Weaving and fabrics[edit]Woolen fab

Weaving and fabrics[edit]

Woolen fabrics for everyday use were produced by weavers in Majdal, Bethlehem, Ramallah, and Jerusalem. The wool could be from sheep, goats or camels.[7][8] Weaving among the Bedouins was and is still traditionally carried out by women to create domestic items, such as tents, rugs, and pillow covers. Thread is spun from sheep's wool, colored with natural dyes, and woven into a strong fabric using a ground loom.[9]

Linen woven on hand-looms and cotton were mainstay fabrics for embroidered garments,[10] though cotton was not widely used until the end of the 19th century when it began to be imported from Europe.[7] Fabrics could be left uncoloured or dyed various colours, the most popular being deep blue using indigo, others being black, red and green. In 1870 there were ten dyeing workshops in the Murestan quarter of Jerusalem, employing around 100 men.[11][12]

According to Shelagh Weir, the colour produced by indigo (nileh) was believed to ward off the evil eye, and frequently used for coats in the Galilee and dresses in southern Palestine.[10] Indigo dyed heavy cotton was also used to make sirwals or shirwals, cotton trousers worn by men and women that were baggy from the waist down but tailored tight around the calves or ankles. The wealthier the region, the darker the blue produced; cloth could be dipped in the vat and left to set as many as nine times. Dresses with the heaviest and most intricate embroidery, often described as 'black', were made of heavy cotton or linen of a very dark blue.[13] Travellers to Palestine in the 19th and 20th centuries represented pastoral scenes of peasant women donned in blue going about their daily tasks, in art and literature.[10]

Because of the hot climate and for reasons of prestige, dresses were cut voluminously, particularly in the south, often running twice the length of the human body with the excess being wrapped up into a belt. For more festive dresses in southern Palestine, silks where imported from Syria with some from Egypt.[14] For example, a fashion of the Bethlehem area was to interlay stripes of indigo-blue linen with those of silk.[13]

Fashions in towns followed those in Damascus, Syria.[14] Some producers in Aleppo, Hama and Damascus produced styles specifically for the Palestinian market.[15] Weavers in Homs produced belts and some shawls exclusively for export to Nablus and Jerusalem.[16]

The production of cloth for traditional Palestinian costumes and for export throughout the Arab world was a key industry of the destroyed village of Majdal. Majdalawi fabric was produced by a male weaver on a single treadle loom using black and indigo cotton threads combined with fuchsia and turquoise silk threads. While the village no longer exists today, the craft of Majdalawi weaving continues as part of a cultural preservation project run by the Atfaluna Crafts organization and the Arts and Crafts Village in Gaza City.[9]

結果 (繁體中文) 1:

編織及織物 [編輯]日常使用的粗紡面料制得織工在邁季代勒、 伯利恒、 拉馬拉和耶路撒冷。羊毛可以從綿羊、 山羊和駱駝。[] 7[8] 編織之間貝都因人是和仍然傳統上進行的婦女創造國內的專案，如帳篷、 地毯、 枕套。執行緒是從羊的羊毛紡、 用天然染料著色和編織成使用地面織機的堅硬的纖維。[] 9亞麻布上手工織機和棉織了支柱面料繡花服裝，[10] 雖然棉花不廣泛使用了直到 19 世紀末期才開始從歐洲進口。[7] 面料可由不帶或染成各種顏色，最流行的是深藍色使用靛藍，其他三個是黑色，紅色和綠色。在 1870 年有十在耶路撒冷 Murestan 季染色車間，雇用約 100 人。[] 11[] 12According to Shelagh Weir, the colour produced by indigo (nileh) was believed to ward off the evil eye, and frequently used for coats in the Galilee and dresses in southern Palestine.[10] Indigo dyed heavy cotton was also used to make sirwals or shirwals, cotton trousers worn by men and women that were baggy from the waist down but tailored tight around the calves or ankles. The wealthier the region, the darker the blue produced; cloth could be dipped in the vat and left to set as many as nine times. Dresses with the heaviest and most intricate embroidery, often described as 'black', were made of heavy cotton or linen of a very dark blue.[13] Travellers to Palestine in the 19th and 20th centuries represented pastoral scenes of peasant women donned in blue going about their daily tasks, in art and literature.[10]Because of the hot climate and for reasons of prestige, dresses were cut voluminously, particularly in the south, often running twice the length of the human body with the excess being wrapped up into a belt. For more festive dresses in southern Palestine, silks where imported from Syria with some from Egypt.[14] For example, a fashion of the Bethlehem area was to interlay stripes of indigo-blue linen with those of silk.[13]Fashions in towns followed those in Damascus, Syria.[14] Some producers in Aleppo, Hama and Damascus produced styles specifically for the Palestinian market.[15] Weavers in Homs produced belts and some shawls exclusively for export to Nablus and Jerusalem.[16]The production of cloth for traditional Palestinian costumes and for export throughout the Arab world was a key industry of the destroyed village of Majdal. Majdalawi fabric was produced by a male weaver on a single treadle loom using black and indigo cotton threads combined with fuchsia and turquoise silk threads. While the village no longer exists today, the craft of Majdalawi weaving continues as part of a cultural preservation project run by the Atfaluna Crafts organization and the Arts and Crafts Village in Gaza City.[9]