44199
其实七点是在不
看起来不像它的

315
00:20:44199——> 00:20:52999
只是我看起来喜欢它的好，
然后最后一件事，我说像史提夫

316
00:20:52999——> 00:20:58739
工作休息，真的不是很好
但天才的人吧，

317
00:20:58739——> 00:21:06959
把镜头一直在谈
是这里的方式，但他总是

318
00:21:06959——> 00:21:11809
常说的只是一件事我
说现在我想偷他的

319
00:21:11809——> 00:21:16499
躺在一个小小的香蕉手动
只是因为边上我

320
00:21:16499——> 00：21:19489
想变暗一点点只是一
点不是很多

321
00:21:19489——> 00:21:23579
好所以我们要把它记在自己的
29或30，给我一个微妙的

322
00:21:23579——> 00:21:28029
获得有助于加深对这些
现在我
岩石之一
323
00:21:28029——> 00:21:31690
昏暗这些岩石特别是在
原因边缘是记得我们有讨厌的

324
00:21:31690——>在边缘00:21:35949
点噪声，如果我们能
暗区域实际上有助于

325
00:21:35949——> 00:21:39659
种隐藏一些噪声和
从曝光不足的图像

326
00:21:39659效应——> 00:21:43919
但我们都做了我们的形象的人
我点击了错误的地方但

327
00:21:43，919——> 00:21:46559
我们现在让我们继续
检查前和
328
00:21:46559——> 00:21:50879
会日夜看着这
你们能在
相信我们有多远